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nmterpening's review against another edition
adventurous
challenging
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Adult/minor relationship, Child abuse, Sexual assault, and Sexual content
Moderate: Slavery and Toxic friendship
Minor: Colonisation
veelaughtland's review against another edition
emotional
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.5
Content Warnings
Graphic: Sexual content
Moderate: Murder
Minor: Toxic friendship and War
chaos_fairy's review against another edition
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Set in Roman Britain, told in blank verse with a modern twist, about a young Black girl married off by to a middle-aged Roman; a refreshing read in a world of white-washed historical fiction, we get to see a more demographically accurate Londinium 211 AD — a fledgling commercial centre in the northern reaches of an empire ruled by the Libyan-born Septimius Severus, populated by not only native Bretons but also migrants from across the Roman Empire and beyond, including the main character’s Sudanese parents.
Evaristo infuses the narrative with modern language, a device I love in historical fiction when done well. Rather than using formal, ornate language common in historical fiction, Evaristo uses, modern slang, idioms and innuendos, differing speech patterns for peasants and merchants, soldiers and senators — far from what some might call historical inaccuracy (what would be accurate about Roman Britain speaking anything close to 20th century English, anyway?), the contemporary storytelling allows a more authentic relationship between the reader and the characters.
The writing is well-paced and entertaining, and both witty and insightful. It deals with difficult topics — Zuleika is married and experiences sex as a girl, before she can learn to understand desire. But it also paints a world where pleasure, joy and love are always possible.
Evaristo infuses the narrative with modern language, a device I love in historical fiction when done well. Rather than using formal, ornate language common in historical fiction, Evaristo uses, modern slang, idioms and innuendos, differing speech patterns for peasants and merchants, soldiers and senators — far from what some might call historical inaccuracy (what would be accurate about Roman Britain speaking anything close to 20th century English, anyway?), the contemporary storytelling allows a more authentic relationship between the reader and the characters.
The writing is well-paced and entertaining, and both witty and insightful. It deals with difficult topics — Zuleika is married and experiences sex as a girl, before she can learn to understand desire. But it also paints a world where pleasure, joy and love are always possible.
Content Warnings
Graphic: Adult/minor relationship and Child abuse
Moderate: Domestic abuse, Infidelity, Slavery, Violence, Toxic friendship, and Colonisation
jennikreads's review against another edition
dark
reflective
sad
fast-paced
3.25
Content Warnings
Graphic: Animal cruelty, Sexual content, and Murder
Moderate: Adult/minor relationship, Confinement, Rape, and Toxic friendship