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fr26's review
3.5
Fast paced, especially toward the end but felt there was loads going on the whole time. Felt very American compared to a John Le Carre
edward_wilsher's review
dark
tense
medium-paced
- Plot- or character-driven? Character
- Diverse cast of characters? Yes
4.5
I love a spy thriller, especially one that's done really well like this one. Plenty of twists and turns had me hooked throughout!
ben_morriss's review
adventurous
dark
informative
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
lucysmithyy's review
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.25
alnicholl77's review
adventurous
challenging
dark
emotional
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
watermanio's review
adventurous
dark
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
bookedandwatched's review
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
This was a lot slower than I expected and felt like it took ages to get going. I had high hopes for this and whilst it works I don't think it warrants some of the high praise it has been getting. I have read much better spy thrillers. Needs more tension and more action IMO.
pilebythebed's review
4.0
There is a grand tradition of former spies going on to write spy novels – Ian Fleming and John Le Carre are probably two of the best known. But there are also authors like Stella Rimington (most recently – The Devil’s Bargain) , Joe Weisberg (An Ordinary Spy but also The Americans TV series) and Jack Beaumont (The Frenchman). Into this world steps former CIA Analyst David McCloskey with Damascus Station a novel of espionage and counter-espionage set in Syria at the start of its bloody civil war.
CIA operative Sam Joseph is coming back from the loss of a colleague and is tapped to recruit a potential source in the Syrian Government. Mariam Haddad works in the Palace but her uncle is also involved in a secret chemical weapons program. Sam manages to recruit Mariam but not without breaking one of the cardinal rules of running an agent – he falls for her. Back in Syria, Sam must run Mariam to get vital information in a country riven by paranoia, corruption and a growing civil war.
Damascus Station is an effective thriller but will probably be appreciated most by people with a fascination with the details of spy craft. Sam has to train Mariam in the ins and outs of being a spy but then also has to dig deep into his own training when the Syrians deploy a group of experts to watch him. Meanwhile the question of what happens to intelligence that is gathered, how it is used politically but also the layers of agents and double agents that make the job even harder.
While this boils down a little to good versus evil, McKloskey tries to being some nuance to his Syrian characters. While there are those who are just bloodthirsty and revelling in a despotic regime, there are others who start to question where their choices have lead them. He also dips into the Syrian resistance to give a sense of what was driving people towards religious extremism as a response to the Assad regime. And while it is not a true story, many of the events described in Damascus Station did occur in some fashion in Syria between 2011 and 2012.
But at its heart, the narrative is driven by a potentially doomed love story. Sam and Mariam “break the rules” to give what might otherwise be a very technical heavy story some real heart. Other personal relationships – between Sam and his colleagues and Mariam and her family – serve to humanise the story.
Damascus Station succeeds though in its verisimilitude. It has enough detail to make readers feel like they are learning something about the world of spies and espionage, still alive and well following the end of the cold war. And McKloskey manages to set up and deploy this knowledge in a way that builds to both a fascinating and page-turning final couple of acts.
CIA operative Sam Joseph is coming back from the loss of a colleague and is tapped to recruit a potential source in the Syrian Government. Mariam Haddad works in the Palace but her uncle is also involved in a secret chemical weapons program. Sam manages to recruit Mariam but not without breaking one of the cardinal rules of running an agent – he falls for her. Back in Syria, Sam must run Mariam to get vital information in a country riven by paranoia, corruption and a growing civil war.
Damascus Station is an effective thriller but will probably be appreciated most by people with a fascination with the details of spy craft. Sam has to train Mariam in the ins and outs of being a spy but then also has to dig deep into his own training when the Syrians deploy a group of experts to watch him. Meanwhile the question of what happens to intelligence that is gathered, how it is used politically but also the layers of agents and double agents that make the job even harder.
While this boils down a little to good versus evil, McKloskey tries to being some nuance to his Syrian characters. While there are those who are just bloodthirsty and revelling in a despotic regime, there are others who start to question where their choices have lead them. He also dips into the Syrian resistance to give a sense of what was driving people towards religious extremism as a response to the Assad regime. And while it is not a true story, many of the events described in Damascus Station did occur in some fashion in Syria between 2011 and 2012.
But at its heart, the narrative is driven by a potentially doomed love story. Sam and Mariam “break the rules” to give what might otherwise be a very technical heavy story some real heart. Other personal relationships – between Sam and his colleagues and Mariam and her family – serve to humanise the story.
Damascus Station succeeds though in its verisimilitude. It has enough detail to make readers feel like they are learning something about the world of spies and espionage, still alive and well following the end of the cold war. And McKloskey manages to set up and deploy this knowledge in a way that builds to both a fascinating and page-turning final couple of acts.
encharro's review
adventurous
dark
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Content Warnings
Graphic: Gore, Torture, Car accident, Gun violence, Injury/Injury detail, Police brutality, Violence, War, Confinement, Kidnapping, Child death, Blood, Death, Death of parent, Mass/school shootings, and Murder
Moderate: Alcohol, Cursing, and Pedophilia
Minor: Suicide attempt, Infidelity, Infertility, Vomit, and Sexual content
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