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gabefish's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexual content, War, Violence, and Misogyny
Moderate: Homophobia
All misogyny and homophobia is time period specific and at times deeply related to internal character struggles.percys_panda_pillow_pet's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
I have heard a lot about this book online. I know it's fairly popular and heralded as a Sapphic masterpiece. It is definitely good, that's for certain. I don't feel like it was too over-hyped, though the Sapphic elements were not what expected. However, I still loved the Sapphic relationship and the dynamics between the two characters. It was interesting to see how they balanced each other.
I really really enjoyed the worldbuilding and characters, both were big strengths for the novel and what drew me in the most. Though sometimes I felt lost in the different cultures portrayed, it wasn't a constant feeling and the writing emphasized the important themes and points that meant that total understanding wasn't entirely necessary.
Zhu's POV was my favorite part of the book. While Ouyang had interesting sections as well, especially as we got to know his character and motivations, I'm a total sucker for "chosen one" tropes and Zhu is very similar to that in the way she chases her fate. Because of this, I definitely felt like there was a bit of an odd balance to the POVs and pacing, in addition to the fact that the book is overall a slow book. But I didn't mind once I got to the end. The end was so perfect to keep readers on their toes and maintain intrigue for the sequel, which is part of the reason I waited to write this: so that I could read the sequel right away!
Reading this actually made me want to reread similar books, like Wesley Chu's The Art of Prophecy and Sue Lynn Tan's Daughter of the Moon Goddess. Anyways, if you're curious about She Who Became the Sun by Shelley Parker-Chan now that the sequel is out, I definitely think it is worth the read!
Graphic: Death of parent, Injury/Injury detail, Misogyny, Vomit, Homophobia, Transphobia, Sexism, Violence, War, Murder, and Death
Moderate: Xenophobia, Racism, and Animal death
Minor: Sexual harassment and Religious bigotry
heather_harrison's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
“Desire is the cause of all suffering. All Zhu had ever desired was to live. Now she felt the pure strength of that desire inside her, as inseparable as her breath or qi, and knew she would suffer from it. She couldn’t even begin to imagine the awful magnitude of the suffering that would be required to achieve greatness in the chaotic, violent world outside.”
It's Mulan vibes but with more violence, war and treachery, with an element of fantasy. BUT... also a really interesting exploration of destiny, gender identity and gender fluidity. How refreshing to have complex gender-queer relationships in historical fantasy! The prose is great and even the (spicy) scenes are beautifully written.
I did go into this relatively blind, and didn't know that it reimagining of the rise of the founding emperor of the Ming Dynasty. Parker-Chan takes great effort to build the world, and it does feel deeply rooted in history with many examples of grim reality.
We meet a young girl, a peasant of the famine-stricken Central Plains of China, who was fated for nothing (literally). She adopts her brother's identity after he tragically dies, as he was fated for greatness. She decides to take his name, identity and in turn, his greatness, to survive for herself.
Our main character definitely leans more towards to the anti-hero, and will do anything to survive.
There is a lot of confusion with the pronouns for Zhu's character - as they seem to switch between she/her and he/him depending on the situation. For clarity, I'm going to refer to Zhu as they/them. They are resilient and cunning and you can't help but be enamored. I absolutely adored the part one of this novel - as it centred around Zhu’s survival
As the narrative progresses, Zhu and Ouyang’s fate become entwined.
The pacing was a bit uneven, and I did find it a bit of a slog until I reached the final part of the story, that I did feel like a 'missed' parts of this because some seemingly important things are just skimmed over. To make matters worse, a lot of the important parts of the story take place 'off page' so we don't even get to see them.
I do feel that Parker-Chan does a very good job at not portraying either the Mongols or the Red Turbans as inherently good or bad. There are no morally superior war heroes in this tale, only survival. I am looking forward to the second book being released this year, and closing off the duology.
Graphic: Death, Violence, War, Dysphoria, Ableism, and Homophobia
Moderate: Torture
Minor: Death of parent, Pandemic/Epidemic, and Child death
TW: extreme hunger/starvation, Graphic depiction of a person burning to deathtbd24's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Body horror, Genocide, Toxic friendship, Death of parent, Toxic relationship, Injury/Injury detail, Dysphoria, Gore, Homophobia, Sexual violence, War, Death, Misogyny, Murder, Sexual content, Slavery, and Violence
nekoshka's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Violence, War, and Misogyny
Moderate: Child death
Minor: Homophobia
jessiereads98's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
The most compelling part of this story was the character of Ouyang and his relationships. That being said, I would still cut Ouyang’s story from the book entirely. I see how he works as a mirror to Zhu’s character, but him and his story aren’t necessary. This book is too long with too many POVs that are wholly unnecessary and while technically they come into contact occasionally, they really aren’t that relevant to each other. No POV adds anything to the others. The jumps between POVs are also extremely jarring at times. Overall, I found it difficult to care about any character due to a lack of consistent characterization and constant jumps.
There’s no real payoff from the magic here. This is heavy on the military and light on the fantasy to the point where for me it drops to more magical realism than true fantasy. This was really disappointing since it had potential. However, almost every time
I can recognize the writing in this book on its own is objectively, technically very well done. However, it still reads very dry and drags for about 300-350 pages. The ending was good, but it wasn’t worth the rest of the book. This ended up feeling like an excessively elaborate and unnecessary set up for whatever is going to happen in the sequel.
Graphic: Violence, Homophobia, Misogyny, Ableism, War, and Transphobia
Moderate: Death, Death of parent, Blood, Child death, Fire/Fire injury, Grief, and Sexism
Minor: Excrement, Vomit, Animal death, Slavery, Racism, Sexual content, Alcohol, and Colonisation
badbud's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Murder, Sexism, War, and Violence
Moderate: Misogyny and Blood
Minor: Child death and Homophobia
talonsontypewriters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Fire/Fire injury, Misogyny, Death, Colonisation, Dysphoria, War, Violence, Injury/Injury detail, Blood, Sexism, Murder, Grief, Classism, and Gore
Moderate: Child abuse, Death of parent, Torture, Slavery, Sexual content, Child death, Ableism, Racism, and Xenophobia
Minor: Vomit, Alcohol, Excrement, Homophobia, Pregnancy, Infidelity, Animal death, Animal cruelty, and Cannibalism
augustar14's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
It's difficult for a book this long not to feel slow paced. There was plenty of action that got me through, but it still overall felt a little slow.
I also struggle with the main character and her actions/choices at times. I understand her motivations and that her situation is complex, difficult, and influenced by significantly different cultural beliefs. And, at the same time, it is painful to see her grow into the person she becomes. The parallels with the eunuch general are fascinating, and I do plan to at least try to read to sequel to see where that thread goes. His story and decisions are painful to follow, though, too. Overall, it is a difficult read, one that offers little reward for the suffering and pain it puts the reader through. It is not a happily ever after story.
Graphic: Emotional abuse, Gore, Grief, Death, Infertility, Torture, Blood, Abandonment, Murder, Homophobia, Bullying, Child death, Xenophobia, War, Child abuse, Genocide, Sexual content, Racial slurs, Body horror, Classism, Colonisation, Death of parent, Sexism, Misogyny, Violence, Physical abuse, and Injury/Injury detail
Moderate: Medical content and Fire/Fire injury
Minor: Vomit and Excrement
erebus53's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
I read this book as part of a book club. It was one the club read before I joined but I am playing catch up.
Set in China in the 1300s this was a welcome departure from the Anglo-centric middle ages stories that I typically read based in that time period.
As a girl growing up in the middle of a famine, the main character learns that if you really have the want, you will survive at all costs. It's an exploration of the idea that desire is the root of suffering, and the main character is set up to be one who wants a lot and is thus likely to suffer a lot... there is a lot going on psychologically and philosophically, but I don't think the story gets bogged down by it.
I found myself really excited by some of the cinematic style happenings. An entire army taken out by cleverness and natural forces was a lot more exciting to me than blow by blow battles. I am constantly left under-enthused by battles in general, and this story doesn't make me wade through them unnecessarily. War is ugly.
The relationships in the tale are really nuanced and interesting. Best friends hide secrets from each other, or keep each other's secrets. Rivals respect each other, or feign being dignified. People feel attached to those who have hurt them. It's all a very human dysfunctional mess of trust, betrayal, love, romance, and misplaced presumptions. There's lesbian sex, and homoerotic sexual tension. Love without sex, sex without love. And there's dysphoria and mutilation...
There is a mystical element to the story. It leaves you to wonder about the Fates of the main characters and whose sides the gods are on. I really wanted to love this book more, but it's long and maybe I was just tired.. but I find it hard to root for a main character who is ambitious for its own sake. It's sort of good to have an unconventional main character who gets to be a Boss by sheer savvy and luck.. but I don't get a sense of rooting for an underdog so much as watching someone destroy a whole heap of things and climb a pile of bodies, like military might is the way to get a high score.
I'll be interested to read the second book when it comes out (later this year), and hopefully I might like it more if I take my time to invest in the characters.
Graphic: Blood, Body horror, Death, Child abuse, Ableism, Injury/Injury detail, Fire/Fire injury, Grief, Child death, Colonisation, Alcohol, Animal death, and War
Minor: Homophobia, Cannibalism, and Lesbophobia