Reviews tagging 'Sexual assault'

V for Vendetta by Alan Moore

15 reviews

kbeucler's review against another edition

3.25

Randomly decided to read this because I was thinking about a quote from the movie. This series of comics follows V, a mysterious masked vigilante as he works for vengeance and anarchy in a near-future Great Britain. It’s actually surprisingly different from the movie. I guess serialized comics are a much different shape than a 2 hour movie. I know Alan Moore also hated the movie. The comics are less about the people organizing to overthrow the government and more about vengeance and anarchy. The government men in the comics in general had more nuance (although I couldn’t keep them all straight), and it was disappointing that two of the five female characters in the comics didn’t get to be in the movie. Moore and Lloyd’s comic was interesting in that it came out in the 80s and 90s and it had more than just one type of woman. It’s not perfect, but it’s surprisingly good in it’s female representation. Also the oppressive authoritarian government thing, unfortunately still relevant. One more thing, but it’s a spoiler.

I’m not sure I can forgive V for torturing Evey, even if it was to teach her something, “to free her” from the oppression in her mind, even if she forgave him. However, I’m not sure the comics really ask me to forgive him. The movie does, and I think that’s why I’ve always felt weird about it. But in the comics, I don’t feel like I’m asked to excuse V’s behavior. He’s not a good guy. He’s bringing down an oppressive regime, yes, but he’s not noble. Or at least, that was my interpretation.

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Content Warnings

Moderate: Genocide, Pedophilia, Sexual assault, Torture, and Forced institutionalization

multimindz's review against another edition

adventurous challenging dark mysterious reflective tense slow-paced

• Diverse cast of characters? No

3.75

The movie is one of my fav so I read the graphic novel and then watched the movie right after.

I liked the movie waaaaaaay more than the book. The movie storyline was more succinct whereas in the book, I sometimes had problems following the different storylines. The book made sense but it felt more like White Guy Meandering & Mulling About Society whereas the movie got straight to the point.

What knocked my score to the 3's (I wanted to give it a 5 because it is V for Vendetta alone but that's not fair) is the use of Black People As Society's Canaries trope, where there are no active Black characters talking, living, etc in the forefront. Nope, we're in the background being .... murdered and treated poorly and all the White folks who star in the work do is go "Wow, look at how poorly the Black people are being treated, they're always the first to go." They do nothing but wait for all or most of the Black folks to be eradicated before doing anything, while all the while going "This world is sick, look at how they treat the Black people [and how I do nothing because why have genuine human compassion for Black people, who are also human (News Flash, it's true), until they die. Which works best for me because at least they're gone, I just have to act sad about it]." There are smarter & more humane ways to say or depict the issues of totalitarianism, facism and wide-spread prejudice. The movie handled it better, at least removed the "Black People as Society's Canary" trope. 

The sexism is wowser in the book. You have the daft-but-cute 16 yr old Evey Hammond (aged up in the movie and good thing, that!) who seemed to be an easily led, doe-eyed lamb that constantly trailed out things that made V look impressive, how she would go "oh, I'm so weak and frail but you're so big and strong" (I'm paraphrasing here). It clearly didn't look like some super meta-cognitive move to quip on society's sexism by Alan Moore, it just looked like standard White Straight Cis Man Makes Comic Books And Includes Gender Beside "Man" behavior. He triiiiiiiiied? 🤷🏿‍♀️ And flopped. Even had a Lady Macbeth type character that I almost expected to say "Out, out, damned spot" at one point." I get the whole "messed up ppl like power" thing but that all could have been told way better, when it came to the women. It instead read more like "What I, a straight man, believe a woman gunning for power would act like." The movie was a bit better, had it's drawbacks (thanks to the source material, they can only do so much) but the book was more heavy handed & leaded with the built-in sexism.

It's like Alan Moore was trying to say very poignant things about society but because it's clear via his work he doesn't really interact much (if at all) with whole slices of society (*koff*AnyoneNotWhite,NotMan,NotStraightAndEspeciallyNoCombos/Intersections*wheeeeeeeeze**koff*) it comes off as very "White Man Muses About Society, Ignores His Own Glaring Blindspots", which, bro, is already so many books, dear gods. We already have 1984, Brave New World, the list goes on and on and on and! At least the movie was good. I think if Alan Moore widened up his friend circle (at least to the point a group picture wouldn't look like something the National Front would hardly blink at) before and during the time he created this graphic novel, it would have been a super knock-out, probably.

Perhaps I'm also just tired of "White Guy Muses About Society, Ignores Own Blindspots" works. Been hearing and reading them since I was a kid (usually not by choice, at least this time was), it's lame, myopic af and they miss a lot.

Those two things I mentioned mostly knocked the score to 3.75. I recommend the movie over the graphic novel. At least the movie is thrilling

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Content Warnings

Graphic: Deportation, Emotional abuse, Forced institutionalization, Genocide, Gun violence, Hate crime, Homophobia, Kidnapping, Medical content, Medical trauma, Mental illness, Abandonment, Confinement, Toxic friendship, Classism, Fire/Fire injury, Gaslighting, Racism, Xenophobia, Death, Misogyny, Murder, Pandemic/Epidemic, Physical abuse, Police brutality, and Toxic relationship

Moderate: Death of parent, Grief, Infidelity, Drug use, Sexual assault, Sexual violence, Violence, Alcohol, Alcoholism, Antisemitism, Lesbophobia, Sexual harassment, Sexual content, Adult/minor relationship, War, Cursing, Domestic abuse, Injury/Injury detail, Racial slurs, Religious bigotry, Sexism, and Torture

Minor: Rape

bearystarry's review against another edition

challenging dark emotional hopeful mysterious reflective sad tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

5.0

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Content Warnings

Graphic: War, Medical trauma, Genocide, Racial slurs, Racism, Violence, Torture, Sexual harassment, Homophobia, Hate crime, Grief, Forced institutionalization, Fire/Fire injury, Emotional abuse, Drug use, Death of parent, Death, Colonisation, Alcohol, Religious bigotry, Police brutality, Physical abuse, Pedophilia, Murder, Cursing, Lesbophobia, Infidelity, Domestic abuse, Confinement, Gun violence, Classism, Blood, and Biphobia

Moderate: Sexual assault, Sexual violence, and Sexual content

yaboiellis's review against another edition

adventurous challenging dark emotional mysterious reflective tense medium-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? It's complicated

5.0

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Content Warnings

Graphic: Homophobia, Injury/Injury detail, Lesbophobia, Kidnapping, Death, Gore, Mental illness, Panic attacks/disorders, Adult/minor relationship, Emotional abuse, Grief, Physical abuse, Bullying, Classism, Gaslighting, Child abuse, Forced institutionalization, Genocide, Pedophilia, Police brutality, Blood, Domestic abuse, Infidelity, Body horror, Death of parent, Confinement, Cursing, Drug use, and Fire/Fire injury

Moderate: War, Alcohol, Trafficking, Alcoholism, Torture, Xenophobia, and Violence

Minor: Racial slurs, Religious bigotry, Sexual assault, Stalking, Suicidal thoughts, Sexual content, Sexual harassment, Rape, Sexism, and Sexual violence

zealforneil's review

challenging dark mysterious tense fast-paced

• Plot- or character-driven? Plot
• Strong character development? It's complicated
• Loveable characters? No
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? Yes

4.0

I’ve read V for Vendetta a few times over my life, and every time I zip through the second half breathless, carried away by David Lloyd’s illustrations of Alan Moore’s ambitious storytelling.
Analysing the politics of the story has surely been done to the moon and back, and it will have been obviously stated that it is as pertinent now as ever. Perhaps that simply reflects how our society walks the tight-rope  between fascism and anarchy as much now as it did when V was written.
The story and the characters, however, surely make this stand apart from other politically-driven fictitious works. The characters come and go, killed in various brutal fashions, losing their minds or their comfortable lives. It is them that has driven me to read the story at pace, to follow their changing fortunes and witness their demise. V is not the most compelling character by a long shot, and in this collection’s epilogue, Moore admits that he surprised even himself by giving the fascist characters such fleshed-out backstories.
The confluence between incisive political commentary and intriguing characters are what has made this a modern classic, and the alchemy of combining them is perfected as the story wears on.
I’m sure I’ll return to V for Vendetta again in a few years and find new political angles and story arcs to intrigue me again. And I’m sure it will seem just as chillingly feasible then as it does now, and has seemed since I first read it.

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Content Warnings

Graphic: Genocide, Hate crime, Injury/Injury detail, Racial slurs, Police brutality, and Forced institutionalization

Moderate: Sexual assault

xenia_li's review against another edition

5.0

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Content Warnings

Graphic: Racism, Adult/minor relationship, Hate crime, Police brutality, Violence, Torture, Racial slurs, Homophobia, Lesbophobia, Misogyny, and Genocide

Moderate: Mental illness, Infidelity, Rape, War, Sexual assault, Xenophobia, Sexual violence, Sexual harassment, Pedophilia, Murder, Gun violence, Child abuse, Emotional abuse, and Domestic abuse

Minor: Incest, Medical trauma, Antisemitism, Drug abuse, Violence, Grief, and Religious bigotry

blitz_ramna's review against another edition

adventurous challenging dark sad tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? It's complicated

4.5

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Content Warnings

Graphic: Sexual violence, Gore, Violence, Sexual assault, and Sexual harassment

Moderate: War and Pedophilia

Main character, Evey, dresses up as a child to bait a Catholic priest who V knows is a pedophile. Last pages of the graphic novel shows 2 fingermen sexually assaulting a woman that's being tied down to some sort of torture device.

samferree's review against another edition

challenging dark reflective tense medium-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? No
• Diverse cast of characters? No
• Flaws of characters a main focus? No

4.0

I knew Alan Moore hated the movie (but he hates all adaptations of his comics) and now I understand why. It's not quite as egregious as Minority Report, which completely inverted both how the mechanics of the universe worked but also the message, but it's close. V for Vendetta the film was a commentary on the Bush administration, neo conservatism/liberalism, surveillance capitalism, but the comic is really about anarchism. Knowing that Moore was unhappy with the film kind of shaped the way that I read the comic, though, and I kind of think that the story has less to do with fascism (it's been done) and more of a philosophical exploration of the individual's relationship with the collective and government, essentially pointing out that The People are the responsible for whatever society they create and maintain, deserving all the credit and praise or ridicule and damnation.

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Content Warnings

Graphic: Antisemitism, Sexism, Confinement, Forced institutionalization, Homophobia, Pedophilia, Physical abuse, Racism, Rape, Genocide, Hate crime, Police brutality, Suicide, Blood, Drug use, Murder, Toxic relationship, Trafficking, Violence, Death, Death of parent, Sexual assault, Sexual violence, Torture, War, and Xenophobia

dudebell's review

adventurous mysterious tense fast-paced

• Plot- or character-driven? Plot
• Strong character development? It's complicated
• Loveable characters? It's complicated
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? It's complicated

3.5

An absolute classic for a reason. Stripping the comic of sound effects and thought bubbles was a revolution in itself, creating a noir-ish feel without ever verging into the cinematic. This dystopic world avoids the pitfalls of many others by remaining grounded and feeling real, feeling contemporary - it was shocking to read the words “make Britain great again” in a comic that was not only pre-Trump, but pre-Thatcher. The Storm Saxon panels illuminate the kind of propaganda that we consume daily. All around brilliant, subtle world building.

The world of V for Vendetta is one in which fascists in Britain have successfully eradicated all visible ‘minorities’ from their country, leaving behind only those less visible - those who are queer. Characters are forced to make the decision: to be visible, or to move invisibly. For Valerie, this is her “one inch” that she will not give up. For Ruth, this is price she is willing to pay for her ‘freedom’ — a freedom that is simply a different sort of prison. It’s interesting to me that, in the afterword of the edition I read, Moore describes an earlier version of V as “transsexual” — and it’s true. Firstly in the sense that V is both everything and nothing, he is a man and a woman and both and neither, he is an idea, and anyone can be an idea. He represents anarchy and freedom and the queerness we can associate with that, and we see this as

Evey dons his mask and becomes him; a woman becomes a man. I can also very easily see V as Ruth, as someone who decided one prison and got the other one anyway, who is fuelled by remorse for what she did to Valerie, who takes her lover’s initial in an act of defiance but still feels the need for invisibility, the need to mask her face and lie.

The world of V is also one in which love has been replaced with power, and for me this is the strongest element of the novel. All romance is a power play. Sexual intimacy is girls on a stage, is rape. Susan (and there’s something to be said about genderplay with that name as well) is ruling a world so devoid of love that he falls for a computer (here again — a non-sexed ‘entity’ who is addressed as a woman and has the voice of a man). There’s an incredible scene where, almost in a trance, Susan whispers “I love you” to Fate, while Creedy trembles in the background, unsure if he’s the object of this affection. Lost love is depicted as queer joy, as a celebration of Blackness. And this is something that has been sacrificed for uniformity and control.

There are some issues I take with the comic. I think the film’s decision to make Gordon a queer man was the right one, as his role in the book is a little cloudy. I also wish the two leads were less opaque. While I understand this decision to make V more myth than man, I wish there had been moments to humanise him and make him feel more real.

But the biggest offence for me is Evey’s under-reaction to her torture and captivity at V’s hands. What V does is insurmountable, strangely motivated, unclear in its outcome. In my opinion it would almost be better if it were lost entirely.

Overall, a classic comic, one of the greats. Definitely an important read for anyone interested in the medium.

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Content Warnings

Graphic: Blood, Classism, Domestic abuse, Fire/Fire injury, Gaslighting, Genocide, Gun violence, Homophobia, Injury/Injury detail, Lesbophobia, Misogyny, Police brutality, Violence, War, Xenophobia, Confinement, Death, Rape, Schizophrenia/Psychosis , Sexual harassment, Emotional abuse, Forced institutionalization, Grief, Infidelity, Medical content, Racial slurs, Racism, Sexism, Sexual assault, and Torture

Moderate: Alcohol, Adult/minor relationship, and Antisemitism

fallandfox's review

emotional informative mysterious reflective medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? No
• Flaws of characters a main focus? It's complicated

4.0

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Content Warnings

Moderate: Death, Death of parent, War, Violence, Torture, Suicidal thoughts, Sexism, Sexual assault, Rape, Racism, Police brutality, Pedophilia, Misogyny, Lesbophobia, Kidnapping, Infidelity, Homophobia, Gun violence, Forced institutionalization, Emotional abuse, and Domestic abuse