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tales_told_in_gold's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, Toxic relationship, Blood, Murder, and Injury/Injury detail
Moderate: Death, Sexual content, and Abandonment
Minor: Alcoholism and Vomit
aileron's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Adult/minor relationship, Death, Infidelity, Toxic relationship, Blood, and Murder
Moderate: Confinement and Gore
Minor: Abandonment and Injury/Injury detail
hannahelaine's review against another edition
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.75
All that said, I would have given this a higher rating if not for the fact that it’s literally just a retelling of Carmilla by Sheridan Le Fanu— that the author never acknowledges. Apart of the character names are directly lifted from the novella, the general plot and vibe, I couldn’t find any instance of the author or publisher mentioning this in the book itself. Not the plot summary, the authors note or acknowledgements, nor the Q&A. I can’t fathom why she isn’t mentioning it— Carmilla had a big resurgence after a web series was made in the style of The Lizzie Bennet Diaries back in the early 20-teens. Regardless, it feels bad, wrong, and icky to not do so. While Carmilla is in the public domain and came out in the 1800s, so the author is long dead, it feels wrong to not credit the inspiration for the novel.
Graphic: Bullying, Death, Emotional abuse, Sexual content, Toxic relationship, and Blood
vemiline's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? N/A
3.5
“Hysteria is a made-up patriarchal tool of oppression.”
First let me say thank you to NetGalley and Redhook Books for giving me the chance to read An Education in Malice. I’ve been wanting to read S.T. Gibson ever since I’ve heard great things about A Dowry in Blood, so I was really excited when I was approved to read this book!
“If I couldn’t touch her, I’d settle for making her squirm.”
How do I even start to explain how I felt about this book? It was a wild ride reading An Education in Malice. I’m glad I knew in advance that this was adult fiction. As a reader who typically reads YA, it was nice to know I was reading about horny teenagers haha.
“I write to remember the exultations and miseries of my life. To capture certain moments, certain… people in amber, so they will never diminish, never fade. When you’re as old as I am, sometimes all you have for company are your memories. When everyone else has left you, they remain.”
An Education in Malice is a very quotable book. This might actually be my first academia book, so I kind of was wondering what academia is. Will it always have words I don’t recognize? Will there always be notable quotes that pique my interest? It was refreshing to take a look at a new type of book that I don’t typically read.
“They looked like vestal virgins processing towards the offertory flame.”
Did I like the characters? I thought both Laura and Carmilla’s character development was interesting to look into.
“I wasn’t obsessed, I assured myself. I was only curious.”
I was immediately aware of the power dynamic De Lafontaine had over Carmilla and I was so against their relationship.
“You must excel or else fade into obscurity.”
I don’t know why I was surprised about the vampires haha. I think I vaguely remember A Dowry in Blood being about vampires and I think it was said that An Education in Malice takes place in the same world as A Dowry in Blood. I don’t know, the part where things take a big turn immediately made me gasp and I wasn’t expecting that to actually happen.
“In helping things grow, I love knowing that I was the force behind such beauty, that, in the end, it couldn’t exist without me.”
LET ME START ON THE ENDING. Ughhhhhh I hate hate hate endings where the reader has to take guesses on whether the character chooses to do something or not because we will never be sure if it’s right because it isn’t cannon. I’m actually so disappointed in that ending I had to dock half a star. I detest endings like that, and I can only hope that I don’t have to read another standalone that has a similar like ending.
“I couldn’t walk away from what I was being offered: the chance to live an exceptional life.”
All in all, I enjoyed the book, I didn’t hate it. Maybe I’ll actually read A Dowry in Blood, maybe I won’t. I wonder if I’ll actually remember the book and its plot after a while. That pretty much determines whether I feel affected by the book. I’m really glad I was given the opportunity to read An Education in Malice.
Graphic: Death, Blood, and Murder
Moderate: Adult/minor relationship and Alcohol
midnightrose_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
3.75
It was mostly an enjoyable read for me even though some things bothered me about the plot. Specifically the lack of urgency on the part of DeLafontaine, Laura and Carmilla to dispatch an out of control vampire on the college campus sooner in the narrative. Instead DeLafontaine introduces them to vampire society (specifically Carmilla who she’s turned earlier in the story; with her human companion Laura in tow), Laura goes for Thanksgiving break to San Francisco to spend time with her friend’s family, and DeLafontaine holds these private poetry readings between Carmilla and Laura. There doesn’t seem to be a sense of urgency until towards the end of the book to prevent more murders of the student body which I found bizarre.
Graphic: Death, Gore, Toxic relationship, Violence, Blood, Vomit, Murder, Alcohol, and Injury/Injury detail
Moderate: Sexual content
Minor: Grief and Death of parent
grownmoss's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Sexual content, Toxic relationship, and Blood
Moderate: Death and Murder
manola's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Flaws of characters a main focus? Yes
3.0
The story centers on both protagonists, Laura and Carmilla, and how their relationship develops and twists over time. Both girls were fine; I liked Laura and it was fun to witness the first interactions she had with Carmilla, who remained cold and a bit 'bitchy' at first, but their POVs were hard to differentiate. The author did explain in an interview that she was avoiding their narrations clashing too much and disturbing the cohesion of the story, but for me that ended up muddling their voices together in a way that made it difficult for me to find what made each their own character.
I understand that part of the idea for the story (if you want to completely avoid spoilers, I suppose you should skip this part) is watching Laura kind of turn into Carmilla, to start resembling her in some ways, and making the reader sit uncomfortably in that process and wonder if it truly is what's 'best' for her or not. But that transformation wasn't that enticing to me for some reason. I couldn't make myself connect with the characters or feel much compassion for them either. I thought the story could've benefited from weaving in more subplots and character's stories; there are a few secondary characters I found interesting and left wondering about them when the novel tied off.
I just feel like it would've been interesting to have had more things happening in this book. What it concentrated on I ended up not feeling compelled by in the end. It's an interesting concept, and if you enjoy vampire novels it might strike your fancy, but it didn't really do it for me.
(I'm also writing this after some days of having read this, and the story got pretty scrambled in my head so it was hard to put my feelings into words).
Moderate: Death, Gore, Sexual content, Toxic relationship, Blood, Murder, and Injury/Injury detail
annabelle's review against another edition
- Plot- or character-driven? Character
3.75
I wish we dug in deeper to their characters and relationships and explored more of the vampiric world and its implications. I didn’t fall totally in love with this story the way I did with A Dowry of Blood, but I still enjoyed my time reading this.
Graphic: Death, Toxic relationship, and Blood
shellbell_04's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
Graphic: Death, Emotional abuse, Gore, Blood, Murder, and Alcohol
bergha1998's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Fantasy, Enemies to Lovers, Emotional, 2 1/2 🔥
“Life doesn’t seem worthwhile without synthesizing my experiences into art, the catharsis of putting it all out onto the page. It’s the only way I’ve ever been able to get other people to understand how I’m feeling.”
Graphic: Body horror, Bullying, Cursing, Death, Emotional abuse, Gore, Sexual content, Toxic relationship, Violence, Blood, Grief, Murder, Gaslighting, Toxic friendship, Abandonment, Alcohol, and Injury/Injury detail