Scan barcode
angstifies's review against another edition
adventurous
emotional
mysterious
tense
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
just everything about the setting was perfect, i can’t get over how much i loved the magical elements in this world. i think i’ve never been as invested in a fictional relationship as i was in this book, oh i LOVED IT.
Content Warnings
Graphic: Emotional abuse, Child abuse, and Blood
Moderate: Death, Alcohol, Drug use, Homophobia, and Murder
Minor: Child death, Death of parent, Sexual content, and Abandonment
k_aro's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
WHEW! I really didn't expect much from The Midnight Lie—be as it may, I'm a little bit of a snob over fantasy novels due to the fact that I read a large quantity as a kid, and I saw it recommended from BookTok, which, based on my previous BookTok books has been... a mixed bag. Admittedly I wasn't shocked by many of the reveals, but I don't think that's a critique of the book; I think it's smart about revealing just enough that it makes sense on re-reads.
That said, I did not expect the ending! It's not like, a cheap plot twist, but it's such a painful refusal of closure that it hurts me just thinking about it. I didn't cry over the ending, but sheesh, I'm really looking forward to reading the next book. I also think it's a super well-written villain ending—I've read some books *coughs* The Young Elites *coughs* that REALLY muck up the villain ending and essentially spoil the experience of having read the book at all.
I do have some things I don't love about this book: for one, that Nirrim is so blind to Raven's consistent emotional/domestic abuse, despite her ability to spot it in other people (i.e. Aden). Like, I get that Nirrim and Raven's relationship is different to that of her and Aden's, but it just feels kind of weird that up until the proper reveal of who Raven is, Nirrim's insistent on thinking of her as the same one-dimensional mother figure who sometimes makes mistakes and hurts her. I'm not saying Nirrim has to be on board to condemn Raven the first time she does something bad, but it's just... weird, I guess.
I also think that the first like... fourth? Of the book is a little slow. It's got a lot to set up, so I'm not, like, mad that it's slow, but it does make it a bit hard to get into.
Also, there's certainly NO commentary going on about how the Half Kith's body parts are literally being used for the pleasure of the High Kith. Nope. No commentary at all. Not even about how Raven extorts families to get them families to move up in the world. Nada. Zip. Nothing. (This is sarcasm—sometimes, fantasy caste systems can be a bit... overstated, which to a certain degree could be true here, it also I think treats it with a bit more real parallels that it feels more verisimilitudinous to me.)
I do have some things I don't love about this book: for one, that Nirrim is so blind to Raven's consistent emotional/domestic abuse, despite her ability to spot it in other people (i.e. Aden). Like, I get that Nirrim and Raven's relationship is different to that of her and Aden's, but it just feels kind of weird that up until the proper reveal of who Raven is, Nirrim's insistent on thinking of her as the same one-dimensional mother figure who sometimes makes mistakes and hurts her. I'm not saying Nirrim has to be on board to condemn Raven the first time she does something bad, but it's just... weird, I guess.
I also think that the first like... fourth? Of the book is a little slow. It's got a lot to set up, so I'm not, like, mad that it's slow, but it does make it a bit hard to get into.
Content Warnings
Graphic: Blood, Child abuse, Classism, Abandonment, Confinement, Domestic abuse, Emotional abuse, Fire/Fire injury, Gaslighting, Police brutality, Toxic relationship, Trafficking, Violence, and Sexual harassment
Moderate: Rape, Murder, and Drug use
Minor: Misogyny, Child death, Death of parent, Homophobia, and Lesbophobia
A note on the moderate content warning for rape:erynpaige's review
adventurous
dark
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Sexism, Racism, Child abuse, Physical abuse, Drug use, Drug abuse, Xenophobia, War, Police brutality, Murder, Misogyny, Miscarriage, Lesbophobia, Injury/Injury detail, Homophobia, Grief, Fire/Fire injury, Gaslighting, Emotional abuse, Death, Confinement, and Child death
Minor: Rape, Sexual assault, and Sexual violence
fictionalportal's review
adventurous
challenging
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Blood, Body horror, Abandonment, Child abuse, Emotional abuse, Physical abuse, Gaslighting, and Drug use
Moderate: Schizophrenia/Psychosis and Murder
Minor: Homophobia, Rape, Sexual violence, Sexual assault, and Sexual harassment
booksthatburn's review against another edition
dark
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I loved this while I was reading it, and now that I've put it down I'm torn between wanting the sequel, and not trusting that the sequel will be satisfying given how this book ended and some other issues which I'll discuss. Firstly, what this book is: THE MIDNIGHT LIE is a sapphic story of moments of happiness amid oppression and abuse in a fantasy setting. It's about loving small joys and good things for their transience, not in spite of it. It's a heartbreakingly relatable portrayal of trauma bonding, abuse, and betrayal, piling small cruelties atop systemic injustices in a setting where escape isn't enough.
One thing this does very well is show what gaslighting can look like in a way that gently and persistently provides a series of outside voices to counter the narrative being fed to the main character by her abuser. Her protests of this person's goodness and faithfulness become smaller and smaller until she finally has to decide what to do with the information she has been given. It begins subtly and slowly builds in a way that makes it a useful example of how insidious the abuse is and how much her abuser is controlling her understanding of reality, beginning when she was a much younger kid. As much as it muddles the message a little, I'm glad that the people trying to point out the one person's abuse aren't paragons themselves, that's especially important because it stop the main character from just switching which character has her undying loyalty.
I like how queer this is but please don't pitch it to anyone as a sapphic romance. It's sapphic, there is a romance, but the combination of traits implied by that conjoined phrase is not representative of this book. So much of the emotional core in THE MIDNIGHT LIE revolves around whether and how to trust untrustworthy people, whether they can't be trusted because they're personally cruel, they're not powerful enough to provide protection from the system, or they're impermanent and nothing and no one lasts forever. This commentary on untrustworthiness and betrayal makes for a fascinating book but an emotionally fraught romance. I'm also concerned about possible biphobia transphobia from some interactions with the love interest. The words the love interest chooses when expressing jealousy are suspiciously similar to some biphobic and transphobic talking points and it was uncomfortable to read, waiting to figure out whether the character was bigoted or just insecure and using bigoted language to convey those feelings. I think it's more the second one, but I remain unsure.
The end-of-book revelations about the truth of the setting worked well and made things make sense but I hate the decision that the main character made with that information. I don't know what she should have done instead given what she learned, but I hope the sequel takes the consequences of her choice seriously and doesn't treat it flippantly. I want it fixed but I don't want it cheapened by being handled too quickly.
One thing this does very well is show what gaslighting can look like in a way that gently and persistently provides a series of outside voices to counter the narrative being fed to the main character by her abuser. Her protests of this person's goodness and faithfulness become smaller and smaller until she finally has to decide what to do with the information she has been given. It begins subtly and slowly builds in a way that makes it a useful example of how insidious the abuse is and how much her abuser is controlling her understanding of reality, beginning when she was a much younger kid. As much as it muddles the message a little, I'm glad that the people trying to point out the one person's abuse aren't paragons themselves, that's especially important because it stop the main character from just switching which character has her undying loyalty.
I like how queer this is but please don't pitch it to anyone as a sapphic romance. It's sapphic, there is a romance, but the combination of traits implied by that conjoined phrase is not representative of this book. So much of the emotional core in THE MIDNIGHT LIE revolves around whether and how to trust untrustworthy people, whether they can't be trusted because they're personally cruel, they're not powerful enough to provide protection from the system, or they're impermanent and nothing and no one lasts forever. This commentary on untrustworthiness and betrayal makes for a fascinating book but an emotionally fraught romance. I'm also concerned about possible biphobia transphobia from some interactions with the love interest. The words the love interest chooses when expressing jealousy are suspiciously similar to some biphobic and transphobic talking points and it was uncomfortable to read, waiting to figure out whether the character was bigoted or just insecure and using bigoted language to convey those feelings. I think it's more the second one, but I remain unsure.
The end-of-book revelations about the truth of the setting worked well and made things make sense but I hate the decision that the main character made with that information. I don't know what she should have done instead given what she learned, but I hope the sequel takes the consequences of her choice seriously and doesn't treat it flippantly. I want it fixed but I don't want it cheapened by being handled too quickly.
Content Warnings
Graphic: Domestic abuse, Medical content, and Medical trauma
Moderate: Blood, Child abuse, Child death, Death, Drug abuse, Drug use, Homophobia, Murder, Racism, Sexism, Violence, and Vomit
Minor: Animal death, Biphobia, Death of parent, Self harm, Sexual assault, and Transphobia
CW for brief misgendering, threats of sexual assault.wefeltforever's review
adventurous
emotional
hopeful
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Moderate: Drug use, Emotional abuse, Police brutality, and Sexual content
Minor: Confinement, Death of parent, and Homophobia
asonia's review
adventurous
dark
emotional
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Addiction, Child abuse, Drug abuse, Drug use, Emotional abuse, Forced institutionalization, Grief, Physical abuse, Police brutality, and Religious bigotry
Moderate: Homophobia and Mental illness
Minor: Sexual content and Toxic relationship
More...