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teaand_tomes's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Dementia and Abandonment
Moderate: Sexual content
Minor: Confinement and Cursing
l1brarygirl's review
4.0
Graphic: Dementia
Moderate: Confinement, Sexual content, Violence, and Abandonment
Minor: Death, Toxic relationship, and Gaslighting
fromjuliereads's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
I was so invested in this story and the characters, and I just had to know what was going on. The story and the world really pulled me in. I loved the reveals, the bits and pieces that we got from all of the characters. I loved how magic and music played a part, and how forgetting was so integral to the story for multiple characters - how some chose it and some were forced without knowing.
I already loved Kristen Ciccarelli's writing from her previous works, and this has further cemented her as a favourite author. Definitely a YA fantasy standalone that I would recommend!
Moderate: Confinement, Death, Emotional abuse, Sexual content, Violence, Grief, Abandonment, and Injury/Injury detail
Minor: Toxic relationship and Pregnancy
alli_the_bookaholic13's review against another edition
4.0
This was such an emotional story. Emeline’s emotions and fears about her grandfather were so strong, and so heartbreaking. Her love for him was incredible, and she was determined to do whatever she had to in order to save him.
I loved the fantasy elements here. It almost felt like I was reading a fairy tale. I thought the author did a great job of capturing the setting of the woods, and giving this fey kingdom a sense of otherworldliness.
Emeline was a complex character. She was striving to reach her goals and dreams of being a famous singer, and she was so close when her Pa went missing. The struggles she faced over following her dreams or rescuing her grandfather were really well written. I thought Emeline was a realistic character, and I was rooting for her the whole book.
I also liked Hawthorne’s character. He gave me some mysterious vibes from the beginning, and I was hooked on him. Sable and Grace were interesting characters too, and I would have loved to get more of them.
I thought the pacing was good in this one. The writing style flowed well, and it was easy to get swept up into the story of Emeline’s music.
Moderate: Violence
Minor: Death, Rape, Blood, Dementia, and Abandonment
The rape is implied and it’s also off-page and historical.betweentheshelves's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Anyway! I'm not sure if it was because I was listening to it, but the romance at the core got a little confusing to me by the end. Also, it got steamier than I was expecting it to. There's one scene in particular that felt like it kind of came out of left field, and for me, didn't seem to fit with the tone of the book overall.
However, if you like faery stories, chances are you'll like this one! It's got some good fae vibes, and fits within the general framework that you'd probably expect from a fae story. It's very atmospheric and good if that's something you're looking for.
Graphic: Dementia
Moderate: Sexual content, Toxic relationship, and Abandonment
Minor: Confinement, Rape, and Blood
melaniereadsbooks's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
The forest will always come for Emeline when she sings. But when she heads back to Edgewood to look for her grandpa, she learns that he tithed himself to the fae king in the forest, and she must become his new singer to get her grandfather back...with potentially deadly consequences.
This book was delightfully creepy and atmospheric. I really enjoyed the vibes to this one and it reminded me of like a cross between An Enchantment of Ravens and The Darkest Part of the Forest and maybe a little bit of These Hollow Vows. It has fun romantic elements alongside the darkness of the fae and the forest and I really liked that. I also really like the focus on singing!
Pub date: March 1, 2022
Graphic: Dementia
Moderate: Confinement, Rape, Sexual content, Toxic relationship, Blood, and Abandonment
allisonwonderlandreads's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.0
Most plot deficiencies can be saved in my eyes with loveable characters. I will overlook all kinds of things if you put certifiably huggable people in front of me. Unfortunately, here our heroine is bland and largely defined by her musical talent. There's a little spark of life in the difficult decisions she has to make as caregiver for her grandfather when dementia robs him of his memories of her. She feels guilty for pursuing her dreams without him and longs for their relationship from before. It could have been a powerful plot, but it was subsumed by the romantic subplot, fueling contradictory arguments between Emeline and broody boy that seem to be more about driving up (sexual?) tension between the two rather than any kind of substantive conversation that might, I don't know, inspire character growth or a self-aware examination of feelings and motivations.
Speaking of broody boy, Hawthrone is a typical ya love interest: moody, secretive, tragic, and misunderstood. This is a trope I can only get behind with active convincing. Merely putting it in front of me and expecting a thrilled reaction is folly. Emeline and Hawthorne's relationship is argumentative and juvenile (yes, I know this is a ya novel, but I've seen the genre produce so much better by modeling healthy communication and mutual support or at least growth towards that goal without idealizing toxicity). They strike out at each other out of insecurity and fear of vulnerability. A heavy secret festers between them, along with more superficial lies. When a betrayal is uncovered, it brings up a lot of questions regarding consent, respect, and agency that I do not feel are satisfactorily answered. In one of my least favorite moves in fiction, angst and self-pity go a long way towards camouflaging controlling, harmful behavior.
Side characters are largely ignored outside of tiny opportunities to push forward the plot. There's a sapphic couple on the periphery, but they have no discernable personality between the two of them beyond a willingness to help our protagonist. There's also a cruel manipulator who attacks even her friends with no provocation. There is no other dimension of her being, but somehow she hasn't been excised from the group or at least kept accountable for her actions. Finally, don't even get me started on the rape backstory for one character where the trauma is essentially resolved through magic.
There's a seed of something good here about memory and its loss, but it's piled so deeply under the pile of flaming garbage that is twisted, self-pitying ya romance tropes that it suffocates itself. For me, the opportunity is lost. I wouldn't recommend this book.
Graphic: Dementia
Moderate: Sexual content, Toxic relationship, and Abandonment
Minor: Confinement, Rape, Blood, and Gaslighting
readswithrachel's review
- Plot- or character-driven? Character
- Diverse cast of characters? No
5.0
Minor: Confinement, Blood, Dementia, and Abandonment
e_flah's review
3.0
Edgewood is an atmospheric story that follows Emeline Lark who is on a quest to reclaim her grandfather, Pa, from the Wood King. The story is driven by both Emeline's internal struggle to figure out what really matters to her and also by several external conflicts tied to the faeries that live in the forest of Edgewood.
The prose was my favorite part of Edgewood. Ciccarelli's writing is incredibly evocative and makes the forest of Edgewood a really immersive setting. It was easy to get swept up in the lyrical prose, which also paired well with the tone of the story.
There are a lot of things going on in Edgewood that didn't quite come together into a cohesive story. The first portion of the book is largely character driven but our main character Emeline always felt a bit surface level to me. She defines herself by her love of music and desire to become a big-time musician. For a story where Emeline is a main source of story momentum, I needed more character development in order to care about whether she achieves her goals. Several of the plot points hinge on Emeline's character growth that just didn't seem believable given the little characterization provided.
The external conflicts around the forest of Edgewood and its inhabitants were entertaining. They helped provide some tension in the story and made for a more action-packed back half of Edgewood. There were plot arcs I wish had gotten a bit more attention but I think that's the trade-off of getting a standalone novel.
I would recommend Edgewood to readers who enjoy lyrical prose, slower-paced stories, and/or faeries.
Moderate: Violence and Abandonment
Minor: Toxic relationship