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Graphic: Death, Hate crime, Mental illness, Physical abuse, Racism, Suicide, Violence, Blood, Murder, Schizophrenia/Psychosis , Cultural appropriation, Abandonment
Moderate: Addiction, Domestic abuse, Genocide, Hate crime, Misogyny, Racial slurs, Self harm, Terminal illness, Toxic relationship, Blood, Medical content, Kidnapping, Stalking, Cultural appropriation, Sexual harassment, Colonisation, Classism
Minor: Addiction, Alcoholism, Animal cruelty, Bullying, Death, Drug abuse, Drug use, Emotional abuse, Gore, Infertility, Grief, Alcohol
I found this book gripping, and once I really got into it, I couldn't put it down. I was ultimately disappointed, though. I know Sherman Alexie is not habitually a mystery writer, but I felt cheated by his reluctance to actually solve the mystery in this book. I found myself wishing it had been marketed as literary fiction, so that I would feel less cheated by the lack of resolution.
Things I loved: The insights into how American Indians form community in places like Seattle, where members of many tribes are thrown together. The weird, wonderful dream sequences. The hint of something possibly supernatural. The way Alexie treats orphans of all stripes.
Things I didn't like: The ambiguity of the ending -- all I really wanted was more of a clue as to who the Indian Killer was. It didn't have to be a "come out and reveal all," just some clearer sense. I also was sort of iffy on the characterization of Professor Mather. Lord knows we've all met individuals like him, but unlike the other characters, there was very little complexity, and he felt like a distillation of every stupidly insensitive, entitled white male professor in the world. I'm sure it was a hell of a good time writing him, but he was painted in such broad strokes in comparison to most of the other major players. Disappointing.
So now I've found myself with a book that I can't quite recommend to people, but that I also can't seem to stop talking about, which is very odd. I should give Alexie props for that, definitely.