Reviews with content warning for Panic attacks/disorders - Sea of Tranquility

Reviews tagging 'Panic attacks/disorders'

Sea of Tranquility by Emily St. John Mandel

6 reviews

maeverose's review

4.0

This took a long time - about half the book - to grow on me. Up to that point it was very ‘meh’. But then once the stronger sci-fi elements came in I didn’t want to put it down, and the first half became more interesting in hindsight.

I don’t want to say too much, I think it’s better to go into it not knowing much. If you like sci fi stories that involve a mystery but mainly focus on characters, their relationships, and mundane aspects of people’s lives, I would recommend. I found the writing style very easy to read as well, not confusing or difficult as sci-fi books can be for me sometimes, especially with my adhd brain.

The main content warning I would give for this, in the least spoilery way possible: it involves questioning reality. I didn’t personally feel like it was done in a triggering way. It doesn’t dwell on it too much. But if that’s an especially triggering topic for you then that’s something to keep in mind. The spoiler version:

It’s a ‘life is a simulation’ situation. It’s never fully confirmed in the book that this is the case, but it’s strongly suggested.

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caryndi's review

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emotional reflective slow-paced

Plot- or character-driven? Character

3.0

When I picked up this book, I didn't expect it to be so similar to Station Eleven. I thought the multiple-narrators, multiple-times thing was a device Mandel used to tell her pandemic story, specifically. I guess that is just how she writes, though, because this book was done the same way. It's not a bad style, but I was expecting a different approach given the uniqueness of that approach and the fact that this was a very different story.
The construction of the novel wasn't my main gripe, though. I cannot figure out the internal logic to this book.

We're introduced to an "anomaly" that takes place under a tree in Northwest Canada and an airship terminal in Kansas City (?) simultaneously, but also hundreds of years apart. We find out some time travelers from the future are investigating this anomaly, and the main investigator, Gaspary-Jacques, is warned not to change anything while traveling through time. However, he accidentally causes the glitch by being in the same place twice (sent back as a time traveler, he encounters and speaks to a version of himself who was stranded in time after interfering with the timeline).
However, this glitch existed prior to his decision to become a time traveler -- in other words, the changes he made were always going to be made before he decided to make them. But, in other instances of time travel, that is not true! The Time Institute (I think that's the name used) tracks its agents by looking at historical records before and then after their visits to other times to see if anything changed in the timeline. So, in my mind, this glitch should not have existed for them to investigate because it was a change made by Gaspary-Jacques. Maybe the idea is that since it was a "glitch" it could exist in that paradoxical way that time-travel actions do. I don't know. But my brain kept bouncing off the way things played out and because of that, I don't think the entire story holds together.

That doesn't take away from the fact that the book was very atmospheric and technically well-written. I thought it was interesting that one of the main characters was the writer of a book about a pandemic, and at least one noted plot point matched the way things happened in Station Eleven. Like a little Easter egg. And it's fun to put together the pieces you pick up from the different time settings as you read. But the way the story falls apart if I try to think about it too hard outweighs the technical proficiency, in my mind, which is why this book only gets 3 stars from me.

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miller8d's review

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adventurous dark emotional hopeful inspiring lighthearted mysterious reflective sad medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.0

Emily St. John Mandel is the only author I’ve ever read as an adult whose writing is effortlessly legible— I don’t have to drag myself through the continuation of the logic, the story, the names and details. She is an incredible world-builder and crafts her books in a way that kindly takes all pressure off the reader to painstakingly translate the story as they go, and she does it without losing the substance nor the sophisticated chaos of the story. She includes unnecessary yet enriching details everywhere so that you never quite catch on to the endings (unlike so many stories that make me think “Oh, well, that must be foreshadowing something”). I had a complicated

feeling of disappointment at the ending of the story: I was pulled to finish this book in two days because I was so excited to learn the explanation for the anomaly, and when I turned the final page, I said “Oh, come on” out loud because I did not feel like I got one at all in the moment. I found the twist exciting and sweet and logical but emotionally frustrating at first. But since I completed the book twenty minutes ago, I’ve realized I’m not actually disappointed because that is actually the most natural and truthful ending there ever could have been, and it rings true to the entire story, to the nature of time and space and boring explanations for exciting anomalies. It shines light on the entire hero’s journey and disarms us with a lonely sense of naked responsibility over the choices we make and especially over the universally lackluster inevitability of the logical consequences of the choices we make. I also really love how Mandel softly infused a strong clarity of anti-colonization and anti-cop sanity throughout the actions and beliefs of the lovable characters— refreshing to read a sci-fi/fictional/apocalyptic piece that doesn’t bury the lead of what evils are obviously leading us toward the darkness (colonization and cops, etc.), and refreshing to read any fictional book that pursues a leftist narrative through world-building and plot points, instead of just veering recklessly into harmful tokenization, superimposed racial dynamics written by a white author, and so on. I also just realized I liked the red herring of Vincent falling off into the sea— at the time, I was 100% sure she’d been teleported by the anomaly and that we must meet her later on. Fun to think that perhaps she did teleport somehow but that we’ll never know because Gaspery never knows.

I loved this book.
Note: I pictured Gaspery as Jacob Wysocki from College Humor.

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