Reviews with content warning for Blood - Station Eleven

Reviews tagging 'Blood'

Station Eleven by Emily St. John Mandel

58 reviews

astridrv's review against another edition

Exquisite writing, a real page turner, neatly done. The author successfully made me marvel at the wonderful improbability of our lives. And the theme of fame and what remains of the narrative of our lives was a smart choice too. A well executed book that was a delight to read.

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bookswithbethx's review against another edition

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adventurous dark emotional hopeful inspiring reflective sad tense medium-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

5.0

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spineofthesaurus's review against another edition

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dark emotional hopeful reflective sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.25

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jg34's review against another edition

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adventurous challenging dark sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.5

I’ll start by saying that science fiction/dystopian is not really my usual genre so I think the areas that fell flat for me is due to that. There are a lot of characters and it was hard to keep track of all their storylines. I think I may have enjoyed it more if it focused in depth on one or two characters instead of these snippets from multiple people. I wanted to know more about Jeevan, maybe learn more about the people in the troupe or how Kirsten came to join them. Maybe could have snuck in a bit of a love story?? At first I also felt a bit unsatisfied with the ending but I think I’m coming around to it

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analenegrace's review against another edition

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adventurous challenging emotional hopeful reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

I'd known of the HBO show but I hadn't ever watched it, and I'm glad I haven't. This book is so engaging, beautiful, and made me think so much about what makes humanity.

It's simultaneously an easy read because of how well-written it is, but also so hard to read in a post-2020 world where COVID fundamentally changed so many things. So much of the book was familiar; Mandel has a keen understanding of how we as a society react to things. Some of the standouts include a dedication to theater and the arts, a dedication to preservation, and relying on religion to the point of madness. All of these things were seen in our pandemic as well as in this book.

I cannot recommend it enough, and I will probably be thinking about it for a long time after reading.

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musicalpopcorn's review against another edition

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dark emotional reflective tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.5

When a plague strikes the world, the people who survive are left to survive as best they can.

I quite enjoyed this book. Emily St John Mandel is fast becoming my favourite author. I like the way she weaves her stories and ties things together with neat but emotional little bows. I quite liked how this was a little different than a standard post-apocalyptic book in that it was based more on relationships and less on the nitty-gritty of survival. I also liked how there was a lot of speculation about how people would reminisce and find different memories of technology to fixate on.

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conspystery's review against another edition

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dark emotional hopeful mysterious reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

“WHAT WAS LOST IN THE COLLAPSE: almost everything, almost everyone, but there is still such beauty.”

I cannot believe it took me as long as it did to discover this book; once I picked it up, I devoured it over the course of about four days, and now I am completely obsessed. I absolutely adore Station Eleven-- it’s everything its premise promises and more.

The thing I enjoy most about this book is its depth, and its commitment to exploring that depth. I was introduced to Station Eleven by the HBO miniseries, and I loved it, so I thought I knew what to expect when I picked up the novel, but I didn’t. The miniseries is more straightforward and resolved than the book. It’s great, but after reading the novel, I kind of prefer the ambiguity-- how the characters are more morally gray, how their connections with each other are complicated, how nearly nothing is tied up neatly. A surprising amount of the book version of Station Eleven is left up to interpretation, and it serves the premise really well.

I particularly like Jeevan in the book as opposed to the TV show (not to say I didn’t also love him in the miniseries! He was one of my absolute favorite characters!) because he’s such a great example of the difference in storytelling between the two formats. He tries to do the right thing, or that’s what he tells himself, but we see sides of him-- especially through other characters’ points of view, like Miranda-- that don’t completely line up with that image. The same can be said for nearly all the characters in the book. They’re complex, and Station Eleven centers itself around that complexity in how it presents its plot.

The writing of the book itself is also brilliant. Mandel’s writing style is unpretentious yet insightful (a friend described it as conversational); she knows exactly where to put detail so that it never becomes overbearing or repetitive. When there is focus on imagery, it’s always for a reason, and it’s always done with the wistful beauty of post-apocalyptic retrospection-- the recurring motif of light, especially around Kirsten’s character but sometimes with others, is my favorite instance of this intentionally limited, meaningful imagery. That philosophy of relative minimalism for maximum emotional impact does wonders for its thematic power.

In a similar vein, the matter-of-fact retrospective quality of the foreshadowing in this novel is exceptional. Again, Mandel does not overload the text with heavy-handed reminders of doom; the foreshadowing (or, after the outbreak, affirmations of the destruction) is limited, packed down into infrequent single sentences for maximum poignance. Even towards the beginning of the novel, while we’re still entrenched in the last days of normalcy before the outbreak hits, the foreshadowing is never meaninglessly ominous-- take the last line of chapter two, for example. Mandel’s foreshadowing always carries with it the sadness and regret of retrospection, which is a perfect match for the plot itself.

I think I highlighted more quotes from this book than I have for any other book I’ve read in the past year, full stop. And even that can’t capture everything I love about it. The brief moments of humor caught me off-guard every time, in the best way. Chapter six is masterfully written, could be a poem on its own. Miranda’s function in the narrative and her depth as her own character is so sad yet unequivocally beautiful in its power, and I love how she has such presence over everything-- in the glass paperweight, especially, not to mention her graphic novel. The comic book’s recurring appearance as the audience is given more information to understand its connection to Miranda and Arthur is phenomenal. The recounting of Arthur’s last day-- and choosing to explore this as late into the book as it appears-- adds unmatched emotional resonance, especially with its last line. Honestly, just everything Arthur is and does is so interesting character-wise; the excerpts from the letters to V show it so well. There’s one paragraph-- “I want to do something remarkable but I don’t know what”-- that just hits so hard. “...we’re all getting older and it’s going so fast. I’m already 19.” SO good. I haven’t even written anything about Clark yet! He’s such a great foil for the other characters, in a really unexpected way!

I think overall, Station Eleven shines in its ability to communicate so much depth in so many small, unexpected places. The less surface area an object has, the higher the pressure it can apply, and exponentially so-- this book is the same. It knows exactly where to pack its punches, and doing so results in a genuinely unforgettable, endlessly interpretable narrative, with a tragic but hopeful message about regret, human connection, and storytelling. I love this book; it’s a new favorite for me.

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mlovesbooks's review against another edition

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challenging dark reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

I'm in love with Emily St. John Mandel's writing. This is my second book by her that I've read and I plan to get through the rest of her published works this year.

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kelly_e's review against another edition

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adventurous challenging reflective medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.0

Title: Station Eleven
Author: Emily St. John Mandel
Genre: Science Fiction
Rating: 3.00
Pub Date: September 9, 2014

T H R E E • W O R D S

Evocative • Ambitious • Eerie

📖 S Y N O P S I S

Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of King Lear. That was the night when a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end.

Twenty years later, Kirsten moves between the settlements of the altered world with a small troupe of actors and musicians. They call themselves The Traveling Symphony, and they have dedicated themselves to keeping the remnants of art and humanity alive. But when they arrive in St. Deborah by the Water, they encounter a violent prophet who will threaten the tiny band’s existence. And as the story takes off, moving back and forth in time, and vividly depicting life before and after the pandemic, the strange twist of fate that connects them all will be revealed.

💭 T H O U G H T S

Despite hearing (and reading) so many glowing reviews from my bookish community for Station Eleven, I had no plan to pick it up... until it landed on the 2023 Canada Reads shortlist. Since 2021, I've made a point of reading as many books from the longlist as possible, with a particular focus on the five shortlisted titles. And so, despite knowing this wasn't likely to be my cup of tea, I borrowed a digital copy from my library.

I'll start by saying, I truly appreciated the dystopian Canadian content. Emily St. John Mandel has carefully constructed a realistic (eerily so) and reflective tale of post-apocalyptic survival. And of course, it's incredibly well written. While I know the ambiguous ending has been a point of contention between readers, for me it actually seemed the most fitting.

Despite that, I just wasn't a fan of the story or the structure. It's told in three different timelines from several points of view, and I definitely liked certain section a lot more than others. At times, I found myself disappointed to reach the end of a chapter only to find out I'd be ripped from what was happening in that storyline. Additionally, the plot just held very little interest for me. I'll admit coming out of a pandemic was probably not the right time to read this book, and it's quite possible the past three years impacted my reading experience.

I completely understand why so many readers love Emily St. John Mandel's descriptive and poetic writing style, yet Station Eleven was not a book for me. I don't think it's surprising it landed on this years Canada Reads list, as it definitely stimulates thought and discussion. I am looking forward to seeing how it'll fair on the panel, but in my opinion it doesn't necessarily fit the theme of shifting one's perspective.

📚 R E C O M M E N D • T O
• Emily St. John Mandel enthusiasts
• readers looking for pandemic fiction

🔖 F A V O U R I T E • Q U O T E S

"What I mean to say is, the more you remember, the more you've lost."

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krispy_reading's review against another edition

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adventurous challenging emotional hopeful reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

The way people grieve and reflect on the old world was my favorite part. You can’t help but be grateful that the 2020 DID NOT end up as bad as what these characters went through.

All of current life’s simplicities and technology, gone faster than you could process what’s happening to the world. What would you miss the most? What would you bring with you?

Yes, the book is post-apocalyptic but not in a The Walking Dead kind of way. There is more character reflection and adaptation with less violent elements.

There is a broad cast. If you can’t keep track of all Symphony members? It’s fine, just go along for the ride.

There are frequent time jumps in multiple directions. I would have appreciated the chapter titles named after the time period & character name as opposed to basic numerical order.

Ending was ok.

I wish there was more interaction between the Prophet and Kirsten (or even Clark). To really play up the 180 transformation of Tyler. To see if meeting someone who knew his Dad would freak him out (Kirsten). I was hoping to see Kirsten meet Jeevan. Their reunion would have been wholesome. I loved Clark’s Museum. Omg when the plane landed and it was just completely still…. forever. Broke my heart. I enjoyed the appreciation of the Arts in a post-apocalyptic world.

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