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kcfromaustcrime's review
4.0
STRATTON'S WAR is the first in an new planned series of crime novels featuring Ted Stratton, a Detective Inspector in the London police during the Second World War. This book includes a second protagonist - Diana Calthorp, young, socialite, not long and unhappily married and unexpected MI5 agent, involved in a covert operation against sympathisers and spies in the local community.
It's a very elaborate, multi-layered story. The death of a silent film star who hasn't worked for many years is the starting point. It's an investigation that Ted cannot put aside, despite a verdict of suicide. Diana starts work as a clerical assistant in MI5 but soon finds herself infiltrated into a group of well-to-do and well-known people, suspected of being Fascist sympathisers or spies. There's Ted's own family situation - a loving relationship with his wife, made tense by the evacuation of their two young children. There's the brother-in-law that Ted really struggles to deal with, and a problem nephew. Diana has gotten herself into a very unhappy marriage, with an overbearing and controlling mother-in-law, her husband is now serving in the Armed Forces. Diana's romantic liaison with another MI5 operative - a known womaniser - despite all the warnings that he's not to be trusted, despite threats from her mother-in-law, makes her realise she doesn't want to be married to her husband anymore.
The book weaves its way through all of the various threads of investigation and private life as it slowly draws a complicated web of crimes, espionage and the personal, slowly to the point where Diana and Ted's paths cross and the realisation that the Underworld and the Secret Service operate in very similar ways.
The thing that made STRATTON'S WAR really work for me was the way that there were multiple threads and a strong dose of the personal throughout the book. Some readers may find that less satisfactory, but for this reader, it created an atmosphere - a world if you want, that the characters inhabit. Some readers might find Diana's affair and the concentration on her personal feelings annoying (and I will agree she was a bit dangerously close to being whiny in places), but she's a young woman, in a weird time in the world, and it illustrated that she was a very young, inexperienced woman - one of the least likely people called upon to perform the most unlikely duty in the middle of war. The crime investigation, conducted within the background of a war, with nights spent in air-raid shelters, police stations being bombed into oblivion, and an old body being revealed in the bombed out remains of a church starkly revealed that even in extraordinary times, in the middle of a war, local criminals continue operations and family relationships remain complicated.
STRATTON'S WAR won the 2008 CWA Ellis Peters Historical Award. The award is given to the best historical crime novel (set in any period up to 35 years prior to the year in which the award will be made) by an author of any nationality.
It's a very elaborate, multi-layered story. The death of a silent film star who hasn't worked for many years is the starting point. It's an investigation that Ted cannot put aside, despite a verdict of suicide. Diana starts work as a clerical assistant in MI5 but soon finds herself infiltrated into a group of well-to-do and well-known people, suspected of being Fascist sympathisers or spies. There's Ted's own family situation - a loving relationship with his wife, made tense by the evacuation of their two young children. There's the brother-in-law that Ted really struggles to deal with, and a problem nephew. Diana has gotten herself into a very unhappy marriage, with an overbearing and controlling mother-in-law, her husband is now serving in the Armed Forces. Diana's romantic liaison with another MI5 operative - a known womaniser - despite all the warnings that he's not to be trusted, despite threats from her mother-in-law, makes her realise she doesn't want to be married to her husband anymore.
The book weaves its way through all of the various threads of investigation and private life as it slowly draws a complicated web of crimes, espionage and the personal, slowly to the point where Diana and Ted's paths cross and the realisation that the Underworld and the Secret Service operate in very similar ways.
The thing that made STRATTON'S WAR really work for me was the way that there were multiple threads and a strong dose of the personal throughout the book. Some readers may find that less satisfactory, but for this reader, it created an atmosphere - a world if you want, that the characters inhabit. Some readers might find Diana's affair and the concentration on her personal feelings annoying (and I will agree she was a bit dangerously close to being whiny in places), but she's a young woman, in a weird time in the world, and it illustrated that she was a very young, inexperienced woman - one of the least likely people called upon to perform the most unlikely duty in the middle of war. The crime investigation, conducted within the background of a war, with nights spent in air-raid shelters, police stations being bombed into oblivion, and an old body being revealed in the bombed out remains of a church starkly revealed that even in extraordinary times, in the middle of a war, local criminals continue operations and family relationships remain complicated.
STRATTON'S WAR won the 2008 CWA Ellis Peters Historical Award. The award is given to the best historical crime novel (set in any period up to 35 years prior to the year in which the award will be made) by an author of any nationality.
tipsytarsier's review
4.0
I really enjoyed this book. It was a little slow at the beginning, but the characters were so well-done, and I just couldn't figure out how they were all related, so I kept reading. I highly recommend this book.
trusselltales's review
4.0
Loads of period detail, excellent detective who avoids the multitude of stereotypes that abound in crime novels, a nice balance of storylines where black and white are eschewed in favour of shades of grey; but this book could have been 50 pages shorter without losing any of its good points. Very enjoyable read, but a bit of pruning would have refined it further.
johannalm's review against another edition
2.0
very disappointing. WWII mystery where half way through the book you realize it may actually be about aristocratic MI5 spy masters who are not only working to protect England from invasion and internal sabotage, but also are working to protect themselves from anyone finding out they are secretly gay. Yikes. The two main characters are interesting but the end result is just weird.
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