Reviews

The Watchman by Rob Parker

chapter1_page1's review

Go to review page

3.0

⭐️3.5⭐️

What a highly charged, action-packed read that was!

The Watchman pulled me onboard from the beginning, then proceeded to take me on a fast-paced, explosive, exhilarating journey right until the end.

Featuring a solid cast of well written characters; Ben Bracken (the main protagonist), makes a likeable, witty, anti-hero. I did guess the twist towards the end, but I still thoroughly enjoyed reading it.

I was a little concerned that I wouldn’t be able to get to grips with the back-story/characters, as this is the first book I’ve read in the series (this is number five), but that wasn’t the case at all; it works perfectly well as a standalone.

sambooka23's review

Go to review page

3.0

For a book I wouldn’t normally pick up in a book store I really did enjoy this one. It had the drama and twists and turns that I’d been expecting but that only made me enjoy it that bit more.

Definitely not my typical genre of book - I seem to be reading out my comfort zone a lot lately - so it did take me a while to get into the story and understand exactly what was going on but once I gave it a chance, it was a pretty good read.

Thanks to @robparkerauthor and @Lumebooks for allowing me this ARC as part of the lovely @lovebookstours tour and Kelly for allowing me a slot on this tour!

risreads's review

Go to review page

3.0

This review does NOT contain any spoilers.

Summary
Ben Bracken is an ex-military man with a heavy sense of patriotic duty who goes under the alias Tom West. He takes on a seemingly simple job that he has reservations about because an old friend asks him to and well, there’s a lot of money to be made. Within moments of landing in New York City, Bracken experiences trouble and the rest of the book is an action-packed thriller with bullets flying at every corner.

Plot
The plot was easy to understand, but it felt incredibly rushed. I know this is marketed as action-packed, but it feels like the author tried to make almost every scene involve blood and bullets. There was no obvious character development to me, despite the book being nearly 300 pages long, and the characters I did come to know always had mysterious backgrounds that were never fully explained.

It seemed like some things were immediately forgotten right after they were written. For example, in the very beginning of the book it explains that he goes by the alias Tom West for a good reason. However, almost immediately after that, the first person he meets he introduces himself as Ben Bracken. He continues to do that for the remainder of the book with the alias seemingly left behind in the first couple pages.

The first third of the book describes how strongly Ben Bracken loves his family and focuses on the whole reason he is hesitant to take this job is because he doesn’t want to leave them. The extreme emphasis on this point is sweet, but right as the action starts (with the exception of one text he sends after the first shooting scene) he doesn’t mention his wife or kids at all until the end! For a character that was written to have his entire world be surrounded by his domestic life, it is odd to me that he seems to forget about them for most of it.

For the sake of not spoiling anything I won’t say what the big reveal is in the envelope, but I can tell you that I was slightly disappointed with it. It felt like a topic I have read in numerous books before just a new spin on an old classic.

Writing
The writing itself was good, except for the parts when referencing how Americans treat British people. As an American I have no problem with how you portray us: bad, good, rude, gun-loving, anything and everything in between. It just felt extremely unauthentic when writing about exchanges some characters would have. For example, Ben Bracken went into a corner store and asked for some tea in a soda cup and the store owner responded with:

“’Earl Grey, m’lord?’ he says in a mock aristocratic voice”

There are numerous examples of exchanges like that in the book that just felt… strange. There were numerous jabs from American-written characters all about how British people talk and their slang. I’m not saying that doesn’t happen, but I am saying that there were more occurrences than I could count that made it feel over-used.

Additional Points
Despite my harsh criticisms, I can’t say I hated the book. It was a fun read for a spy novel that had your classic action-packed scenes and seemingly invincible protagonist. Ben Bracken really is written as a modern-day James Bond with the addition of a full-fledged family. If I had to rate this book without considering its genre, I would rate it 2/5. However, with the knowledge that it is meant to be a simple read: full of fighting, full of mysterious characters, and shrouded in secrecy I would give it a 3/5.

Overall, I wouldn’t read it again, but I do acknowledge that this isn’t one of the genres I read a lot. If you enjoy a book that is focused on one goal and nothing else, this is the book for you.

I want to thank Netgalley, Rob Parker, and the publisher for this ARC and express that all opinions are my own.

theirresponsiblereader's review

Go to review page

adventurous mysterious tense fast-paced

4.0

 This originally appeared at The Irresponsible Reader.
--- 
 
At some point, later, I’ll have to have a word with myself about how it got to this, but sometimes your hand is forced. There’re goodies, baddies, your side, their side. Winners get to go home, losers get dead.And I’ve got a family I need to get back to.
 
What’s The Watchman About?
Ben’s benefactor, protector, ally, and almost-father-figure, William Grosvenor comes to him for a favor: go to New York and get an envelope for me. Ben can’t know what’s in the envelope, he just needs to bring it back. Grosvenor throws in an obscene payday to sweeten the deal.
 
Ben really doesn’t want to do this—he wants to stay at home with Carolyn and the kids. But it’s not the kind of money you can walk away from—especially with three kids to provide for—and that’s assuming Ben’s sense of duty wouldn’t oblige him to answer Grosvenor’s request.
 
Almost everything you can think of going wrong once he had the envelope goes wrong. Ben and his American contact find themselves on the run, they’re just not sure who from, they only know they have guns and aren’t afraid to use them. But soon, Ben’s able to summarize things like this:
 
This is turning into something preposterously big. The FBI, the CIA, the Secret Service, maybe Russia and perhaps my own countrymen back home – all wanting the contents of one little envelope.
 
Ben neglected to mention a New York Crime Family in his list, which is odd, as he says this to their head (but maybe he assumes she’s aware that she’s one of those making the situation preposterously big).
 
Ben and the American stay one step ahead of all these groups (by the skin of their teeth) all over an envelope they don’t understand the significance of. They move from NYC quickly to another state, and then another…and well, you get the idea. The chase is lethal, demanding, and quite likely full of treachery.
 
Something New in Parker’s Arsenal
In last year’s Far from the Tree, Parker used multiple perspectives quite effectively. But in the Ben Bracken series, it’s all been Ben’s first-person point of view up until this point. In The Watchman, he sprinkles in some chapters in the third-person. These chapters follow a figure called Sinclair, and it’s a long time before we have any idea about the connection between the envelope and Sinclair. But you know that he’s important right away.

It’s always risky (I think) when an author starts putting third-person chapters in a first-person narrator’s book. Parker’s use is effective, you want to know more about Sinclair—you want to understand what he’s up to and to learn more about him in general, with the curiosity about how he ties into the envelope coming in third place to the others. All three items are covered in these pages, thankfully, leaving no lingering questions.

Ben in the U.S.A. 
My smile broadens irrepressibly. There’s something about this country that, while I can’t quite put my finger on it, I really enjoy. The expanse maybe. The freedom of choice. The sensation that you can have it all. No wonder immigrants have flocked to it in their droves, drunk on the idea of streets paved with gold.
 
Equally entertaining—and far less stressful than the rest of the book—is watching Ben’s reactions to America. He has great comments about NYC, our roads, cars, food, politics, and so on.
 
Ben’s been around a bit, he’s seen things, and can come across as fairly jaded sometimes. It takes a lot to impress him. Until he enters the U.S. for the first time, and then almost all of that is stripped away.
 
One of my favorite examples is his reaction to the idea of fried gator on a menu—both before and after ordering it—it’s just great. I wish we could read more of Ben reacting to American restaurant fare.
 
Actually, that’s a great idea for a short story—Ben uses some of the money he makes in this novel to bring Carolyn and the kids on an American vacation. There’s no death, no fights, no danger—just them touring a few states and eating strange things.
 
The Thing I Cannot Talk About
For a while, you start to wonder if the envelope is the equivalent of Marsellus Wallace’s briefcase—inside it is something that everyone wants, but no one will tell you what it is. Thankfully, that ends at some point and we get to look into it.

The contents of the envelope—and here’s where I have to be careful what I say—indicate something that’s a frequent idea in Fiction—Fiction of various genres, not just Crime Fiction. I hate it. Really. It’s over-used. Usually not used well and/or interestingly. I also usually find it fairly distasteful, yet dull. I’ve complained about it elsewhere on this blog in less-spoilery circumstances. I can count on the fingers of one hand the number of times I’ve seen it used well or interestingly—and would still have a few phalanges to spare.

That said? In The Watchman, Rob Parker pulls it off. I bought it. I was curious. I got over my initial groan once and enjoyed it. I wish I could say more, but I really can’t. So let me just say that for me, Rob Parker pulled off a feat here that few have, and should be applauded for it.

So, what did I think about The Watchman?
I started this week talking about how much of an improvement the fourth book in this series was over the others. This book is similarly an improvement over the fourth. It was just great.

For those who might care, this novel features two of the most disgusting deaths I can think of. I don’t mean to put anyone off from reading this—just know that there are two or three paragraphs you may want to skim and not think too hard about. Thomas Harris and M. W. Craven need to work a little harder to assert their dominance in the area.

There’s a reveal towards the end, that I sincerely hope wasn’t supposed to be shocking, because I think Parker pretty well telegraphed it from the opening chapters of the book. It makes sense that it shakes the characters in the novel, but no one who reads the book should be surprised (although I’m glad Parker revealed this later in the book, rather than spelling it out in a descriptive passage toward the top of the book.

Do you need to have read the previous four novels to appreciate this one? Nope. It can be read as a stand-alone, but it helps if you have read them so you understand what drives Ben—what keeps him moving forward and helps him get through the discouraging, political, or dangerous parts of his job. All that will come through if this is your first exposure to Ben, but not quite as clearly.

Parker’s outdone himself here—it’s tense, twisty, and compelling. Even when dealing with things that frequently make it hard for me to finish a book, Parker’s writing and pacing kept me turning the pages. In the end, The Watchman is going down as one of my favorite thrillers of 2021. Do yourselves a favor and pick it up.
 
More...