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erebus53's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I tackled this book as part of a book club (Lighthouse Library thicc bois :) ). It wasn't something I had heard of before that. It starts off set in Cairo with a young woman of unknown origin who is a theif, swindler and survivor, and who has a mysterious healing talent and the ability to understand languages, which she hides to avoid people thinking her a dangerous witch.
Her world is upended when she utters some words of power while doing a faith healing scam, and unexpectedly summons something to her. This leads to her and a big scary soldier guy on the run from murderous ghouls and ifrits. She learns of the world of Daeva and Djinns and journeys to find sanctuary in a magical hidden city, all the while being hunted and tracked by mysterious forces and magical creatures.
Having read a children's translation of the Persian epic Shahnameh, some of the creatures and names were familiar to me. I did keep wondering if Nahri's uncle had an epic warhorse called Rakhsh. I find that I clearly have a lot more grounding in the myths of the Pacific Islands, the Mediterranean, Europe and the British Isles, and need to read more mythic stories from other parts of the world. This story weaves together myth from many places in Eastern Europe, Northern Africa, South and East Asia. Thematically it pits Tradtions, family, individualism, duty, and survival together in a story that sets up a world that I feel is yet to be explored and played in. That's quite a big book for an intro!
The main character is antiheroic. She is a thief, a liar, and a con-artist. She is used to not having a lot and needing to swindle what she can, and so she is out of her depth when she is cast into a palace with opulence at all turns. She is under no illusions that everyone has their own agenda, and that appearances are often skin-deep. It can make for slippery footing as you try to come to grips with a story where there are centuries of history, of alliances and rivalry.
As far as the elemental magic goes, it's generally coherent. The story has some curiosities but non of the "surprises" are overly so. I'm interested to wade into the world and see a little more.
Graphic: Body horror, Fire/Fire injury, Gore, Murder, Physical abuse, Terminal illness, Injury/Injury detail, Medical content, Medical trauma, Mental illness, Racism, Police brutality, War, Chronic illness, Colonisation, Death, Hate crime, Racial slurs, Sexism, Vomit, Blood, Classism, Sexual assault, Slavery, Torture, Toxic relationship, Violence, Infertility, Alcohol, Cultural appropriation, Cursing, Death of parent, Genocide, Grief, Infidelity, Religious bigotry, Sexual violence, and Toxic friendship
Moderate: Pedophilia, Rape, and Excrement
Minor: Dementia, Chronic illness, Classism, Homophobia, Kidnapping, Bullying, Cancer, and Abandonment
macknificent's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I was fine with only reading one of the books until I got to the very end, now I'll need to read the next entry in the trilogy. I'm not mad it's just a rather cliche trick to pull.
Graphic: Classism, Xenophobia, War, Slavery, Sexism, Religious bigotry, and Misogyny
Moderate: Abandonment, Alcohol, Blood, Body shaming, Bullying, Cursing, Death, Death of parent, Fire/Fire injury, Genocide, Infertility, Injury/Injury detail, Islamophobia, Medical content, Murder, Physical abuse, Sexual violence, Police brutality, Pregnancy, Racial slurs, Racism, Sexual content, and Toxic relationship
Minor: Grief, Infidelity, Islamophobia, Cancer, Confinement, Kidnapping, Medical content, Mental illness, Rape, Religious bigotry, and Sexual content
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This generally avoids infodumps by making sure that, when exposition is necessary, it comes in the form of telling someone information that’s truly new to them. Sometimes that’s a briefing for an unfamiliar situation, other times it’s a story around the fire. A lot of these explanations happen early on, and it seemed like a bit much at first (there are a lot of tribes, for one), but the main narrative only demands consistent recognition of three or four tribal names so it wasn't overwhelming once the story got going. The two main characters have very different lives and knowledge bases, and that works together to give the reader a fuller picture of the world and the secondary characters.
I love the political wrangling and intrigue. Ali is pretty blunt, surrounded by much more subtle players with complicated aims, and there are a few places where people use insider terms to tell him what’s going on but he doesn’t realize that a double meaning is involved. Later when Mahri becomes immersed in it she's a much savvier player with the information she does have, and I'm looking forward to how she handles things as the the trilogy progresses. I love heists and thieves, so having Mahri the con artist as a protagonist is a treat. She's self confident but wary of the situation, and that blend of prowess and uncertainty is truly delightful. There's something great about taking a person highly skilled in one arena and dropping them into a wholly different one that brings out their known and unknown strengths in intriguing ways. Dara isn't a point of view character, and I think that's because he knows too much to be a good narrator. The story is so much richer for his presence, but he's stingy with information, doling it out only when he thinks Mara needs to know something, which is often well after he's acted on the knowledge. This leaves her to pick up the pieces each time, in turns fond of and exasperated by him as he drifts in and out of the scene.
The ending is rather shocking, managing grief and triumph as Mahri and Ali have to deal with sudden changes in the last chapters. It's not a twist of plot as much of the inevitability of consequence, as things that had been a little bit wrong for a while suddenly get out of control. I'm excited for the next one, I need to know what happens now.
Graphic: Blood, Violence, Torture, Murder, and Death
Moderate: Grief, Xenophobia, Racism, Colonisation, Genocide, Child abuse, Child death, Slavery, Mental illness, Drug abuse, Self harm, Fire/Fire injury, Vomit, and Death of parent
Minor: Antisemitism, Excrement, and Rape
CW for major character death (graphic).