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A very enjoyable wordless picture book. I loved looking at all the little details and figuring out what was going on. It would be great to share with a child one on one.
I always get nervous about "reading" my kids picture books with no words. Will I tell a good story? Can I do it justice? Will they "get" it? Usually it takes me a few tries to smooth out my own words, and looking through it before sitting down with the kids always helps. But this one... wow. What is happening in each picture is so unusual, Miles had many questions about what they are doing and what ice is and how are they flying that boat... it just sort of told itself. I kind of loved it.
http://www.nytimes.com/2011/04/20/books/review/childrens-books-ice-by-arthur-geisert-press-here-by-herve-tullet.html?_r=0
http://www.nytimes.com/2011/04/20/books/review/childrens-books-ice-by-arthur-geisert-press-here-by-herve-tullet.html?_r=0
Me and Arthur Geisert, Arthur Geisert and I . . . I wouldn’t say we've ever connected, exactly. Over the years I’ve had a hard time getting a grasp on his particular brand of picture book creation. I’m a librarian. I like categories and slots and easy ways to organize my thoughts on one person or another. Geisert sort of rejects that whole idea. His picture books work in and of themselves, but they don’t pander. You don’t pick up a work by the man and feel that it’s trying to ingratiate itself with you. There’s something vaguely unnerving, almost European, about this. We Americans are used to books dipped in glitter and outrageous characters that scream across crowded bookstores and libraries, “PICK ME!!! PICK ME!! I’M THE ONE!!!!” Arthur Geisert books, in comparison, sit quietly in amongst themselves playing a hand of Pinochle or, if they’re feeling particularly daring, maybe a round of Hearts. Should you choose to pick one up to read, it will tip its hat politely to you but make no attempt to smoother you with its marvelousness. All this came to mind when I read one of Geisert’s latest creations. Ice is a simple story focusing on pigs and glaciers.
On long horizontal pages, our wordless tale begins with a look at an island. The sun sits big and low over a series of adapted huts. At one end of the island sits a kind of pit or pool, low on water, where the resident pigs fill up their buckets. That night a conference is called and next thing you know the pigs are hoisting the rigging on their one and only ship. Not content with mere sails, a balloon is inflated and off go the pigs. Soon enough they locate some enormous glaciers. Enterprising to the last, they connect their ship to one such ice chunk (sails are added to help drag it along) and when they return home the ice is put to use. The bulk is added to the pool, but even smaller squares can be put to good use when they become impromptu air-conditioning aids. By the end, the pigs are happy yet again, and the hot days are tempered at last.
Periodically I’ll get folks in my library looking for wordless picture books. There are a number of ways of meeting that need. For my part, I’ve whipped up a little list of our best wordless books (Mirror by Jeannie Baker, The Red Book by Barbara Lehman, [b:Flotsam|138070|Flotsam|David Wiesner|http://photo.goodreads.com/books/1172092242s/138070.jpg|133088] by David Wiesner, etc.). If I knew Geisert better I could attest as to whether or not he is accustomed to visual narratives. If I were to take a guess though, I’d say he’s done this before. This isn’t one of the easier wordless books, though. It makes you work. When first you see the deep pool, low in its water supply, it’s not immediately apparent what is going on. The pigs throughout the story are pretty good natured about things. When they decide to set out for some ice, there’s aren’t folks who object to this notion. It seems the logical next step, though the reader doesn’t know what’s going on until much later. Geisert makes it evident that if you stick with the story, all will be revealed in time. That’s a lot to ask of the child reader that's used to action in every scene. For the quieter, curious type, however, the ultimate payoff is its own reward.
Geisert’s illustrative style uses etchings, always and forever. This allows him to create scenes filled with lots of little details. Read the book more then once and you’ll begin to notice all kinds of things you missed on a first run, like the fact that the female pigs do just as much of the work as the male pigs. I didn’t really notice this at first, noting only that the girls wore dresses and the boys wore overalls. But a second glance showed me the women sawing away at the ice, or helping to lug it across the island. It’s subtle, but then so’s the book. The lovely use of watercolors to fill in the spaces doesn’t hurt matters much either.
Now let’s say you want to give a kid a book on the circle of life and how living things rely on nature and ecological balance. All that good stuff. Well, there’s no shortage of didactic, preachy, not particularly good environmental books for the kid set. Ice could fall into the ecologically sound category of children’s fiction, though. Sure it could. It doesn’t take much stretching of the imagination to see how the pigs’ lives rely entirely on finding glaciers to lug back to their home. It’s interesting to note that they live on what is essentially uninhabitable land. The only way to exist there is to regularly go out and find ice. That said, one almost gets the feeling that these pigs have lived on this island for hundreds of years. They could leave at any time, but this is their home and they’ve adapted to it. Should the ice go away . . . well it doesn’t bear thinking about.
Look at the cover of this book. It took me a little while to notice but it’s set up very much like a professional photograph. Here are all the pigs in the village standing proudly in front of their boat. Two pigs are perched on the cabin of the boat itself, waving in the distance. Some pigs are boldly smiling at the camera. Others are stiff and formal, as if unsure how to act. These are our characters. This is a community. This is an extended family that may have once arrived on this island on that boat, but decided to stay for a reason. There’s no going back for them and indeed life seems pretty good. Cheers then to Mr. Geisert for coming up with such a strange but wonderful little wordless title. I’d pair it with the books of Elisha Cooper (Farm,Beach, etc.) for a similar subdued but cleverly illustrated off-kilter style. Don’t be fooled, though. Ice really isn’t like any other book out there. Consider it delicate and delightful.
For ages 5 and up.
On long horizontal pages, our wordless tale begins with a look at an island. The sun sits big and low over a series of adapted huts. At one end of the island sits a kind of pit or pool, low on water, where the resident pigs fill up their buckets. That night a conference is called and next thing you know the pigs are hoisting the rigging on their one and only ship. Not content with mere sails, a balloon is inflated and off go the pigs. Soon enough they locate some enormous glaciers. Enterprising to the last, they connect their ship to one such ice chunk (sails are added to help drag it along) and when they return home the ice is put to use. The bulk is added to the pool, but even smaller squares can be put to good use when they become impromptu air-conditioning aids. By the end, the pigs are happy yet again, and the hot days are tempered at last.
Periodically I’ll get folks in my library looking for wordless picture books. There are a number of ways of meeting that need. For my part, I’ve whipped up a little list of our best wordless books (Mirror by Jeannie Baker, The Red Book by Barbara Lehman, [b:Flotsam|138070|Flotsam|David Wiesner|http://photo.goodreads.com/books/1172092242s/138070.jpg|133088] by David Wiesner, etc.). If I knew Geisert better I could attest as to whether or not he is accustomed to visual narratives. If I were to take a guess though, I’d say he’s done this before. This isn’t one of the easier wordless books, though. It makes you work. When first you see the deep pool, low in its water supply, it’s not immediately apparent what is going on. The pigs throughout the story are pretty good natured about things. When they decide to set out for some ice, there’s aren’t folks who object to this notion. It seems the logical next step, though the reader doesn’t know what’s going on until much later. Geisert makes it evident that if you stick with the story, all will be revealed in time. That’s a lot to ask of the child reader that's used to action in every scene. For the quieter, curious type, however, the ultimate payoff is its own reward.
Geisert’s illustrative style uses etchings, always and forever. This allows him to create scenes filled with lots of little details. Read the book more then once and you’ll begin to notice all kinds of things you missed on a first run, like the fact that the female pigs do just as much of the work as the male pigs. I didn’t really notice this at first, noting only that the girls wore dresses and the boys wore overalls. But a second glance showed me the women sawing away at the ice, or helping to lug it across the island. It’s subtle, but then so’s the book. The lovely use of watercolors to fill in the spaces doesn’t hurt matters much either.
Now let’s say you want to give a kid a book on the circle of life and how living things rely on nature and ecological balance. All that good stuff. Well, there’s no shortage of didactic, preachy, not particularly good environmental books for the kid set. Ice could fall into the ecologically sound category of children’s fiction, though. Sure it could. It doesn’t take much stretching of the imagination to see how the pigs’ lives rely entirely on finding glaciers to lug back to their home. It’s interesting to note that they live on what is essentially uninhabitable land. The only way to exist there is to regularly go out and find ice. That said, one almost gets the feeling that these pigs have lived on this island for hundreds of years. They could leave at any time, but this is their home and they’ve adapted to it. Should the ice go away . . . well it doesn’t bear thinking about.
Look at the cover of this book. It took me a little while to notice but it’s set up very much like a professional photograph. Here are all the pigs in the village standing proudly in front of their boat. Two pigs are perched on the cabin of the boat itself, waving in the distance. Some pigs are boldly smiling at the camera. Others are stiff and formal, as if unsure how to act. These are our characters. This is a community. This is an extended family that may have once arrived on this island on that boat, but decided to stay for a reason. There’s no going back for them and indeed life seems pretty good. Cheers then to Mr. Geisert for coming up with such a strange but wonderful little wordless title. I’d pair it with the books of Elisha Cooper (Farm,Beach, etc.) for a similar subdued but cleverly illustrated off-kilter style. Don’t be fooled, though. Ice really isn’t like any other book out there. Consider it delicate and delightful.
For ages 5 and up.
Wordless picture book starring Geisert's adventurous pigs. The pigs are hot on their remote island, so they plan an arctic expedition and build a balloon-powered ship to get the icy relief they need.
What a strange little story! A bunch of pigs, suffering from the heat, use their ship and fly to a glacier, which they bring back to their village and cut up to cool themselves. I really liked the lack of words and the detailed illustrations.
This wordless picture book was interesting. You really have to spend some time with the pictures to enjoy the story, but once you do it is worth it. I love the concept of hot pigs transporting ice from an iceberg to cool off. Very imaginative.