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ryster's review against another edition
4.25
I adored this book! It's well-told, with different, but very interesting perspectives. I didn't care much for the last 20 pages, in which I thought hte book became kind of lost in itself, I see what it was going for, but I just didn't click with that part. Overall though, it was a very enjoyable read, I would definitely recommend it.
Content Warnings
Graphic: Violence and Death
Moderate: Sexual content
Minor: Death of parent
igafk's review against another edition
dark
emotional
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Content Warnings
Graphic: War
Moderate: Blood, Fire/Fire injury, Grief, Physical abuse, Mass/school shootings, Murder, Police brutality, Sexual content, and Death
spinesinaline's review against another edition
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
This book follows the original classic with a murderous creature formed out of multiple corpses. However in Saadawi’s story, these corpses are victims of suicide bombings, the story set in Iran following the USA’s invasion, and the creature sets out to seek justice for these parts of it’s self.
While the author doesn’t directly comment on foreign conflicts and warring governments, we see the horrific impacts of this violence on each character in the book and the larger implications and realizations are subtly pushed forward throughout the story for the reader to come to on their own.
Because of this more subtle undertone, it does feel that the descriptions of death and destruction are at times callous or impartial but I think the author’s intentions and style work beautifully in getting his point across.
While the author doesn’t directly comment on foreign conflicts and warring governments, we see the horrific impacts of this violence on each character in the book and the larger implications and realizations are subtly pushed forward throughout the story for the reader to come to on their own.
Because of this more subtle undertone, it does feel that the descriptions of death and destruction are at times callous or impartial but I think the author’s intentions and style work beautifully in getting his point across.
Content Warnings
Graphic: Blood, Suicide, War, Death, Murder, Gun violence, Violence, Gore, and Injury/Injury detail
Minor: Sexual content
savvylit's review against another edition
dark
informative
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
More of a political commentary than a horror story, Frankenstein in Baghdad was a fascinating glimpse into post-Hussein Iraq. The story was engaging for two distinct reasons: (1) the literal setting and (2) the multiple points of view. By including the perspective of multiple residents of Baghdad, Saadawi demonstrates how an entire community experiences daily violence and trauma. Each character has suffered immense loss and been witness to unfathomable brutality. Many of the characters have also resigned themselves to daily danger and are unsurprised to be nearly killed.
The multi-character narration is also what conjures the powerful setting. Saadawi portrays a Baghdad that has been utterly destroyed by the U.S. invasion. Not only that, but he also demonstrates the resulting corruption and in-fighting that went hand-in-hand with the invasion. Baghdad is in ruins, no one can be trusted, and the streets are littered with corpses. Residents are fleeing to the countryside or leaving Iraq entirely. The glimpses of the true reality of senseless modern war in this novel are incredibly sobering.
All that being said, I ultimately felt neutral upon finishing Frankenstein in Baghdad. I think perhaps some of the dark humor that has been ascribed to this book fell flat for me, personally. Maybe it is an issue of translation or just general cultural differences. I'm not sure. I definitely got that some of the bureaucrats featured were exaggerated caricatures of real officials. However, I didn't actually experience comedy. Also, the portrayal of women in this novel is pretty terrible. Elishva is pitiful & disrespected and the way that Mahmoud acts around Nawal near the book's end is gross.
The multi-character narration is also what conjures the powerful setting. Saadawi portrays a Baghdad that has been utterly destroyed by the U.S. invasion. Not only that, but he also demonstrates the resulting corruption and in-fighting that went hand-in-hand with the invasion. Baghdad is in ruins, no one can be trusted, and the streets are littered with corpses. Residents are fleeing to the countryside or leaving Iraq entirely. The glimpses of the true reality of senseless modern war in this novel are incredibly sobering.
All that being said, I ultimately felt neutral upon finishing Frankenstein in Baghdad. I think perhaps some of the dark humor that has been ascribed to this book fell flat for me, personally. Maybe it is an issue of translation or just general cultural differences. I'm not sure. I definitely got that some of the bureaucrats featured were exaggerated caricatures of real officials. However, I didn't actually experience comedy. Also, the portrayal of women in this novel is pretty terrible. Elishva is pitiful & disrespected and the way that Mahmoud acts around Nawal near the book's end is gross.
Content Warnings
Graphic: Injury/Injury detail, Murder, Death, Body horror, Gore, Gun violence, Grief, War, Physical abuse, Violence, Suicide, Police brutality, and Religious bigotry
Moderate: Misogyny and Sexual harassment
andrewhatesham's review against another edition
dark
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? N/A
3.0
Content Warnings
Moderate: Violence, Torture, Body horror, and Death
uss_mary_shelley's review against another edition
dark
funny
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
A really enjoyable read, I love Frankenstein and this was a great use of the themes without being a retelling. Great characters and an interesting story
Content Warnings
Graphic: Death, Police brutality, Violence, War, Murder, and Body horror
nnyevski's review against another edition
challenging
dark
emotional
informative
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
best book I've read so far this year
Content Warnings
Graphic: Death
bluejayreads's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
4.0
I picked this up because I was intrigued by the concept of taking the “man made of parts from multiple people” idea and setting it in early-2000s Iraq. Plus it was written by an Iraqi author who lived in Baghdad in the early aughts, which is always a benefit for authenticity.
The back cover makes it sound like Hadi is the main character, but he’s really not. There isn’t really a “main character” in this book, just a series of minor protagonists alternating perspectives to weave a story that feels less like a Structured Plot and more like part of real life. (The same thing is true of Celestial Bodies, so I’m beginning to wonder if Middle Eastern novels just have a very different structure from Western novels.)
The main players in this story are as follows:
- Hadi, who makes a living buying junk, fixing it up, and selling it, and who collected pieces of people blown up in car bombings and sewed them into a single corpse.
- An elderly lady who lives next door to Hadi and who refuses to sell her house and emigrate with her daughters because she still believes her son will come home.
- A reporter who desperately wants to be like his powerful, wealthy, connected, asshole editor and reports on the reanimated corpse roaming Baghdad.
- The monster himself, who has the opportunity to tell his story in his own words.
The monster’s story is almost entirely told as audio that the monster recorded onto an audio recorder and gave to the journalist, and that takes up a large chunk of the middle of the book. Beyond that, most of his story is told through other people seeing or hearing about his actions. The reporter has the most page time by far, but that makes sense since he is the most connected and in the best position to get the most parts of the story.
Each of the main protagonists in the story could be a complete character-focused story on their own.
- Hadi is suffering from a past tragedy and trying to hide the dubiously-legal steps he’s taking to deal with it, the emotional toll leaving him struggling to work even though he’s running out of money.
- The elderly lady refuses to move out of her dangerous neighborhood to live with her daughters because the picture of Saint George she has on her wall has told her that her son, who never returned from the war two decades ago, will soon come home.
- The journalist has been taken under the wing of the editor of his magazine, and desperately wants to be like him – whether that means cozying up to people he hates or abandoning his friends to get ahead.
- The monster doesn’t know why he’s alive but he knows he has a mission, and undertaking that mission has brought him many disciples with different opinions of how the mission should be done and what the monster’s ultimate purpose is.
In a lot of ways it feels like several smaller stories based around the protagonists’ character arcs were put into a single volume and somehow wove together to form a bigger picture of tumultuous early-aughts Iraq and a Frankenstein’s monster loosed on the streets of Baghdad. It’s like some sort of artwork in multiple pieces, where every piece is a complete image in and of itself but when you put them together it forms another, bigger image.
Frankenstein in Baghdad is a well-told story, I’m very impressed with how it weaves together multiple character-focused stories to form another complete story, it has a lot of commentary about early-aughts Iraq that I think I would find more meaningful if I had been aware of world news in the early aughts, and it did keep me interested enough to read the whole book. I’m not entirely sure what to make of it when it comes to entertainment, but it was creative and engaging enough – and regardless of my personal opinion, I think it does have objective literary merit.
Content Warnings
Graphic: Body horror, Blood, Death, and Injury/Injury detail
Moderate: Child death, Gore, Torture, Police brutality, and Fire/Fire injury
Minor: War and Sexual content
mscalls's review against another edition
dark
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Alcohol, Blood, Child death, Death, Death of parent, Gore, Grief, Gun violence, Injury/Injury detail, Medical content, Murder, Violence, and War
seawarrior's review against another edition
dark
emotional
mysterious
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Through the lore of the original Frankenstein emerges this layered horror story surrounding a group of neighbors going about their lives during the U.S. occupation of Iraq. Much like the title creation itself, Frankenstein in Baghdad possesses a narrative stitched together from the perspectives and fears of multiple Iraqi victims of war, successfully humanizing these people who have long been ignored by the originator of their pain. The story focuses solely on characters who are Iraqi, with U.S. military operatives portrayed as shadowy and indifferent figures in the background of their lives, but make no mistake, "it was the Americans who were behind this monster".
Our story begins after a junk dealer, Hadi, collected the body parts of bombing victims left in the street and compiled them to physically construct the creature he calls "Whatsitsname". He made this gruesome task his mission in the hopes that these remainders of corpses "wouldn't be treated as trash, so [they] would be respected like other dead people and given a proper burial". Unknown to Hadi, life is bestowed upon this assembly of loss when the soul of yet another bombing victim possesses the Whatsitsname, who is then claimed by a grieving mother as the answer to her prayers for her son's return from war. The Whatsitsname was made entire by victims whose lives and bodies were ripped apart, their deaths never avenged and their hurt never resolved. Thus it quickly becomes engrossed in an quest for revenge it soon learns is never ending, as it must continue collecting the parts of new victims to sustain itself, even though its very notion of victimhood grows murkier with each part vindicated.
Numerous passages throughout this book read as profound understandings of fear, revenge, and humanity. Saadawi both utilizes and elevates Frankenstein's portrayal of grief as a righteous pain that can prove itself monstrous if left as a wound unhealing. Yet in his adaption the grief which molds a monster is not possessed solely by one man, but by an entire country. I highly recommend this book to those who feel they can handle the subject matter. My only dissatisfaction with it lies with the ending, which felt somewhat rushed, especially in comparison to the tightly woven narratives of the previous chapters. Yet overall, I found this novel both deeply disturbing and emotionally moving, often at the same time. Every accolade given to it has been diligently earned.
Our story begins after a junk dealer, Hadi, collected the body parts of bombing victims left in the street and compiled them to physically construct the creature he calls "Whatsitsname". He made this gruesome task his mission in the hopes that these remainders of corpses "wouldn't be treated as trash, so [they] would be respected like other dead people and given a proper burial". Unknown to Hadi, life is bestowed upon this assembly of loss when the soul of yet another bombing victim possesses the Whatsitsname, who is then claimed by a grieving mother as the answer to her prayers for her son's return from war. The Whatsitsname was made entire by victims whose lives and bodies were ripped apart, their deaths never avenged and their hurt never resolved. Thus it quickly becomes engrossed in an quest for revenge it soon learns is never ending, as it must continue collecting the parts of new victims to sustain itself, even though its very notion of victimhood grows murkier with each part vindicated.
Numerous passages throughout this book read as profound understandings of fear, revenge, and humanity. Saadawi both utilizes and elevates Frankenstein's portrayal of grief as a righteous pain that can prove itself monstrous if left as a wound unhealing. Yet in his adaption the grief which molds a monster is not possessed solely by one man, but by an entire country. I highly recommend this book to those who feel they can handle the subject matter. My only dissatisfaction with it lies with the ending, which felt somewhat rushed, especially in comparison to the tightly woven narratives of the previous chapters. Yet overall, I found this novel both deeply disturbing and emotionally moving, often at the same time. Every accolade given to it has been diligently earned.
Content Warnings
Graphic: Alcoholism, Body horror, Death, Fire/Fire injury, Gore, Grief, Mass/school shootings, Medical content, Murder, Police brutality, Violence, and War