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allisonwonderlandreads's review against another edition
adventurous
dark
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Sapphic rivals-to-lovers make villainy look fun in this ya fantasy standalone. Inspired by late-18th century Poland, the world is brimming with dark forests hiding heart-eating witches and towns and cities hosting a religious milieu of Christians, Jews, and Muslims. External imperial forces may vie for control of the area, but there are internal magical threats to fear, as well. Our story centers on three monsters created by the Jaga sisters in the forest. These monsters are teenage girls honed into weapons that steal princes' hearts. All flavors of heart are fair game for our predators, but the story follows them as they seek out the ultimate prize: a pure heart. Marynka and Zosia have always been rivals, but this is a competition like no other, one with higher stakes and fewer secrets between them.
It's a furious, action-packed standoff as our monsters try to outperform one another and win the prize. They are unapologetically vicious and powerful as they pass through the upper echelons of society to get close to his royal highness. The tension between the two is palpable and fraught as they come to understand one another as something other than the competition. The third monster, Beata, creates an interesting counterpoint, not caught up in the mutual frenzy.
The world-building here is decadent and festive even with the dark patina of magic and the looming imperial threats. The sapphic romance is chaotic and heartfelt, with an equally resounding mlm love story at the periphery. While the hunt for the heart is resolved by book's end, it still leaves us with a bit of an open ending regarding how these girls will move forward and stake a claim on their own future. I enjoyed the read, especially appreciating the anti-imperialist sentiment, even if our monstrous girls don't exactly take up the cause.
It's a furious, action-packed standoff as our monsters try to outperform one another and win the prize. They are unapologetically vicious and powerful as they pass through the upper echelons of society to get close to his royal highness. The tension between the two is palpable and fraught as they come to understand one another as something other than the competition. The third monster, Beata, creates an interesting counterpoint, not caught up in the mutual frenzy.
The world-building here is decadent and festive even with the dark patina of magic and the looming imperial threats. The sapphic romance is chaotic and heartfelt, with an equally resounding mlm love story at the periphery. While the hunt for the heart is resolved by book's end, it still leaves us with a bit of an open ending regarding how these girls will move forward and stake a claim on their own future. I enjoyed the read, especially appreciating the anti-imperialist sentiment, even if our monstrous girls don't exactly take up the cause.
Content Warnings
Graphic: Toxic relationship and Violence
Moderate: Abandonment, Child abuse, Death, Emotional abuse, Gore, Injury/Injury detail, Murder, and Physical abuse
Minor: Blood, Cannibalism, Sexual harassment, and War
libraryofclaire's review
adventurous
dark
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
2.5
In her follow-up novel to "The Dark Tide," Alicia Jasinska once again stars angry girls in an enemies-to-lovers arc, but fails to capture the same magic and thrilling atmosphere as before.
While "The Midnight Girls" gets its points for having a gorgeous setting and magic dripping from every scene, it feels too rushed, too heavy-handed, and too simplistic.
One thing that truly did bother me about this book was the way trauma and abuse were handled. Both of our main characters are abused, and while one recognizes it, the other always makes excuses. Personally, I think this would have made an interesting dynamic if the abuser hadn't been made to seem so sympathetic and "did something good" at the end. It felt gross and sloppy, and we never see our main character realize that the abuse she suffered was wrong. This plot point should have been extremely nuanced, but Jasinska sacrifices the exploration of abuse for the romance instead.
I also feel as though Jasinka falls into the problem of having diverse side characters for the sake of having diverse side characters instead of letting them actually contribute to the plot. Which is heavily disappointing and a huge problem.
As with other Jasinska books, the romance felt very perfunctory and simplistic, which I don't always mind, but there is little-to-no character development here other than "angry girl gets less angry." Their romance almost feels forced and less romance than lust. Don't get me wrong, I love the "monsters loving monsters" trope, but I honestly wasn't in love with either character because they felt very two-dimensional.
My biggest complaint with this book is that there is so much going on — revolution, betrayal, abuse, romance — and it is all so incredibly complicated, and the reader never gets to see that explored. Decisions made by characters feel rushed or don't make sense. Also, there is some HEAVY plot magic going on to ensure these girls don't get caught after their first attempt on the prince.
After the Dark Tide, which felt more fairy tale than story and thus avoided many of the criticisms above, "The Midnight Girls" was a disappointment that could have held so much more potential.
While "The Midnight Girls" gets its points for having a gorgeous setting and magic dripping from every scene, it feels too rushed, too heavy-handed, and too simplistic.
One thing that truly did bother me about this book was the way trauma and abuse were handled. Both of our main characters are abused, and while one recognizes it, the other always makes excuses. Personally, I think this would have made an interesting dynamic if the abuser hadn't been made to seem so sympathetic and "did something good" at the end. It felt gross and sloppy, and we never see our main character realize that the abuse she suffered was wrong. This plot point should have been extremely nuanced, but Jasinska sacrifices the exploration of abuse for the romance instead.
I also feel as though Jasinka falls into the problem of having diverse side characters for the sake of having diverse side characters instead of letting them actually contribute to the plot. Which is heavily disappointing and a huge problem.
As with other Jasinska books, the romance felt very perfunctory and simplistic, which I don't always mind, but there is little-to-no character development here other than "angry girl gets less angry." Their romance almost feels forced and less romance than lust. Don't get me wrong, I love the "monsters loving monsters" trope, but I honestly wasn't in love with either character because they felt very two-dimensional.
My biggest complaint with this book is that there is so much going on — revolution, betrayal, abuse, romance — and it is all so incredibly complicated, and the reader never gets to see that explored. Decisions made by characters feel rushed or don't make sense. Also, there is some HEAVY plot magic going on to ensure these girls don't get caught after their first attempt on the prince.
After the Dark Tide, which felt more fairy tale than story and thus avoided many of the criticisms above, "The Midnight Girls" was a disappointment that could have held so much more potential.
Content Warnings
Graphic: Cannibalism, Gaslighting, Murder, and Violence
Moderate: Physical abuse
Minor: War
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