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erinwolf1997's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Graphic: Death and Grief
angela_iseli's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
Graphic: Death
aniston_pond's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Graphic: Grief, Fire/Fire injury, Death, and Forced institutionalization
Moderate: War, Physical abuse, and Child abuse
Minor: Genocide, Sexual harassment, and Death of parent
philosopher_kj's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
Moderate: Death of parent, Forced institutionalization, Pregnancy, Infertility, Mental illness, Death, Child death, Fire/Fire injury, Grief, and Miscarriage
Minor: War and Animal death
autumnleafgirl's review
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
This book is odd to me. It's a dreamy pastoral, nearly a fairytale version of the midcentury Midwest. The titular Zorrie is a likeable character, but one who experiences very little in terms of development over what's supposed to be 60+ years of narrative, apart from what I felt was a bafflingly bad decision towards the end of the book. Being only 160ish pages, nothing had a stunning amount of detail, though there was a nice sensory exploration thrown in any time fruit was mentioned.
Overall, the writing was pleasant and poetic, and the short length flew by. I don't regret reading it, but I probably won't think too much about it again.
Graphic: Forced institutionalization, Mental illness, Miscarriage, and Suicide attempt
Moderate: Death, Death of parent, Infertility, and Dementia
Minor: Animal death and Body shaming
kaimo007's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
Moderate: Death of parent, Death, Child death, War, Pregnancy, and Animal death
tree_branch's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
5.0
Graphic: Fire/Fire injury
Moderate: Animal death, Child death, and Death
deedireads's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.25
TL;DR REVIEW:
Zorrie is a quiet but emotional novel. It’s short, and yet contains a woman’s whole life — with deep characterization. I read it in one day and enjoyed it very much.
For you if: You like character-driven historical fiction.
FULL REVIEW:
“Grief seemed to constitute a kind of connective membrane, not a divide, and the ‘fragile film of the present’ felt strengthened, not threatened, by the past. Tears, it struck her—even ones that spilled out of your mouth or off a table—formed a fretwork the wingless could learn to walk over, if there had been enough of them and you tried.”
Zorrie landed on my radar because it was longlisted for the National Book Award. This was my first Laird Hunt novel, and I really liked it! The prose is truly beautiful, and it made me feel so many emotions.
The book is less than 200 pages long, but it covers Zorrie’s entire life — from looking for work as a young woman during the Depression, to her short stint in a radium plant, to her years as a farmer. It covers much of the 20th century in America. And yet I don’t feel like it was rushed — the blurbs compare this one to Elizabeth Strout, and I think this economy of language and impressively efficient characterization are exactly why. It’s also been compared to Marilynne Robinson, which I can also understand. It’s the same kind of soft but powerful language — and of course, it’s historical fiction set in the midwest.
I read this book in one day, and I think it could be enjoyed that way or savored. It’s melancholy, but somehow also like warm sunshine on amber fields of grain. It’s about family and loneliness and purpose and grief and America. It probably won’t be for everyone, but if you like quiet, character-driven historical fiction, pick this one up.
Graphic: Miscarriage and Grief
Moderate: Death
Minor: Ableism