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belleanndthebook's review against another edition
dark
sad
tense
slow-paced
- Plot- or character-driven? Character
2.0
This book was ultimately not for me. Although there were many references to Greek myths and Rick Riordan’s writing, this book was not written in the style of either of those things. The pacing was much slower, the action was sprinkled in rather than a main focus, and there were no big plot twists. The story was very slow paced and character driven, in a way that reminded me of Six of Crows based on how much time was spent getting to know the characters.
Ultimately, I would recommend this to people who are looking to read a very slow, atmospheric, wet, dark, and character driven YA Greek tragedy.
Thank you to NetGalley and the publishers for the arc!
Content Warnings
Graphic: Death, Violence, Grief, Death of parent, and Murder
Moderate: Body horror
hanne_'s review against another edition
dark
emotional
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Gods, what a slog. Had one early moment with properly horrific use of familiar imagery (the feet, what else?), and then… kinda fell apart. This could’ve been sweet and lush, but tried to do too much with too little and was narratively all over the place. It’s a reimagining of how the Odys— okay, it’s not really doing that rigorously but it’s an intensely personal exploration of— nope, it’s one of those “monarchic inheritance acts like a reality show competition” books— but don’t worry, this YA love triangle’s *bisexual* and even drifting toward polyam— oh wait, now we’re doing the senselessly tragic nature of capital-F Fate— whoops, have two sudden twists… and it’s over. Exhausting.
I think the author needed to pick one or two things to really commit to: the worldbuilding as an extension of The Odyssey, the consistency of the magic and plot elements she wanted to include, Leto and Melantho’s first-person voices (which started out refreshing and distinct but soon blended together), the three protagonists’ relationships, or the political/governing elements. Instead, the story rushes past each in turn in service of the others, and the only reliably well-developed element is actually… the violence? If you for some reason want to read a lot of detail about people, mostly children, being disturbingly murdered and assaulted, this is the book for you.
I think the author needed to pick one or two things to really commit to: the worldbuilding as an extension of The Odyssey, the consistency of the magic and plot elements she wanted to include, Leto and Melantho’s first-person voices (which started out refreshing and distinct but soon blended together), the three protagonists’ relationships, or the political/governing elements. Instead, the story rushes past each in turn in service of the others, and the only reliably well-developed element is actually… the violence? If you for some reason want to read a lot of detail about people, mostly children, being disturbingly murdered and assaulted, this is the book for you.
Content Warnings
Graphic: Adult/minor relationship, Body horror, Child death, Death, Gore, Sexual assault, Violence, and Grief
Moderate: Child abuse, Confinement, Infidelity, Misogyny, Sexual content, Sexual violence, Slavery, Blood, Death of parent, Murder, Gaslighting, and Injury/Injury detail
Minor: Animal death, Bullying, Child abuse, Domestic abuse, Emotional abuse, Mental illness, Panic attacks/disorders, Pedophilia, Rape, Suicide, Terminal illness, Toxic relationship, Pregnancy, Toxic friendship, Abandonment, Alcohol, and Classism