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eli_deatherage's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Graphic: Child death, Chronic illness, Death, Physical abuse, Violence, Blood, Stalking, Murder, and Injury/Injury detail
Moderate: Gore, Racism, Self harm, Torture, Kidnapping, Fire/Fire injury, and Gaslighting
catch__up's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
Moderate: Body horror, Child abuse, Death, Emotional abuse, Gun violence, Self harm, Violence, Blood, Grief, Murder, Abandonment, and Injury/Injury detail
Minor: Body horror, Child death, Confinement, Gore, Miscarriage, Racism, Self harm, Torture, Forced institutionalization, Police brutality, Stalking, Death of parent, Pregnancy, and Fire/Fire injury
captnaner's review
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.75
Graphic: Death
bucklace27's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Graphic: Death, Gore, and Violence
natyourusual_'s review
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
1.5
Moving onto the actual plot points:
- Jacob Marber being a morally gray character who’s not the REAL villain might have landed better if he had been written better. It was predictable but the excuses made for him seemed a bit contrived and almost like an afterthought given the scale of what he did and all the material Miro had to work with. Frankly, his character arc could’ve been resolved if he just communicated with people after the druhgr seduced him. I’m sure if he told Coulton “everyone is evil, we gotta do something about it and make sure the orsine is closed forever” the man would’ve helped him. Same with a lot of other characters. Tbh, he could’ve bided his time and done things differently and maybe it would make more sense if he actually tried to do things the “right” way but lost his way at some point. It also could have been good to see him be betrayed/framed for some things so it could be more ambiguous as to whether he’s eighth or wrong.
- Dr. Berghast being evil all along was also predictable as was his using the missing children as experiments to replace/fix the glyphic. Frankly, I was shocked he wasn’t outright sacrificing them and using their blood for something given the way the book was going, though I suppose what he did do was just as bad.
- By the time we find out who Marlowe’s mom really is, I didn’t really care and I think that’s a testament to how unnecessarily complex the author made the story and how painful it was to get through.
- Coulton becoming a litch was also very predictable given his hatred/disgust of them, the way he died, and then how his body wasn’t collected when he died. While I’m on the topic of litches, we didn’t need to constantly be reminded what they look like. We know. We got it the first two times. The needle-like teeth don’t need to be restated every scene. We got it.
- The final fight (in the last couple chapters) was incredibly convoluted. I missed Walter Laster and Jacob Marber actually dying (which I’m calling it now that Jacob isn’t dead and they’re gonna try to make him have a Zuko-style redemption arc) because it was so convoluted and awful.
- Switching POVs and time jumps started off fun but became a drag to read after a while. I love a good flashback situation but sometimes the steps back and forward were too often or the POVs switched at weird times. There was even a section around chapter 39 where they changed POVs like 6 times on the same page. I’m glad it was only a one time problem but that was really annoying and halted the flow of the story a lot.
- Some parts, for all the over explaining throughout the story, got glossed over at weird times. We still don’t know much about the weir bents or the old artifacts but we know they were integral parts of the story that characters with POV sections knew a lot about, so why over explain the way a litch looks and how Alice is totally a badass with no nurturing to her despite her being primarily a mother figure the whole book, when really we needed real plot-specific world-building explanations?
Anyways, I wanted to love this but just felt relieved it was over in the end. I don’t see myself continuing the series. I’m sure it’s a book for someone, however, that someone isn’t me. If you start reading the book and find that it’s dragging too much for your liking, just know it doesn’t get better in that regard. I think the author is great when he feels the need to be concise and brevity is what this novel lacked overall in many aspects. Also, well-written women. There weren’t a lot of those either…
Graphic: Death, Physical abuse, Racism, Torture, and Violence
Moderate: Grief
Minor: Child death, Miscarriage, and Sexual assault
sophiesmallhands's review against another edition
Graphic: Racism and Violence
Moderate: Death, Gore, Torture, and Murder
Minor: Confinement, Rape, and Death of parent
jhbandcats's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
By the end we’re following at least three storylines, all about a great evil that’s going to release the dead into our world and the forces of good that are fighting to keep that from happening. The children are unusual - one has a separate flesh giant that smells of rotting meat but the rest are more appealing - and the monsters are indeed monstrous.
I’m delighted to report that there’s a hero cat. I’d have given this five stars even if there weren’t a hero cat, but the hero cat puts this firmly in the ten-star category.
Graphic: Body horror, Child death, Death, Gore, Gun violence, Racial slurs, Racism, Violence, Blood, Grief, Death of parent, Fire/Fire injury, Abandonment, and Injury/Injury detail
clarabooksit's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Graphic: Body horror, Child abuse, Death, Gun violence, Racism, Self harm, Sexism, Violence, Kidnapping, Grief, Religious bigotry, Murder, Fire/Fire injury, and Injury/Injury detail
Moderate: Ableism, Child death, Torture, Forced institutionalization, Death of parent, Abandonment, and Colonisation
emily_bg's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Death, Violence, and Blood
bonniejpg's review
Graphic: Death, Gore, Racism, Violence, and Murder