Reviews tagging 'Gaslighting'

Behind You Is the Sea by Susan Muaddi Darraj

2 reviews

zahrahm's review against another edition

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challenging dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.0

Largely my impression of the book was confused because the way it was pitched was that there were 3 families who after a specific event are intertwined… that didn’t happen at all. It was more there was 1-2 cameos across each short story. It may be an issue of the marketing but because it didn’t do what it promised I got to the end without realizing, thinking “… what?”
With that said, the short stories themselves tackle themes that are complicated, and there’s an argument that books like these must be written. BUT you must read the content warnings because I got blind-sighted multiple times when I’d suddenly get thrown for a loop with an event; I had to take breaks from the book because of it. I’m not someone who needs to read content warnings usually so this was a shock for me. Not a before-bed read for sure. 

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wanderlust_romance's review against another edition

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challenging reflective sad fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? N/A

2.0

Behind You is the Sea is a collection of interconnected short stories that center Palestinian characters. I had high hopes and was excited to see it on the shelves during my last library visit. Alas, it was not my cup of tea. The stories are set in Baltimore, but there is no distinguishing sense of place in these vignettes, nothing that makes you understand what it means to live, work, or grow up there. (The irony of it all was the cover designers note at the end proclaiming how Baltimore itself shined as a character here. WHERE?!) BYITS aimed to do too much and didn't execute on those ideas all that well. These stories touched on weighty subjects such as racism, classism, eating disorders, abortion, family conflicts, femicide, and domestic abuse. The writing style was heavy on the telling as opposed to showing, while also skirting around the issue at center of the story before addressing it with unnatural directness. There was little nuance and very little subtlety, while also not leaving much room for reflection from these characters whose head you've been in throughout the short story. The biggest off-putting aspect though was the cop-aganda in the two stories focusing on Marcus. He's a "good cop" and "overprotective brother" but a "bad son" until he takes his father's body back to Palestine and rushes into marriage (savior complex, much?) with a woman there. It's 2024. Do we need to romanticize police in this day and age? In a city as fraught with racialized and class divisions as Baltimore? Of all the commentary that didn't land...that one fell the most flat.

It was a fast read, which is perhaps the only reason I finished reading rather than quitting midway through.

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