Reviews tagging 'Death of parent'

Spear by Nicola Griffith

30 reviews

naro173's review against another edition

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adventurous emotional hopeful inspiring lighthearted slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5

Un retelling precioso de leyendas artúricas. La autora crea una historia simple, pero evocadora en muy pocas páginas. La reimaginación del viaje de Peretur desde un punto de vista más introspectivo me parece un acierto, un viaje del 'héroe' que se centra más en el desarrollo de la personalidad y en entender lo que está buscando que peleas y monstruos concretos a los que se tiene que enfrentar.

El hecho de que sea corta y autoconclusiva es un respiro en el mar de novedades actuales; y las ilustraciones del libro son sencillamente preciosas.

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yourbookishbff's review against another edition

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adventurous hopeful reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

I grabbed Spear as an audiobook (narrated by the author!) and I highly recommend this format for an atmospheric and immersive listening experience. As a reader less familiar with Arthurian legend, I'm sure I don't fully appreciate all of the ways in which Griffith has expanded the original myth by recasting it with her own gender-bent, queer lens, but I loved it all the same. The writing is intentionally lush, and the imagery so meticulous that it's easy to feel physically present in this magical world. This is a quick listen (just under 6 hours at 1x), and I know I'll be returning to Griffith's other works soon. 

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sn03's review

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adventurous inspiring reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

5.0


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tamara_joy's review

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adventurous fast-paced
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes

4.5


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rat_girly's review

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adventurous mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.75

A queer, gender-bent retelling of the Arthurian legend told with magical and poetic prose. Quite a short read but the pace isn’t rushed. I really liked Peretur’s character; she is kind, caring, brave, and deeply connected to nature. Great disability representation via Lance as well. 

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blacksphinx's review against another edition

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reflective slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5


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deedireads's review

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adventurous dark mysterious fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.5

All my reviews live at https://deedispeaking.com/reads/.

TL;DR REVIEW:

Spear is a gender-bent, queer, Arthurian/Percival retelling that’s rich, stunning, and timely. It’s especially good on audio. I’m so glad I read it!

For you if: You like fantasy retellings that feel a little more literary, kind of like The Silence of the Girls.

FULL REVIEW:

I’d never read Nicola Griffith before, but boy am I glad that Spear was shortlisted for the Ursula K. Le Guin Prize, because now I have and she is excellent. This novella is rich, stunning, and timely — and, bonus, it has a distinct but accessible literary feeling to it.

This novella is an Arthurian retelling focused on Percival, here rendered as Peretur. It’s also (wait for it) gender-bent and sapphic. Peretur was raised by her mother in a remote cave but soon leaves to seek her fate by disguising herself as a man, earning a name for herself, (making maidens swoon,) and joining the knights of the round table. But soon it becomes clear that there are mysteries to uncover and a quest to embark on when it comes to her own history and upbringing.

Gender-bent Arthurian retellings will always catch my eye, but what makes this book so stunning is Griffith’s prose. She leaves a distance between the text and the story to give you, the reader, plenty of space to exist in between. That makes this novella-length story feel not empty, but rich and full and literary (in fact, Tor published this book but they gave her an FSG editor, soooo if that doesn’t tell you everything you need to know!). Not a single phrase is wasted, and it’s not something to rush through but definitely something to get lost in. I think if you enjoyed the vibe in The Silence of the Girls, you might like this as well. (Also: genre is marketing!)

Finally, please do yourself a favor and listen to this one on audio (or tandem read print and audio, as I did). It lends itself beautifully to the form and Griffith herself narrates.

To Nicola Griffith’s backlist I go!

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bluedilly's review

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adventurous emotional funny mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5


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madzie's review

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adventurous medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.0

 A nice queer retelling of a classic Arthurian myth. Griffith's research into the legend certainly comes through and makes an immersive world. Unfortunately, the characters often come across as a little bland. Although Per is interesting, most of the other characters do not seem to have any real purpose. Additionally, I longed for more chemistry between Per and her main love interest. Although Griffith twisted the well-known legend a little, I personally would have liked more of a twist with a plot that is not just about a bad guy who wants something and those noble enough to stop him. Nothing very shocking occurred in this book. Overall, the writing style was nice and easy to follow, and the themes were mainly well-developed, but nothing felt particularly awe-inspiring.
 
Perhaps my biggest gripe is that Griffith retells this legend from a queer perspective, and yet she is acephobic. This does not mean that Griffith had to include ace characters, but she should have ensured her language was inclusive. Unfortunately, this is not unusual for queer books. However, I think it speaks to a lack of development in her queer theme. You cannot write about accepting yourself and finding where you belong as a queer person while also noting only some queer people get that; that is contradictory. 
 
Overall, I think this book was not for me (I prefer fantasy with a little more oomph, drama, and stakes). Perfect for someone who likes and is looking for an easy, plot-driven, and atmospheric fantasy. 

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chalkletters's review

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hopeful inspiring medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.25

Despite being a long-term fantasy fan, I’ve never gotten particularly interested in the Arthur legend. I liked First Knight as a teen (despite, as I recently discovered with Nickie, utterly forgetting the lead actress), but I was never into Merlin and I didn’t even read Le Morte d'Arthur when I should have done as part of my degree. Despite this, I have at least one other retelling of Arthur on my TBR, which says something about their popularity. 

Nicola Griffith’s prose in Spear feels magical; every sentence is gorgeously written and yet completely clear. It’s never difficult to understand what’s happening or what characters’ motivations are. The few illustrations scattered throughout the novel are also lovely and otherworldly, just right for the kind of story being told. Peretur’s magic is never really explained, but her ability to sense particulars about things she touches or smells is expressed very lyrically.

It was fun to see the Welsh influence on the naming, as well as trying to puzzle out which characters mapped to which Arthurian counterparts. Nicola Griffith’s (excellent) author’s note highlighted the importance of showing characters from multiple class and national backgrounds, which played a particularly important role in Peretur coming from more humble origins. 

Spear
stands out from other novellas in being particularly well-paced. All the loose threads are neatly wrapped up, but Nicola Griffith gives that part of the story just as much time as the build-up, which makes it much more satisfying than a rushed job. 

For me, Spear worked on every level, and I’ll definitely look out for more of Nicola Griffith’s work.

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