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bashsbooks's review against another edition
challenging
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
I must confess, I was never a huge fan of Mary Shelley's Frankenstein. I reread it over and over again in high school and college, and I could never get into it. Something about the text was too dense and archaic for me to connect to - which is not normally a problem I have with classics.
When I came across Frankenstein in Baghbad, I thought the concept of a surrealist look into early Iraq War era Baghdad was an interesting concept, but I was skeptical that I'd find the same stumbling blocks with this version as the original. After all, it takes place in a time and setting very different from my own, just like Shelley's original.
But Saadawi's work is different. I realized pretty quickly that this book is much, much closer to my time and place than I thought it would be. It demonstrates, with an unparalleled hand for metaphor, the monster that is the cycle of revenge which makes up the wheels of war.
When I came across Frankenstein in Baghbad, I thought the concept of a surrealist look into early Iraq War era Baghdad was an interesting concept, but I was skeptical that I'd find the same stumbling blocks with this version as the original. After all, it takes place in a time and setting very different from my own, just like Shelley's original.
But Saadawi's work is different. I realized pretty quickly that this book is much, much closer to my time and place than I thought it would be. It demonstrates, with an unparalleled hand for metaphor, the monster that is the cycle of revenge which makes up the wheels of war.
Content Warnings
Graphic: Violence, Injury/Injury detail, Murder, Death, Body horror, and War
Moderate: Gun violence, Torture, Police brutality, Classism, and Misogyny
Minor: Sexual harassment, Car accident, Sexual content, and Suicide
-Suicide bombing, explosions -Corpses -Mutilationcatsbreadbikes's review against another edition
adventurous
challenging
dark
emotional
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Not exactly my genre, so the ot didn't move me as much as i thought it would, but i found the characters compelling and well-written
Content Warnings
Graphic: Suicide, War, Xenophobia, Violence, and Islamophobia
aegireads's review against another edition
dark
reflective
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? N/A
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Murder, Gore, Death, Grief, War, and Suicide
spinesinaline's review against another edition
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
This book follows the original classic with a murderous creature formed out of multiple corpses. However in Saadawi’s story, these corpses are victims of suicide bombings, the story set in Iran following the USA’s invasion, and the creature sets out to seek justice for these parts of it’s self.
While the author doesn’t directly comment on foreign conflicts and warring governments, we see the horrific impacts of this violence on each character in the book and the larger implications and realizations are subtly pushed forward throughout the story for the reader to come to on their own.
Because of this more subtle undertone, it does feel that the descriptions of death and destruction are at times callous or impartial but I think the author’s intentions and style work beautifully in getting his point across.
While the author doesn’t directly comment on foreign conflicts and warring governments, we see the horrific impacts of this violence on each character in the book and the larger implications and realizations are subtly pushed forward throughout the story for the reader to come to on their own.
Because of this more subtle undertone, it does feel that the descriptions of death and destruction are at times callous or impartial but I think the author’s intentions and style work beautifully in getting his point across.
Content Warnings
Graphic: Blood, Suicide, War, Death, Murder, Gun violence, Violence, Gore, and Injury/Injury detail
Minor: Sexual content
savvylit's review against another edition
dark
informative
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
More of a political commentary than a horror story, Frankenstein in Baghdad was a fascinating glimpse into post-Hussein Iraq. The story was engaging for two distinct reasons: (1) the literal setting and (2) the multiple points of view. By including the perspective of multiple residents of Baghdad, Saadawi demonstrates how an entire community experiences daily violence and trauma. Each character has suffered immense loss and been witness to unfathomable brutality. Many of the characters have also resigned themselves to daily danger and are unsurprised to be nearly killed.
The multi-character narration is also what conjures the powerful setting. Saadawi portrays a Baghdad that has been utterly destroyed by the U.S. invasion. Not only that, but he also demonstrates the resulting corruption and in-fighting that went hand-in-hand with the invasion. Baghdad is in ruins, no one can be trusted, and the streets are littered with corpses. Residents are fleeing to the countryside or leaving Iraq entirely. The glimpses of the true reality of senseless modern war in this novel are incredibly sobering.
All that being said, I ultimately felt neutral upon finishing Frankenstein in Baghdad. I think perhaps some of the dark humor that has been ascribed to this book fell flat for me, personally. Maybe it is an issue of translation or just general cultural differences. I'm not sure. I definitely got that some of the bureaucrats featured were exaggerated caricatures of real officials. However, I didn't actually experience comedy. Also, the portrayal of women in this novel is pretty terrible. Elishva is pitiful & disrespected and the way that Mahmoud acts around Nawal near the book's end is gross.
The multi-character narration is also what conjures the powerful setting. Saadawi portrays a Baghdad that has been utterly destroyed by the U.S. invasion. Not only that, but he also demonstrates the resulting corruption and in-fighting that went hand-in-hand with the invasion. Baghdad is in ruins, no one can be trusted, and the streets are littered with corpses. Residents are fleeing to the countryside or leaving Iraq entirely. The glimpses of the true reality of senseless modern war in this novel are incredibly sobering.
All that being said, I ultimately felt neutral upon finishing Frankenstein in Baghdad. I think perhaps some of the dark humor that has been ascribed to this book fell flat for me, personally. Maybe it is an issue of translation or just general cultural differences. I'm not sure. I definitely got that some of the bureaucrats featured were exaggerated caricatures of real officials. However, I didn't actually experience comedy. Also, the portrayal of women in this novel is pretty terrible. Elishva is pitiful & disrespected and the way that Mahmoud acts around Nawal near the book's end is gross.
Content Warnings
Graphic: Injury/Injury detail, Murder, Death, Body horror, Gore, Gun violence, Grief, War, Physical abuse, Violence, Suicide, Police brutality, and Religious bigotry
Moderate: Misogyny and Sexual harassment
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