Reviews with content warning for Alcoholism - Empire of Wild

(Would have been 3 stars but the ending disappointed me enough to move it down to 2.)

I picked this book up because I saw Margaret Atwood recommend it, I'm interested in reading more books by indigenous authors, and I love werewolf adjacent creatures. (The one in this story is a rogarou.)

The setting and the scenes between Joan (main character) and her family are so well written and make me perfectly visualize everything. The small details in character interactions and the places they visit or live in make everything feel so alive and immersive.

One thing I had to get used to is that at least early on the author uses so many pronouns when we're still being introduced to the large cast of characters. I had to reread passages a few times to organize in my head who was doing what or saying what. I'm not sure if the writing got better about naming who did what or if I just got used to it as the book went on.

If you read this book please be aware of the large amount of sexual content most of which is quite graphic. The sheer amount of it in what is a mystery novel surprised me and tbh annoyed me. Everyone other than the kid characters are constantly talking about sex, thinking about sex, or having sex. To the point where I'm just waiting for it to be mentioned yet again in every chapter. Everyone is so freaking horny and most of it is so purposeless to me. Even if you like having sexual content in anything you read, the content in this book feels so out of place so often.

The pacing for most of the book was pretty good. The plot is interesting and gives just enough mystery to make you feel interested but not overwhelmed. And just when I thought the pacing was going too fast I realized that it was pretty well planned!

However by the last few chapters of the book it felt very rushed and everything was a bit to convenient just to wrap the story up.

(There is one scene where Joan travels somewhere, gets angry at something that tbh I felt was just to add conflict and not representative of how she has acted throughout the book, and then gets over it in a couple paragraphs and drives home. :/ Useless.) The last two chapters especially just felt annoying and almost like the author wanted to end on a cliffhanger instead of be content with the story she already finished.

I also felt let down and like some important characters were introduced too late with zero prep and just gone as soon as they came. (No pun intended considering all the sex in this book).

Overall an immersive setting and cast with a fun mystery to keep you on your toes. This all is dragged down by out of place sex and rushed pacing at the end.

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solenekeleroux's review against another edition

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adventurous dark emotional mysterious tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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caseythereader's review against another edition

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dark emotional funny mysterious tense fast-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

- EMPIRE OF WILD on one level reads as a wild mystery adventure, but look a little closer and it's actually a tale of the horrors of colonization.
- This book is full of messy characters (some of whom I thought could have stood to have a little more page time) and you're rooting for Joan the whole way. I was turning pages as fast as I could, and the final showdown had me gripped.
- The ending seems to have people split, and I can see why - if you read this book, come talk to me about what you think happens!

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pinecone43's review against another edition

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adventurous dark funny mysterious tense medium-paced

Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

Ahhh! Another great, adventure and thrill packed book by this author. I loved the characters of Ajean and Zues the most. I loved how driven Joan was. I loved all the love in the book, from unrequited, to romamtic, familial, and friendships. Strong female characters in this book as well. I did find a few lines to pair body fat with something negative/in a negative context. Fairly subtle or maybe im "over reaching" but i swear once you start to see this trend ( in all forms of media, literature etc) it really sticks out! Also, the scene where the rogaru has more center stage fell a little flat for me and had me a little disengaged the way it was described, reminded me of this anime or something for some reason. Anyway, that was just a slight feeling. Still overall amazing book.

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tachyondecay's review against another edition

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adventurous challenging dark mysterious tense medium-paced

Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Empire of Wild is a supernatural thriller that combines the legend of the rogarou with a woman’s search for her missing husband. But it would be a mistake not to recognize that this is also a story about colonialism, about European/settler ideologies clashing with Indigenous ideas of hearth, home, and connection to one’s community and the land. Just as The Marrow Thieves showcases how settlers can go to any length to extract and exploit resources they see as necessary, Empire of Wild charts how we can lose ourselves to ambition and ego.

Nearly a year ago, Joan’s husband, Victor, walked out on her and suddenly went missing. In the tight-knit, predominantly Métis town of Arcand, Ontario, this was a big deal for a long time, especially given that Victor’s entrance into Jean’s life finally allowed her to settle down in a way that her community never thought she would. Now, Jean stumbles across Victor—except he is the Reverend Eugene Wolff, preacher for a small group of touring Christian revivalists led by the enigmatic, entirely-too-slick Thomas Heiser. Reverend Wolff claims he doesn’t know Jean, isn’t Victor at all—yet Jean is convinced he is her husband. Her resolution to get to the truth leads her into the woods of magic and shadows, even as Victor tries to find the way out of his own woods.

What stands out for me about Empire of Wild is the characters. There are so many interesting characters here: Joan, Zeus, Ajean, Victor, Heiser, Cecile—all of them are significant and, in turn, receive plenty of development from Dimaline. Yet even minor characters, like Jimmy Fine, take on this larger-than-life quality that make this book feel like a kind of modern fairy tale. Joan has gone off the path into the woods, and the people she encounters along the way aren’t just people but parables for her education.

Joan’s relationship with Zeus, the way he tags along like a sidekick but she ultimatly decides she doesn’t want to put him in harms way, is adorable. I enjoy the complex interplay of the characters here, whether it’s the way Joan’s mom and brother give her tough love, or Zeus’ complicated teenage relationship with his mom. Perhaps the most surprising character for me was Cecile, whom I assumed was going to be a one-dimensional minion for the side of the antagonists. Dimaline instead gives us an entire backstory that makes her into an interesting, three-dimensional character whose betrayal both of Joan and of Heiser makes the book all the more fascinating.

Then we have Heiser, whose rapport with canines forms the basis for the supernatural aspects of the book. Heiser isn’t just the leader of a small group of Christian revivalists—he is mainly a consultant for development projects that want to move north. Empire of Wild lays bare the depressing but not surprising ways in which mining companies, other similar corporate outfits, will use religion as a way to captivate and manipulate Indigenous communities whose land they want to develop or exploit. In this way, Dimaline illustrates how colonialism in Canada is ongoing. This book is pointed social commentary about the fact that neither government nor corporations truly treat First Nations, the Inuit, or Métis as sovereign nations. Their consent to development projects is seen as an obstacle to overcome rather than a collaboration to be earned. Heiser is a toxic, irredeemable character—not because he is a white man of European descent, but because he is a white man of European descent who willingly steeps himself in colonial tactics of control and exploitation for his own advancement.

The inclusion of the rogarou mythos precludes reading this story as a simplistic tale of “settler = bad, Indigenous = good” though. Rather, Dimaline stresses (especially through the mouthpiece of Ajean) that there must be balance among the forces of nature. A rogarou is the most extreme example of someone who is out of balance, a man who succumbs to his most atavistic self until it consumes him and leaves him nothing but a beast. Without going into spoilers, the way that Dimaline portrays characters’ internal struggles against their rogarous is fascinating, and while it isn’t always straightforward to follow what’s happening, these dream-like sequences create an important backbone to the novel. They underlie the theme that connection is what is most important. The characters in this novel who succumb to the infection of the rogarou are characters who, in their hearts, feel disconnected as a result of their actions and the actions of others.

This is more than a thriller. It’s a carefully crafted mystery laced with the supernatural the way a chef seasons a soup with the finest of spices. I became very invested in Joan’s quest to get Victor back, and the abrupt and shocking ending—which invites but does not promise a sequel—feels oddly fitting for a book that is simultaneously punk rock and rockabilly/blues. When you read Empire of Wild you need to grab and hold on, but if you manage to do so, this book will take you places.

Originally posted at Kara.Reviews.

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