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oisinthewizard's review against another edition
adventurous
dark
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
I loved this book up to about page 340.
The characters are robust and dynamic, even in their flaws. I appreciate Yaga's flaws and limited perception of time and place, even as the daughter of a god. It takes a deft hand to write a vulnerable immortal and Salnikova Gilmore pulled it off. The landscape of Ivan the Terrible's Russia draws the reader in with its starkness and brutality. I enjoyed the found family dynamics with the Skomorokhi Knights, although sensitive readers may find the brutality of the Oprichniki to be too much. (To be fair to the author, they were far more brutal in actual history than in this fantasy novel.)
As my issues with the book are primarily with the ending, I will write them as spoilers.Once it became obvious that Selica, Lady of Death, sister of Baba Yaga, is also Kostroma, Lady of Spring nad Rebirth, sister of Kupalo, I thought the plot to kill Selica would have an obvious ending - it is in the killing to of the deity of winter that she can become the deity of spring. This is a known mythological cycle and makes sense. So when Yaga's ritual just perma-kills her and the goddess of spring and winter is no more - I am honestly confused as to how that would possibly restore the order of seasons in Russia, especially with Morozko, who has been inflicting eternal winter on Russia, unpunished and unfettered.
I also found Vasily's story from page 340 on to be unnecessarily complicated and without proper resolution. He could have just disappeared in the war against the Lithuanian and Polish armies. To have him under some unexplained spell and then just appear, perfectly fine, at the end of the book, despite Yaga and Marina waiting for him for months in Psok makes no sense.
Selica's anger at men does not have any textual support, as it was her mother who sold her into marriage and her husband, Morozko, who supported her escape from it. On page 344, she accuses Morozko of infidelity and punishes Vasily for "Yet he is a man, and how easily they forget. She is doing Yaga a favor. Look where men have gotten Selica. Like all women, her sister is better off on her own." None of this is supported by the text. We have no evidence prior to this of Morozko having any lover other than Selica and Vasily has loyal to Yaga.
Lastly, I was very disappointed that after Selica is banished to the lands of the dead, none of the characters who were participating in brutal massacres for basically the entire book have any responsibility to their actions and in fact, appear to just stop now that the Lady of Death is gone. Do they not have any agency of their own?
The characters are robust and dynamic, even in their flaws. I appreciate Yaga's flaws and limited perception of time and place, even as the daughter of a god. It takes a deft hand to write a vulnerable immortal and Salnikova Gilmore pulled it off. The landscape of Ivan the Terrible's Russia draws the reader in with its starkness and brutality. I enjoyed the found family dynamics with the Skomorokhi Knights, although sensitive readers may find the brutality of the Oprichniki to be too much. (To be fair to the author, they were far more brutal in actual history than in this fantasy novel.)
As my issues with the book are primarily with the ending, I will write them as spoilers.
I also found Vasily's story from page 340 on to be unnecessarily complicated and without proper resolution. He could have just disappeared in the war against the Lithuanian and Polish armies. To have him under some unexplained spell and then just appear, perfectly fine, at the end of the book, despite Yaga and Marina waiting for him for months in Psok makes no sense.
Selica's anger at men does not have any textual support, as it was her mother who sold her into marriage and her husband, Morozko, who supported her escape from it. On page 344, she accuses Morozko of infidelity and punishes Vasily for "Yet he is a man, and how easily they forget. She is doing Yaga a favor. Look where men have gotten Selica. Like all women, her sister is better off on her own." None of this is supported by the text. We have no evidence prior to this of Morozko having any lover other than Selica and Vasily has loyal to Yaga.
Lastly, I was very disappointed that after Selica is banished to the lands of the dead, none of the characters who were participating in brutal massacres for basically the entire book have any responsibility to their actions and in fact, appear to just stop now that the Lady of Death is gone. Do they not have any agency of their own?
Content Warnings
Graphic: Violence, Fire/Fire injury, Gore, Death of parent, Murder, Blood, Death, War, and Injury/Injury detail
mrittika's review against another edition
adventurous
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Look, it's not bad by any stretch of imagination and it's definitely someone's cup of tea. It just reads like someone set out to write a globetrotting saga and abruptly realised they didn't have the constitution for grimdark, nor much control over pacing.
californian_vagabond's review against another edition
adventurous
dark
hopeful
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
madzie's review against another edition
adventurous
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.75
saholst's review against another edition
adventurous
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
sarahthereadingaddict's review against another edition
5.0
This is a great fantasy book, it amazes me how writers can come up with such magical places and situations. The descriptions are great, 'dusty, stale, with a hint of rot'
Love how things are described by the author, end of chap 3 - 'There are crystals in his coppary-brown beard'
This book is filled with excitement, emotions, relationships and all sorts of other wonderful things. It was an unusual read but I enjoyed it a lot. It was a slow starter for me, but really picks up once you get into who is who and the connections.
Love how things are described by the author, end of chap 3 - 'There are crystals in his coppary-brown beard'
This book is filled with excitement, emotions, relationships and all sorts of other wonderful things. It was an unusual read but I enjoyed it a lot. It was a slow starter for me, but really picks up once you get into who is who and the connections.
envy4's review against another edition
5.0
Read via audiobook. There is so much that I loved about this book. Firstly, it brought me back to my childhood in Russia, watching the movies that spoke of similar folk tales. Secondly, that she reclaimed the story of Yega. So much of our matriarchal background has been lost and we are reclaiming it one story at a time. This book made me yearn for Russia and maybe I will one day return to my land. Thank you for this beautiful story!
lynguy1's review against another edition
3.0
The Witch and the Tsar by Olesya Salnikova Gilmore is a reimagining of the witch Baba Yaga from Russian folk tales. Rather than a wicked witch who stole children, readers meet a powerful healer and witch with vulnerabilities called Yaga. This retelling has a feminist slant to it. Other spirits and creatures from mythology and folk tales also play roles in this story set in Russia between 1560 and 1582. Yaga is a half-goddess possessing magic and living in a hut with chicken legs (Little Hen). With the hut and animals for company, she is lonely. Dyen, a wolf, and Noch, an owl, help her and communicate with her. Mortals seek her out only when they need healing.
Her old friend Anastasia, now married to Tsar Ivan Vasilyevich, visits Yaga, suffering from an unknown illness. Yaga realizes the fate of Russia is tied to Anastasia’s health and travels to Moscow to be with her. A volatile situation, an unknown antagonist, and the tsar being manipulated by one or more individuals are only the beginning of the problems.
The characterization was a mixed bag. Yaga didn’t seem to have the power, knowledge, and decision-making capability she should have had after living for centuries. Tsar Ivan the Terrible was well-done and brought chills to this reader.
The author weaves a story of light versus darkness that highlights Russian history, mythology, and folktales. The country seemed to come to life in this descriptive tale that has excellent world-building. However, the pacing was slow at times. Interspersed throughout the story are themes of power and ambition, expectations and rules for women, charity, hope, manipulation, mental health, blame, hatred, violence, murder, love, friendship, and family by choice as well as family by blood.
The narrative is rather straightforward and the plot didn’t have the twists and turns that I expected. However, the historical references to actual people and events added a significant layer of interest to the plot. The author’s note is especially helpful in getting insight into what the author wanted to accomplish as well as whether some events were real or fictional. There is also a glossary of key figures (historical, fairy tale, and mythological) as well as places that are key to the story. The historical content seemed well researched.
Overall, this was a violent and emotional story that kept me engaged. Those that enjoy reimagined folk tales and mythology may want to consider this book as their next read.
Berkley Publishing Group – Ace and Olesya Salnikova Gilmore provided a complimentary digital ARC of this novel via NetGalley. This is my honest review. Opinions are mine alone and are not biased in any way. Publication date is currently set for September 20, 2022. This review was originally posted at Mystery and Suspense Magazine.
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My 3.21 rounded to 3 stars review is coming soon.
Her old friend Anastasia, now married to Tsar Ivan Vasilyevich, visits Yaga, suffering from an unknown illness. Yaga realizes the fate of Russia is tied to Anastasia’s health and travels to Moscow to be with her. A volatile situation, an unknown antagonist, and the tsar being manipulated by one or more individuals are only the beginning of the problems.
The characterization was a mixed bag. Yaga didn’t seem to have the power, knowledge, and decision-making capability she should have had after living for centuries. Tsar Ivan the Terrible was well-done and brought chills to this reader.
The author weaves a story of light versus darkness that highlights Russian history, mythology, and folktales. The country seemed to come to life in this descriptive tale that has excellent world-building. However, the pacing was slow at times. Interspersed throughout the story are themes of power and ambition, expectations and rules for women, charity, hope, manipulation, mental health, blame, hatred, violence, murder, love, friendship, and family by choice as well as family by blood.
The narrative is rather straightforward and the plot didn’t have the twists and turns that I expected. However, the historical references to actual people and events added a significant layer of interest to the plot. The author’s note is especially helpful in getting insight into what the author wanted to accomplish as well as whether some events were real or fictional. There is also a glossary of key figures (historical, fairy tale, and mythological) as well as places that are key to the story. The historical content seemed well researched.
Overall, this was a violent and emotional story that kept me engaged. Those that enjoy reimagined folk tales and mythology may want to consider this book as their next read.
Berkley Publishing Group – Ace and Olesya Salnikova Gilmore provided a complimentary digital ARC of this novel via NetGalley. This is my honest review. Opinions are mine alone and are not biased in any way. Publication date is currently set for September 20, 2022. This review was originally posted at Mystery and Suspense Magazine.
----------------------------------------------------------------
My 3.21 rounded to 3 stars review is coming soon.