Reviews with content warning for Sexual content - Then She Was Gone

Original (3.25 stars):

I kid you not when I say this is literally one of the most messed-up books I have ever read. The Liars series had bad stuff like this IN those books, BUT THE PLOT TWISTS MADE SENSE. This book literally feels like a fever dream. I can’t even put it into words. The only thing I can say is that it spellbound me. I literally COULD NOT put it down, I HAD to know how it ended. Just…I can’t. I don’t know what else to say. This book sucked.

Although it’s SO CUTE how Poppy calls Laurel Mama.

Still bad, though.

Revisited (4.0 stars):

Yes, I reread it. And BOY OH BOY, I was READY for it this time.

I think that for books like this, you really have to know what you're getting into. You need to know what level of disgusting, messed-up crap is gonna be in these types of books before

you're reading about a girl who gets kidnapped and unknowingly, WITHOUT HER CONSENT, gets inseminated with some random dude's sperm bought on the dark web. This book is MESSED. UP.

you dive straight in. There needs to be DISCLAIMERS. I know that there's content warnings on here, but they should have something actually IN the book before you read it, so you don't go in blind. I don't know, that's just my personal thoughts.

That being said, for this genre? Then She Was Gone is MASTERFUL in its storytelling, and I think it paved the way for a lot more books like it, like I Invited Her In by Adele Parks. I'll have to fact-check that, but the two fall in the same category. However, where I Invited Her In is basically just a bunch of things happening in quick succession, Then She Was Gone is actually a narrative that is woven through multiple different time frames, and just about EVERYTHING ties together in the end. It's very smart, and honestly just very good writing.

However, I still take issue for the multiple side character storylines that were unnecessary and kind of stupid. WHY did Hanna have to get with and MARRY Ellie's old boyfriend? That is...a lot, and frankly, it's disrespectful to Ellie on both of their parts. With Theo, WHY would you date your missing girlfriend's SISTER? With Hanna, WHY would you date your missing sister's BOYFRIEND? It's VERY unrealistic, and I do not like the storyline any way you slice it up. It's weird, and kind of gross. And WHY did Sara-Jade need to be having an affair with a MARRIED man TWICE HER AGE? And did she need to be a nude model, or whatever the heck she is? She's just a really weird character, she could've been much better but Lisa Jewell held back.

Ellie is very well-written for being a teenager, and no one can fault her for the mistakes she makes that lead to her downfall. You can feel genuinely bad for her and what she goes through down in that basement.

Floyd, Laurel, and Poppy are all VERY well-rounded characters, and I liked them a lot. Not much to say on that front. Laurel and Poppy's relationship is very sweet, especially in the end.

Laurel gets to be the mother Poppy never had! *sob* Floyd is very well-written in his confessional, I love how his like entire personality is really just a facade, built up to please Laurel. He was in a BAD situation, and you can give him a lot of blame for that, but honestly, he did what he could. I can't believe he KILLED himself, THAT had me shook, but honestly, what else was he gonna do in his life? Noelle screwed up a LOT of people, and I STILL can't believe he killed her. That was just...wow.

I would probably rate this book higher, but we have history. Maybe I'll revisit it sometime in the future for a higher rating, but for now, I'm satisfied with what we have.

Content Warnings

purple_elephant's review

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dark mysterious fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

2.75

Content Warnings

fifteenthjessica's review

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dark emotional mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

Laurel Mack has had a hard time moving forward after her fifteen-year old daughter, Ellie, vanished one day on the way to the library ten years ago. It's not until she meets Floyd that she starts to repair the relationships (including with her surviving children) that were damaged when she withdrew into her own trauma after Ellie's disappearance. However, she's thrown off her new equilibrium when she meets his nine-year old daughter, Poppy, who bears an uncanny resemblance to Ellie.

This is another book club book that didn't look like what I normally read (contemporary mystery vs fantasy, sci fi, and historic fiction) but decided to read anyways. My specific thoughts when reading the synopsis was "this looks so messed up, I want to read it." It did not disappoint on that front.

The story is told in short chapters in a mix of third person limited and first person PoV, following Laurel in the story's present, Ellie around the time of her disappearance,

Ellie's kidnapper, and a lone chapter by Floyd that is the only one told in present tense. Plus an epilogue that I have no idea why it's present that reveals that if a random woman read her used book in a more timely manner could have revealed what happened to Ellie sooner. I don't know what it adds. The mystery was plenty bizarre and tragic without this revelation.

Like a lot of books with similar structures, I found the PoV switches frustrating at times. At the start, there's a chapter that ends with Laurel getting a call from the police about a new break in the case, but then we get a chapter from Ellie's PoV when she meets

the character we later learn is her eventual kidnapper.

Then Laurel driving to the police station. More Ellie. Then finally what the cops found. Good thing the chapters are short. Another issue with the structure is that the reader gets information from other PoVs that tell the audience a lot of information about what happened to Ellie, that Laurel is not privy to. However, it didn't bring me a sense of satisfying dramatic irony so much as a desire to shake Laurel and say "confront him already."

Characters are OK. Most of Laurel's family are likable enough and don't overstay their welcome, but I'm not sure if I would have been as attached to Ellie if she wasn't so similar to me at that age. For better or worse, Lisa Jewell does not shy away from the more unpleasant side of someone coping with a parent's worst nightmare, and at times Laurel's PoV can be frustrating to read about. The worst though, is probably Floyd. Maybe it's the fact that the synopsis hints at a connection with Ellie's disappearance, but it was obvious that something was off with him. However, my big issue is that while Laurel finds him charming, I never did. He comes off as a clingy sex pest with a weirdly clingy relationship with his younger daughter, and the climax revelations make him even worse in retrospect.

Content Warnings

mysterymom40's review

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dark emotional mysterious reflective sad tense fast-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.75

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samantha_bt15's review

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dark emotional mysterious tense medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.75

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cdoubet's review against another edition

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emotional mysterious tense medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

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kelly_e's review against another edition

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dark mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

Title: Then She Was Gone
Author: Lisa Jewell
Genre: Thriller
Rating: 4.0
Pub Date: April 24, 2018

T H R E E • W O R D S

Suspenseful • Compelling • Dark

📖 S Y N O P S I S

Ellie Mack has been missing for ten years. Her mother, Laurel, has been gripped by the hands of grief ever since, resulting in the dissolution of her marriage and a strained relationship with her other two children. Despite everything, she still holds out hope that Ellie will return one day.

When a handsome stranger named Floyd sweeps her off her feet. Before too long things have gotten pretty serious, and she is meeting his daughter, Poppy. When she sees Poppy for the first time, it takes her breath away as she has a striking resemblance to Ellie. The meeting stirs up all the unanswered questions that have haunted Laurel all these years.

💭 T H O U G H T S

After reading The House We Grew Up In I vowed to never read another Lisa Jewell book. Yet with a little encouragement from a friend and the opportunity of buddy reading it with her, I knew it was the ideal time to try again. Turns out I am glad I did.

It's been quite some time since I've picked up a thriller that held my attention beyond the first third, but this was definitely it! Lisa Jewell delivers a psychological thriller with emotional depth, and flawed, believable and well written characters. It kept me intrigued and guessing from start to finish, and I particularly valued the mother/daughter relationship. She constantly drops little hints throughout the story that eventually allows the plots to intersect flawlessly.

I don't know if it's my psychology/neuropsychology background but I always love trying to decipher the psychological aspects and how the characters brains work and the motivations behind their behaviours.

My one issue was the structure jumping around so much. The voice switched from one person to another at various parts, making it feel a tad disjointed at time. However, I admit there may not have been another option to properly flush out the narrative.

The icing on the top was Ellie's letter to help wrap things up, and leave me satisfied with the ending. The only thing I'd have wanted to change was Floyd's fate. Then She Was Gone helped me realized I like my thrillers with depth, and I'd consider for Lisa Jewell thrillers in the future.

📚 R E C O M M E N D • T O
• fans of Ruth Ware and Liane Moriarty
• readers who like the missing person trope

🔖 F A V O U R I T E • Q U O T E S

"When I read a book it feels like real life and when I put the book down it's like I go back into the dream."

"Cooking doesn’t just nurture the recipient, it nurtures the chef."

Content Warnings

beth_s98's review

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challenging dark emotional mysterious tense medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

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