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angstifies's review against another edition
adventurous
emotional
mysterious
tense
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
just everything about the setting was perfect, i can’t get over how much i loved the magical elements in this world. i think i’ve never been as invested in a fictional relationship as i was in this book, oh i LOVED IT.
Content Warnings
Graphic: Emotional abuse, Child abuse, and Blood
Moderate: Death, Alcohol, Drug use, Homophobia, and Murder
Minor: Child death, Death of parent, Sexual content, and Abandonment
k_aro's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
WHEW! I really didn't expect much from The Midnight Lie—be as it may, I'm a little bit of a snob over fantasy novels due to the fact that I read a large quantity as a kid, and I saw it recommended from BookTok, which, based on my previous BookTok books has been... a mixed bag. Admittedly I wasn't shocked by many of the reveals, but I don't think that's a critique of the book; I think it's smart about revealing just enough that it makes sense on re-reads.
That said, I did not expect the ending! It's not like, a cheap plot twist, but it's such a painful refusal of closure that it hurts me just thinking about it. I didn't cry over the ending, but sheesh, I'm really looking forward to reading the next book. I also think it's a super well-written villain ending—I've read some books *coughs* The Young Elites *coughs* that REALLY muck up the villain ending and essentially spoil the experience of having read the book at all.
I do have some things I don't love about this book: for one, that Nirrim is so blind to Raven's consistent emotional/domestic abuse, despite her ability to spot it in other people (i.e. Aden). Like, I get that Nirrim and Raven's relationship is different to that of her and Aden's, but it just feels kind of weird that up until the proper reveal of who Raven is, Nirrim's insistent on thinking of her as the same one-dimensional mother figure who sometimes makes mistakes and hurts her. I'm not saying Nirrim has to be on board to condemn Raven the first time she does something bad, but it's just... weird, I guess.
I also think that the first like... fourth? Of the book is a little slow. It's got a lot to set up, so I'm not, like, mad that it's slow, but it does make it a bit hard to get into.
Also, there's certainly NO commentary going on about how the Half Kith's body parts are literally being used for the pleasure of the High Kith. Nope. No commentary at all. Not even about how Raven extorts families to get them families to move up in the world. Nada. Zip. Nothing. (This is sarcasm—sometimes, fantasy caste systems can be a bit... overstated, which to a certain degree could be true here, it also I think treats it with a bit more real parallels that it feels more verisimilitudinous to me.)
I do have some things I don't love about this book: for one, that Nirrim is so blind to Raven's consistent emotional/domestic abuse, despite her ability to spot it in other people (i.e. Aden). Like, I get that Nirrim and Raven's relationship is different to that of her and Aden's, but it just feels kind of weird that up until the proper reveal of who Raven is, Nirrim's insistent on thinking of her as the same one-dimensional mother figure who sometimes makes mistakes and hurts her. I'm not saying Nirrim has to be on board to condemn Raven the first time she does something bad, but it's just... weird, I guess.
I also think that the first like... fourth? Of the book is a little slow. It's got a lot to set up, so I'm not, like, mad that it's slow, but it does make it a bit hard to get into.
Content Warnings
Graphic: Blood, Child abuse, Classism, Abandonment, Confinement, Domestic abuse, Emotional abuse, Fire/Fire injury, Gaslighting, Police brutality, Toxic relationship, Trafficking, Violence, and Sexual harassment
Moderate: Rape, Murder, and Drug use
Minor: Misogyny, Child death, Death of parent, Homophobia, and Lesbophobia
A note on the moderate content warning for rape:rowanleereads's review
dark
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The first half of the book was really slow. About halfway through it picked up and I actually started to enjoy it. The main character grows from a naive, sheltered, indecisive girl to a young woman taking control of her life, her gift, and sexuality. Some of the themes are forbidden romance, greedy gods and a suppressive casts system. I will absolutely be reading the sequel, as the book ends with a twisted cliff hanger leaving the main character nothing like the woman you came to know.
Content Warnings
Moderate: Abandonment, Child death, and Death
Minor: Blood
erynpaige's review
adventurous
dark
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Sexism, Racism, Child abuse, Physical abuse, Drug use, Drug abuse, Xenophobia, War, Police brutality, Murder, Misogyny, Miscarriage, Lesbophobia, Injury/Injury detail, Homophobia, Grief, Fire/Fire injury, Gaslighting, Emotional abuse, Death, Confinement, and Child death
Minor: Rape, Sexual assault, and Sexual violence
emilywasbored's review
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Emotional abuse, Blood, Homophobia, and Child abuse
Moderate: Physical abuse and Murder
Minor: Sexual assault, Death of parent, and Child death
plumpaperbacks's review against another edition
adventurous
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
As soon as I found out this book was sapphic, it went on my TBR. As soon as I started reading it, I was intrigued. Every time I put it down, I wanted to pick it up again. Rutkoski has improved significantly since writing the Winner’s Curse trilogy, in my opinion.
I loved Nirrim and Sid right away. The latter gave me Nikolai vibes, as both characters have an effortlessly confident and flirtatious façade they only let those they trust and love see past. Though I’m not nearly as in love with the Grishaverse as I was a few years ago, I still love Nikolai, and I love Sid even more.
The girls’ interactions had me smiling as soon as they met, and I loved seeing their relationship develop. I felt their affection deep in my soul, and I was so happy every time they had a moment that brought them closer. The yearning, the tenderness…. be still my gay heart!!! Every single time I read a book featuring a sapphic couple, I get immensely happy, and by the time I finish the book I’ve got a massive crush on at least one of the girls. This time, it’s Sid. Holy wow. Girl thoughts. Head lesbian. 😍
I felt so bad for Nirrim, and how the two people she was closest to were so abusive and manipulative. Seeing her come out of her shell, learn about the world, and become her own person was so satisfying. I want to give her the biggest hug, honestly.
The world Rutkoski created was unique and well-written. Readers are purposefully left in the dark for most of the book, slowly learning more alongside Nirrim, getting answers that also bring more questions. Despite this, I wasn’t confused or frustrated by what I didn’t know; I was intrigued by the possibilities and curious to see how she would tie everything together. In the end, there were multiple things revealed that I in no way saw coming. While not the most mind-blowing twists I’ve come across, they were still surprising, and set the stage nicely for the sequel.
Speaking of the sequel, I’m anticipating pain. Between the current state of Nirrim and Sid’s relationship and the events of the epilogue, I’m concerned. Very concerned. Also, the second book’s title makes sense now, and although I’m looking forward to said book, I just have a bad feeling. Like, I’m excited, but there’s a feeling of dread in the pit of my stomach, because I’m desperately hoping for good things but expecting bad things.
I wouldn’t call this a new favorite, but it’s certainly a story I thoroughly enjoyed and would highly recommend. Fingers crossed I can read the next book sooner rather than later!!
Representation
I loved Nirrim and Sid right away. The latter gave me Nikolai vibes, as both characters have an effortlessly confident and flirtatious façade they only let those they trust and love see past. Though I’m not nearly as in love with the Grishaverse as I was a few years ago, I still love Nikolai, and I love Sid even more.
The girls’ interactions had me smiling as soon as they met, and I loved seeing their relationship develop. I felt their affection deep in my soul, and I was so happy every time they had a moment that brought them closer. The yearning, the tenderness…. be still my gay heart!!! Every single time I read a book featuring a sapphic couple, I get immensely happy, and by the time I finish the book I’ve got a massive crush on at least one of the girls. This time, it’s Sid. Holy wow. Girl thoughts. Head lesbian. 😍
I felt so bad for Nirrim, and how the two people she was closest to were so abusive and manipulative. Seeing her come out of her shell, learn about the world, and become her own person was so satisfying. I want to give her the biggest hug, honestly.
The world Rutkoski created was unique and well-written. Readers are purposefully left in the dark for most of the book, slowly learning more alongside Nirrim, getting answers that also bring more questions. Despite this, I wasn’t confused or frustrated by what I didn’t know; I was intrigued by the possibilities and curious to see how she would tie everything together. In the end, there were multiple things revealed that I in no way saw coming. While not the most mind-blowing twists I’ve come across, they were still surprising, and set the stage nicely for the sequel.
Speaking of the sequel, I’m anticipating pain. Between the current state of Nirrim and Sid’s relationship and the events of the epilogue, I’m concerned. Very concerned. Also, the second book’s title makes sense now, and although I’m looking forward to said book, I just have a bad feeling. Like, I’m excited, but there’s a feeling of dread in the pit of my stomach, because I’m desperately hoping for good things but expecting bad things.
I wouldn’t call this a new favorite, but it’s certainly a story I thoroughly enjoyed and would highly recommend. Fingers crossed I can read the next book sooner rather than later!!
Representation
- sapphic protagonist of color
- biracial lesbian love interest
- sapphic romance (f/f)
Content Warnings
Graphic: Blood, Death, and Homophobia
Moderate: Physical abuse, Emotional abuse, and Gaslighting
Minor: Terminal illness, Child abuse, and Child death
Those tagged minor are mentioned throughout the story but occurred prior to it.diana_barv's review
adventurous
dark
mysterious
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
WOW. I had been on a little contemporary streak (mostly due to my LGBT+ reading challenge) so taking myself to good old fantasy felt so very nice. The fact that it still fits into my reading challenge was a bonus. It was a very beautifully written book. I am a sucker for first person POV and Nirrim, albeit not the most reliable narrator gave you so much information without feeling like exposition. Her thought process was intriguing and her feeling for her love interest are progressive yet so enchanting. The descriptions, the mysterious atmosphere and her interactions with all of the characters were fabulous. The slow burn of it all kept me reading basically nonstop. The ending left me shocked and WANTING in the best kind of way. Instead of feeling buzzed I actually feel so content and warm with it, despite the last sentence. Can’t wait for the sequel!!!
Content Warnings
Moderate: Child abuse
Minor: Blood, Child death, and Lesbophobia
booksthatburn's review against another edition
dark
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I loved this while I was reading it, and now that I've put it down I'm torn between wanting the sequel, and not trusting that the sequel will be satisfying given how this book ended and some other issues which I'll discuss. Firstly, what this book is: THE MIDNIGHT LIE is a sapphic story of moments of happiness amid oppression and abuse in a fantasy setting. It's about loving small joys and good things for their transience, not in spite of it. It's a heartbreakingly relatable portrayal of trauma bonding, abuse, and betrayal, piling small cruelties atop systemic injustices in a setting where escape isn't enough.
One thing this does very well is show what gaslighting can look like in a way that gently and persistently provides a series of outside voices to counter the narrative being fed to the main character by her abuser. Her protests of this person's goodness and faithfulness become smaller and smaller until she finally has to decide what to do with the information she has been given. It begins subtly and slowly builds in a way that makes it a useful example of how insidious the abuse is and how much her abuser is controlling her understanding of reality, beginning when she was a much younger kid. As much as it muddles the message a little, I'm glad that the people trying to point out the one person's abuse aren't paragons themselves, that's especially important because it stop the main character from just switching which character has her undying loyalty.
I like how queer this is but please don't pitch it to anyone as a sapphic romance. It's sapphic, there is a romance, but the combination of traits implied by that conjoined phrase is not representative of this book. So much of the emotional core in THE MIDNIGHT LIE revolves around whether and how to trust untrustworthy people, whether they can't be trusted because they're personally cruel, they're not powerful enough to provide protection from the system, or they're impermanent and nothing and no one lasts forever. This commentary on untrustworthiness and betrayal makes for a fascinating book but an emotionally fraught romance. I'm also concerned about possible biphobia transphobia from some interactions with the love interest. The words the love interest chooses when expressing jealousy are suspiciously similar to some biphobic and transphobic talking points and it was uncomfortable to read, waiting to figure out whether the character was bigoted or just insecure and using bigoted language to convey those feelings. I think it's more the second one, but I remain unsure.
The end-of-book revelations about the truth of the setting worked well and made things make sense but I hate the decision that the main character made with that information. I don't know what she should have done instead given what she learned, but I hope the sequel takes the consequences of her choice seriously and doesn't treat it flippantly. I want it fixed but I don't want it cheapened by being handled too quickly.
One thing this does very well is show what gaslighting can look like in a way that gently and persistently provides a series of outside voices to counter the narrative being fed to the main character by her abuser. Her protests of this person's goodness and faithfulness become smaller and smaller until she finally has to decide what to do with the information she has been given. It begins subtly and slowly builds in a way that makes it a useful example of how insidious the abuse is and how much her abuser is controlling her understanding of reality, beginning when she was a much younger kid. As much as it muddles the message a little, I'm glad that the people trying to point out the one person's abuse aren't paragons themselves, that's especially important because it stop the main character from just switching which character has her undying loyalty.
I like how queer this is but please don't pitch it to anyone as a sapphic romance. It's sapphic, there is a romance, but the combination of traits implied by that conjoined phrase is not representative of this book. So much of the emotional core in THE MIDNIGHT LIE revolves around whether and how to trust untrustworthy people, whether they can't be trusted because they're personally cruel, they're not powerful enough to provide protection from the system, or they're impermanent and nothing and no one lasts forever. This commentary on untrustworthiness and betrayal makes for a fascinating book but an emotionally fraught romance. I'm also concerned about possible biphobia transphobia from some interactions with the love interest. The words the love interest chooses when expressing jealousy are suspiciously similar to some biphobic and transphobic talking points and it was uncomfortable to read, waiting to figure out whether the character was bigoted or just insecure and using bigoted language to convey those feelings. I think it's more the second one, but I remain unsure.
The end-of-book revelations about the truth of the setting worked well and made things make sense but I hate the decision that the main character made with that information. I don't know what she should have done instead given what she learned, but I hope the sequel takes the consequences of her choice seriously and doesn't treat it flippantly. I want it fixed but I don't want it cheapened by being handled too quickly.
Content Warnings
Graphic: Domestic abuse, Medical content, and Medical trauma
Moderate: Blood, Child abuse, Child death, Death, Drug abuse, Drug use, Homophobia, Murder, Racism, Sexism, Violence, and Vomit
Minor: Animal death, Biphobia, Death of parent, Self harm, Sexual assault, and Transphobia
CW for brief misgendering, threats of sexual assault.yvonne_cl's review
adventurous
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Content Warnings
Graphic: Blood, Child death, Confinement, Death, Death of parent, Domestic abuse, Emotional abuse, Medical trauma, Toxic relationship, Trafficking, Violence, Homophobia, Physical abuse, and Police brutality
Moderate: Sexual assault and Sexual violence
greendaisy's review
emotional
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
The writing is high quality and the characters are well-written, my lower rating is more a matter of personal taste. The ending is sad, not thrillingly sad or bittersweet sad, just sad.
Content Warnings
Graphic: Forced institutionalization and Emotional abuse
Moderate: Sexual assault, Sexual content, Homophobia, Physical abuse, Grief, Child death, Murder, and Blood
Abuse dyamics aren't present in the romantic relationship but play an incredibly large part in the story so beware if that is not something you are ready to read.