Take a photo of a barcode or cover
dark
mysterious
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Title: Then She Was Gone
Author: Lisa Jewell
Genre: Thriller
Rating: 4.0
Pub Date: April 24, 2018
T H R E E • W O R D S
Suspenseful • Compelling • Dark
📖 S Y N O P S I S
Ellie Mack has been missing for ten years. Her mother, Laurel, has been gripped by the hands of grief ever since, resulting in the dissolution of her marriage and a strained relationship with her other two children. Despite everything, she still holds out hope that Ellie will return one day.
When a handsome stranger named Floyd sweeps her off her feet. Before too long things have gotten pretty serious, and she is meeting his daughter, Poppy. When she sees Poppy for the first time, it takes her breath away as she has a striking resemblance to Ellie. The meeting stirs up all the unanswered questions that have haunted Laurel all these years.
💭 T H O U G H T S
After reading The House We Grew Up In I vowed to never read another Lisa Jewell book. Yet with a little encouragement from a friend and the opportunity of buddy reading it with her, I knew it was the ideal time to try again. Turns out I am glad I did.
It's been quite some time since I've picked up a thriller that held my attention beyond the first third, but this was definitely it! Lisa Jewell delivers a psychological thriller with emotional depth, and flawed, believable and well written characters. It kept me intrigued and guessing from start to finish, and I particularly valued the mother/daughter relationship. She constantly drops little hints throughout the story that eventually allows the plots to intersect flawlessly.
I don't know if it's my psychology/neuropsychology background but I always love trying to decipher the psychological aspects and how the characters brains work and the motivations behind their behaviours.
My one issue was the structure jumping around so much. The voice switched from one person to another at various parts, making it feel a tad disjointed at time. However, I admit there may not have been another option to properly flush out the narrative.
The icing on the top was Ellie's letter to help wrap things up, and leave me satisfied with the ending. The only thing I'd have wanted to change was Floyd's fate. Then She Was Gone helped me realized I like my thrillers with depth, and I'd consider for Lisa Jewell thrillers in the future.
📚 R E C O M M E N D • T O
• fans of Ruth Ware and Liane Moriarty
• readers who like the missing person trope
🔖 F A V O U R I T E • Q U O T E S
"When I read a book it feels like real life and when I put the book down it's like I go back into the dream."
"Cooking doesn’t just nurture the recipient, it nurtures the chef."
Author: Lisa Jewell
Genre: Thriller
Rating: 4.0
Pub Date: April 24, 2018
T H R E E • W O R D S
Suspenseful • Compelling • Dark
📖 S Y N O P S I S
Ellie Mack has been missing for ten years. Her mother, Laurel, has been gripped by the hands of grief ever since, resulting in the dissolution of her marriage and a strained relationship with her other two children. Despite everything, she still holds out hope that Ellie will return one day.
When a handsome stranger named Floyd sweeps her off her feet. Before too long things have gotten pretty serious, and she is meeting his daughter, Poppy. When she sees Poppy for the first time, it takes her breath away as she has a striking resemblance to Ellie. The meeting stirs up all the unanswered questions that have haunted Laurel all these years.
💭 T H O U G H T S
After reading The House We Grew Up In I vowed to never read another Lisa Jewell book. Yet with a little encouragement from a friend and the opportunity of buddy reading it with her, I knew it was the ideal time to try again. Turns out I am glad I did.
It's been quite some time since I've picked up a thriller that held my attention beyond the first third, but this was definitely it! Lisa Jewell delivers a psychological thriller with emotional depth, and flawed, believable and well written characters. It kept me intrigued and guessing from start to finish, and I particularly valued the mother/daughter relationship. She constantly drops little hints throughout the story that eventually allows the plots to intersect flawlessly.
I don't know if it's my psychology/neuropsychology background but I always love trying to decipher the psychological aspects and how the characters brains work and the motivations behind their behaviours.
My one issue was the structure jumping around so much. The voice switched from one person to another at various parts, making it feel a tad disjointed at time. However, I admit there may not have been another option to properly flush out the narrative.
The icing on the top was Ellie's letter to help wrap things up, and leave me satisfied with the ending. The only thing I'd have wanted to change was Floyd's fate. Then She Was Gone helped me realized I like my thrillers with depth, and I'd consider for Lisa Jewell thrillers in the future.
📚 R E C O M M E N D • T O
• fans of Ruth Ware and Liane Moriarty
• readers who like the missing person trope
🔖 F A V O U R I T E • Q U O T E S
"When I read a book it feels like real life and when I put the book down it's like I go back into the dream."
"Cooking doesn’t just nurture the recipient, it nurtures the chef."
Content Warnings
Graphic: Child abuse, Child death, Confinement, Death, Physical abuse, Torture, Violence, Kidnapping
Moderate: Sexual content, Suicide, Grief, Stalking, Murder
Minor: Miscarriage, Pregnancy
mysterious
slow-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Child death, Sexual assault, Toxic relationship, Kidnapping, Grief, Death of parent, Murder, Pregnancy, Injury/Injury detail
dark
mysterious
tense
fast-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
This was such a good book and has cemented Lisa Jewell as much fav thriller author.
None of what I thougut up was correct and everything kept me on my toes. Everything that was introduced was wrapped up really nicely which i appreciated. And I loved the ending where it was a bit into the future.
None of what I thougut up was correct and everything kept me on my toes. Everything that was introduced was wrapped up really nicely which i appreciated. And I loved the ending where it was a bit into the future.
Content Warnings
Graphic: Kidnapping, Pregnancy
Minor: Death of parent
dark
emotional
sad
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
so good and so sad
Content Warnings
Graphic: Child death, Confinement, Kidnapping, Stalking, Pregnancy
challenging
dark
emotional
mysterious
tense
medium-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Death, Emotional abuse, Infertility, Infidelity, Mental illness, Miscarriage, Physical abuse, Rape, Suicidal thoughts, Suicide, Violence, Kidnapping, Grief, Stalking, Suicide attempt, Murder, Pregnancy, Gaslighting, Injury/Injury detail
Moderate: Sexual assault, Sexual content
sad
slow-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
Plot was all over the place, in a bad way. Poorly thought out. 30% of the chapters could have been excluded. Do these authors get paid per page or character count? How can we switch to a POV of a character who is dead, but is being written as if she’s confessing all of her sins from the future? It was very confusing and unjustified. The ending made absolutely no sense whatsoever. What was the reason for Floyd to have confessed his wrongdoings in a letter to Laurel, then take a train to another town just to kill hisself? Surely, he could have just killed hisself without fleeing to another town. Especially since it’s not like he committed suicide in a different city to prevent Poppy from finding out, because she ends up knowing shortly after the fact. For Noelle to have been so “obsessed” with not only Ellie, but also Floyd and wanting a child with him, it felt very forced to have her kidnap Ellie, hold her hostage, rape and impregnate her with SOMEONE ELSE’S sperm, not even Floyd’s 🤦🏽♀️ just to let Ellie die, and not take care of her child. Noelle was written to be this psychopath who is strange, quirky and really obsessive, but it all felt incredibly underdeveloped. As if the author did no research and thought that having Noelle do these weird/quirky things was going to be enough to get that idea across to the readers. It wasn’t. Prime example would be the hamsters. Everything felt forced to me. The relationships, the character’s flaws, the timelines, the interactions, the abuse/neglect, literally everything. This book really solidified the fact that I hate reading books that have children in them. Poppy is nine-years-old but is written having much too mature vocabulary and conversational skills, and made entirely too aware. The backstories were extremely flat as were the characters. The connection between SJ and Laurel was for what purpose? Other than for SJ to be the one to “egg” Laurel on to continue looking into the disappearance of Noelle by telling Laurel she saw Noelle’s stomach completely flat when Noelle was allegedly very pregnant. Poppy’s “cousins” and “grandma” storyline’s were unnecessary. The last nail in the coffin for me to officially “one star” this book was Hannah and Theo. Why make Hannah and Theo (Ellie’s boyfriend) become a couple and get married? As if the whole situation isn’t strange enough. Having Ellie get kidnapped, raped and impregnated by Noelle her math tutor, Noelle do all of these terrible things to Ellie just to secure her relationship with Floyd. Floyd date Ellie’s mother Laurel, while also raising Ellie’s daughter as his own despite knowing it’s not his child and how she was conceived. Then just when you think this is complicated enough, why not have the boy Ellie was dating when she died get married to her sister. What?!
Content Warnings
Graphic: Animal cruelty, Animal death, Child abuse, Child death, Confinement, Death, Emotional abuse, Infertility, Mental illness, Miscarriage, Physical abuse, Rape, Sexual content, Sexual violence, Toxic relationship, Violence, Kidnapping, Death of parent, Murder, Pregnancy, Abandonment, Injury/Injury detail
dark
emotional
sad
slow-paced
Well written, but left me with many things to be unhappy about. I'm not sure what this book was trying to be. A story about carrying grief and managing to find light in life? A thriller and mystery? A study of sociopathic characters and family dynamics? The structure of the book was odd to me. If the point was to see a mother coping with grief and mending the relationships in her life despite terrible things happening to her, then having all those chapters spelling out the horror of Ellie's captivity really threw a wrench in that. I also didn't like how we were given glimpses at the way Ellie's father and siblings were dealing with her disappearance throughout the book, but then after the final reveal we didn't get their POV. We just got Laurel's. And don't get me started on the implausibility of Ellie's captivity. How did she not try to escape more? Or hurt Noelle? The hamster cages, the locks, anything, try anything! The chapter where Ellie died was just....so tragic and disturbing and unnecessary.
Content Warnings
Graphic: Confinement, Kidnapping
Moderate: Sexual assault, Pregnancy
dark
emotional
mysterious
sad
tense
medium-paced
Plot or Character Driven:
Plot
Content Warnings
Graphic: Child death, Genocide, Miscarriage, Sexual content, Kidnapping, Stalking, Pregnancy
dark
emotional
mysterious
sad
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Underwhelming story with few developed characters. Instead of setting out clues for the reader to piece together, the story unravels in a mix of disembodied confessions that take a wild stretch of the imagination to believe. The plot didn’t quite go the diabolical direction I was expecting, instead it wrapped up rather neatly. Jewel places so much faith in tropes and stereotypes to do her storytelling for her. Blue’s character really bothered me, Laurel was awful, and in the end Floyd wasn’t half as evil as I was expecting. . Overall the dynamics felt forced and didn’t land for me.
Content Warnings
Graphic: Child abuse, Confinement, Mental illness, Kidnapping, Grief, Murder, Pregnancy
dark
mysterious
fast-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Child abuse, Sexual violence, Violence, Murder, Pregnancy