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dark
mysterious
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Content Warnings
Minor: Sexual content
dark
emotional
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Laurel Mack has had a hard time moving forward after her fifteen-year old daughter, Ellie, vanished one day on the way to the library ten years ago. It's not until she meets Floyd that she starts to repair the relationships (including with her surviving children) that were damaged when she withdrew into her own trauma after Ellie's disappearance. However, she's thrown off her new equilibrium when she meets his nine-year old daughter, Poppy, who bears an uncanny resemblance to Ellie.
This is another book club book that didn't look like what I normally read (contemporary mystery vs fantasy, sci fi, and historic fiction) but decided to read anyways. My specific thoughts when reading the synopsis was "this looks so messed up, I want to read it." It did not disappoint on that front.
The story is told in short chapters in a mix of third person limited and first person PoV, following Laurel in the story's present, Ellie around the time of her disappearance,Ellie's kidnapper, and a lone chapter by Floyd that is the only one told in present tense. Plus an epilogue that I have no idea why it's present that reveals that if a random woman read her used book in a more timely manner could have revealed what happened to Ellie sooner. I don't know what it adds. The mystery was plenty bizarre and tragic without this revelation. Like a lot of books with similar structures, I found the PoV switches frustrating at times. At the start, there's a chapter that ends with Laurel getting a call from the police about a new break in the case, but then we get a chapter from Ellie's PoV when she meets the character we later learn is her eventual kidnapper. Then Laurel driving to the police station. More Ellie. Then finally what the cops found. Good thing the chapters are short. Another issue with the structure is that the reader gets information from other PoVs that tell the audience a lot of information about what happened to Ellie, that Laurel is not privy to. However, it didn't bring me a sense of satisfying dramatic irony so much as a desire to shake Laurel and say "confront him already."
Characters are OK. Most of Laurel's family are likable enough and don't overstay their welcome, but I'm not sure if I would have been as attached to Ellie if she wasn't so similar to me at that age. For better or worse, Lisa Jewell does not shy away from the more unpleasant side of someone coping with a parent's worst nightmare, and at times Laurel's PoV can be frustrating to read about. The worst though, is probably Floyd. Maybe it's the fact that the synopsis hints at a connection with Ellie's disappearance, but it was obvious that something was off with him. However, my big issue is that while Laurel finds him charming, I never did. He comes off as a clingy sex pest with a weirdly clingy relationship with his younger daughter, and the climax revelations make him even worse in retrospect.
This is another book club book that didn't look like what I normally read (contemporary mystery vs fantasy, sci fi, and historic fiction) but decided to read anyways. My specific thoughts when reading the synopsis was "this looks so messed up, I want to read it." It did not disappoint on that front.
The story is told in short chapters in a mix of third person limited and first person PoV, following Laurel in the story's present, Ellie around the time of her disappearance,
Characters are OK. Most of Laurel's family are likable enough and don't overstay their welcome, but I'm not sure if I would have been as attached to Ellie if she wasn't so similar to me at that age. For better or worse, Lisa Jewell does not shy away from the more unpleasant side of someone coping with a parent's worst nightmare, and at times Laurel's PoV can be frustrating to read about. The worst though, is probably Floyd. Maybe it's the fact that the synopsis hints at a connection with Ellie's disappearance, but it was obvious that something was off with him. However, my big issue is that while Laurel finds him charming, I never did. He comes off as a clingy sex pest with a weirdly clingy relationship with his younger daughter, and the climax revelations make him even worse in retrospect.
Content Warnings
Graphic: Child abuse, Child death, Death, Kidnapping
Moderate: Physical abuse, Sexual content, Violence, Dementia, Stalking, Murder, Pregnancy, Classism
Minor: Animal cruelty, Animal death, Body horror, Car accident, Death of parent
dark
emotional
mysterious
reflective
sad
tense
fast-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
Content Warnings
Graphic: Confinement, Pregnancy, Gaslighting
Moderate: Animal cruelty, Death, Miscarriage, Sexual content, Torture, Toxic relationship, Violence, Kidnapping
Minor: Suicide
dark
emotional
mysterious
tense
medium-paced
Plot or Character Driven:
Plot
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Body horror, Child abuse, Child death, Death, Physical abuse, Sexual content, Toxic relationship, Kidnapping, Stalking, Murder, Pregnancy, Abandonment
emotional
mysterious
tense
medium-paced
Plot or Character Driven:
Plot
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Child death, Confinement, Death, Mental illness, Kidnapping, Grief, Medical trauma, Stalking, Murder, Injury/Injury detail
Moderate: Miscarriage, Sexual content, Pregnancy
Minor: Animal death, Suicidal thoughts, Suicide, Toxic relationship, Death of parent
dark
mysterious
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Title: Then She Was Gone
Author: Lisa Jewell
Genre: Thriller
Rating: 4.0
Pub Date: April 24, 2018
T H R E E • W O R D S
Suspenseful • Compelling • Dark
📖 S Y N O P S I S
Ellie Mack has been missing for ten years. Her mother, Laurel, has been gripped by the hands of grief ever since, resulting in the dissolution of her marriage and a strained relationship with her other two children. Despite everything, she still holds out hope that Ellie will return one day.
When a handsome stranger named Floyd sweeps her off her feet. Before too long things have gotten pretty serious, and she is meeting his daughter, Poppy. When she sees Poppy for the first time, it takes her breath away as she has a striking resemblance to Ellie. The meeting stirs up all the unanswered questions that have haunted Laurel all these years.
💭 T H O U G H T S
After reading The House We Grew Up In I vowed to never read another Lisa Jewell book. Yet with a little encouragement from a friend and the opportunity of buddy reading it with her, I knew it was the ideal time to try again. Turns out I am glad I did.
It's been quite some time since I've picked up a thriller that held my attention beyond the first third, but this was definitely it! Lisa Jewell delivers a psychological thriller with emotional depth, and flawed, believable and well written characters. It kept me intrigued and guessing from start to finish, and I particularly valued the mother/daughter relationship. She constantly drops little hints throughout the story that eventually allows the plots to intersect flawlessly.
I don't know if it's my psychology/neuropsychology background but I always love trying to decipher the psychological aspects and how the characters brains work and the motivations behind their behaviours.
My one issue was the structure jumping around so much. The voice switched from one person to another at various parts, making it feel a tad disjointed at time. However, I admit there may not have been another option to properly flush out the narrative.
The icing on the top was Ellie's letter to help wrap things up, and leave me satisfied with the ending. The only thing I'd have wanted to change was Floyd's fate. Then She Was Gone helped me realized I like my thrillers with depth, and I'd consider for Lisa Jewell thrillers in the future.
📚 R E C O M M E N D • T O
• fans of Ruth Ware and Liane Moriarty
• readers who like the missing person trope
🔖 F A V O U R I T E • Q U O T E S
"When I read a book it feels like real life and when I put the book down it's like I go back into the dream."
"Cooking doesn’t just nurture the recipient, it nurtures the chef."
Author: Lisa Jewell
Genre: Thriller
Rating: 4.0
Pub Date: April 24, 2018
T H R E E • W O R D S
Suspenseful • Compelling • Dark
📖 S Y N O P S I S
Ellie Mack has been missing for ten years. Her mother, Laurel, has been gripped by the hands of grief ever since, resulting in the dissolution of her marriage and a strained relationship with her other two children. Despite everything, she still holds out hope that Ellie will return one day.
When a handsome stranger named Floyd sweeps her off her feet. Before too long things have gotten pretty serious, and she is meeting his daughter, Poppy. When she sees Poppy for the first time, it takes her breath away as she has a striking resemblance to Ellie. The meeting stirs up all the unanswered questions that have haunted Laurel all these years.
💭 T H O U G H T S
After reading The House We Grew Up In I vowed to never read another Lisa Jewell book. Yet with a little encouragement from a friend and the opportunity of buddy reading it with her, I knew it was the ideal time to try again. Turns out I am glad I did.
It's been quite some time since I've picked up a thriller that held my attention beyond the first third, but this was definitely it! Lisa Jewell delivers a psychological thriller with emotional depth, and flawed, believable and well written characters. It kept me intrigued and guessing from start to finish, and I particularly valued the mother/daughter relationship. She constantly drops little hints throughout the story that eventually allows the plots to intersect flawlessly.
I don't know if it's my psychology/neuropsychology background but I always love trying to decipher the psychological aspects and how the characters brains work and the motivations behind their behaviours.
My one issue was the structure jumping around so much. The voice switched from one person to another at various parts, making it feel a tad disjointed at time. However, I admit there may not have been another option to properly flush out the narrative.
The icing on the top was Ellie's letter to help wrap things up, and leave me satisfied with the ending. The only thing I'd have wanted to change was Floyd's fate. Then She Was Gone helped me realized I like my thrillers with depth, and I'd consider for Lisa Jewell thrillers in the future.
📚 R E C O M M E N D • T O
• fans of Ruth Ware and Liane Moriarty
• readers who like the missing person trope
🔖 F A V O U R I T E • Q U O T E S
"When I read a book it feels like real life and when I put the book down it's like I go back into the dream."
"Cooking doesn’t just nurture the recipient, it nurtures the chef."
Content Warnings
Graphic: Child abuse, Child death, Confinement, Death, Physical abuse, Torture, Violence, Kidnapping
Moderate: Sexual content, Suicide, Grief, Stalking, Murder
Minor: Miscarriage, Pregnancy
challenging
dark
emotional
mysterious
tense
medium-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Death, Emotional abuse, Infertility, Infidelity, Mental illness, Miscarriage, Physical abuse, Rape, Suicidal thoughts, Suicide, Violence, Kidnapping, Grief, Stalking, Suicide attempt, Murder, Pregnancy, Gaslighting, Injury/Injury detail
Moderate: Sexual assault, Sexual content
sad
slow-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
Plot was all over the place, in a bad way. Poorly thought out. 30% of the chapters could have been excluded. Do these authors get paid per page or character count? How can we switch to a POV of a character who is dead, but is being written as if she’s confessing all of her sins from the future? It was very confusing and unjustified. The ending made absolutely no sense whatsoever. What was the reason for Floyd to have confessed his wrongdoings in a letter to Laurel, then take a train to another town just to kill hisself? Surely, he could have just killed hisself without fleeing to another town. Especially since it’s not like he committed suicide in a different city to prevent Poppy from finding out, because she ends up knowing shortly after the fact. For Noelle to have been so “obsessed” with not only Ellie, but also Floyd and wanting a child with him, it felt very forced to have her kidnap Ellie, hold her hostage, rape and impregnate her with SOMEONE ELSE’S sperm, not even Floyd’s 🤦🏽♀️ just to let Ellie die, and not take care of her child. Noelle was written to be this psychopath who is strange, quirky and really obsessive, but it all felt incredibly underdeveloped. As if the author did no research and thought that having Noelle do these weird/quirky things was going to be enough to get that idea across to the readers. It wasn’t. Prime example would be the hamsters. Everything felt forced to me. The relationships, the character’s flaws, the timelines, the interactions, the abuse/neglect, literally everything. This book really solidified the fact that I hate reading books that have children in them. Poppy is nine-years-old but is written having much too mature vocabulary and conversational skills, and made entirely too aware. The backstories were extremely flat as were the characters. The connection between SJ and Laurel was for what purpose? Other than for SJ to be the one to “egg” Laurel on to continue looking into the disappearance of Noelle by telling Laurel she saw Noelle’s stomach completely flat when Noelle was allegedly very pregnant. Poppy’s “cousins” and “grandma” storyline’s were unnecessary. The last nail in the coffin for me to officially “one star” this book was Hannah and Theo. Why make Hannah and Theo (Ellie’s boyfriend) become a couple and get married? As if the whole situation isn’t strange enough. Having Ellie get kidnapped, raped and impregnated by Noelle her math tutor, Noelle do all of these terrible things to Ellie just to secure her relationship with Floyd. Floyd date Ellie’s mother Laurel, while also raising Ellie’s daughter as his own despite knowing it’s not his child and how she was conceived. Then just when you think this is complicated enough, why not have the boy Ellie was dating when she died get married to her sister. What?!
Content Warnings
Graphic: Animal cruelty, Animal death, Child abuse, Child death, Confinement, Death, Emotional abuse, Infertility, Mental illness, Miscarriage, Physical abuse, Rape, Sexual content, Sexual violence, Toxic relationship, Violence, Kidnapping, Death of parent, Murder, Pregnancy, Abandonment, Injury/Injury detail
dark
emotional
mysterious
sad
tense
medium-paced
Plot or Character Driven:
Plot
Content Warnings
Graphic: Child death, Genocide, Miscarriage, Sexual content, Kidnapping, Stalking, Pregnancy
challenging
dark
emotional
hopeful
mysterious
reflective
sad
tense
fast-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
This is the first novel I read by Lisa Jewell and it did not disappoint! I was captivated from the very beginning. I was running scenarios and trying to answer WHO, WHAT, WHERE & WHEN. I rated it a shy of 5 stars just because it started to get predictable in the middle. I do love the POVs of the characters. However, I’m curious to know the POVs of the others’, like the father, the sister, the brother and the boyfriend.. But overall, I enjoyed reading it. A page-turner for me!
Content Warnings
Graphic: Animal death, Child death, Cursing, Death, Gun violence, Infertility, Mental illness, Miscarriage, Physical abuse, Sexual content, Suicidal thoughts, Suicide, Blood, Medical content, Kidnapping, Grief, Stalking, Suicide attempt, Death of parent, Pregnancy, Abandonment, Alcohol
Moderate: Rape