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e_l_k's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
That doubt was dashed from my mind from the first page onwards.
Khaw has a way with descriptive prose that my English teachers would have envied, coveted, before gagging at how vivid the depictions of viscera and horrible violence are. This is NOT a book for the faint of heart or stomach. But it is a spellbinding tale of rediscovery, self-acceptance, and love in the face of pure, selfish evil.
Graphic: Body horror, Medical content, Grief, Pregnancy, Slavery, Gore, Vomit, Child death, Injury/Injury detail, Miscarriage, Cannibalism, Violence, Torture, Domestic abuse, Medical trauma, Death, Emotional abuse, Excrement, Blood, Child abuse, Dysphoria, and Murder
There is a short story at the very end of the book that presents the events directly precluding the main narrative.kstrammel's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Child death, Body horror, Death, Gore, Child abuse, Blood, Cannibalism, Fire/Fire injury, Suicidal thoughts, Slavery, Physical abuse, Violence, and Vomit
pacifickat's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
"I recall once, there was an astronomer in my husband's court, who extolled the poetry of the universe, how numinous we were despite the mucus and the blood we shed. 'Stardust,' he'd said, inebriated with his own doctrine. 'We are made of stardust.' Or maybe of primordial elements, such as the ocean, and the dark, and the killing flame, and love."
For one, this is a story about stories.
The narrative takes the shape of a dark mashup of
It is also a commentary on how the stories humans tell themselves shape their beliefs and behaviors, sometimes leading to their own suffering and ruin, even as those same stories are defended as sacrosanct. Sometimes horrors in this upside-down world mask themselves in holiness. The true enemies, the charlatans wielding power, want people to believe that evil is found elsewhere, and to fear the outsider rather than questioning the darkness in their own midst, in their own systems of belief.
"Man mistakes his own experiences as the canvas on which all truths are drawn. He is rarely correct in his respect."
"There is a reason The Hunt is central to so many narratives. For all that humanity professes to delighting in its own sophistication, it longs for simplicity, for when the world can be deboned into binaries. Darkness and light. Death and life. Hunter and hunted."
This is also most definitely a horror story.
While the prose is a mesmerizing, undulating, hauntingly beautiful (unless big words bother you) thing, the plot beneath is feral and eviscerating.
This is also a haunting love story.
"I wonder sometimes if this consciousness is the same, if I am the same. Or, if I am a mere fabrication strung together by circumstances."
"There is nothing wrong with being a monster."
"You always know the right things to say."
The story reminds me more than a bit of This Is How You Lose The Time War by Amal El-Mohtar and Max Gladstone: the sumptuous use of language, the poetic cadence of the narrative, the distinct natures and voices of the main characters, and
"[...] Eternity is a worthless bauble without their conversation. [...] I will love them to the death of days."
Conclusion
I really enjoyed the telling of this tale. As one Barnes & Noble reviewer put it, "For someone who simply loves words, this novella was practically a playground [...]."
However, the weirdness of the plot and sheer quantity of strange vocabulary and odd phrasing employed throughout made me wonder if the author may have been aided by AI in their writing process. I saw online that she has utilized AI in the past for visual character studies, but it made me wonder if she also used it to create this written work. It is a weird world we live in where this might even be a question a reader would think to ask -- but there it is, sitting in the back of my mind even as I thoroughly enjoyed the story.
In the absence of further evidence, I am going to give the author the benefit of the doubt and offer up 5 stars. This kind of story is totally my jam.
Graphic: Child death, Domestic abuse, Body horror, Child abuse, Death, Fire/Fire injury, Toxic relationship, Murder, Blood, Medical content, Grief, Torture, Injury/Injury detail, Physical abuse, Violence, Cannibalism, Gore, and Slavery
Moderate: Xenophobia, Vomit, and Animal death
percival_wise's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Medical trauma, Injury/Injury detail, Pandemic/Epidemic, Body horror, Child death, Fire/Fire injury, Physical abuse, Torture, Violence, Vomit, Cannibalism, Death, Murder, Blood, Gore, Grief, Infertility, Medical content, Miscarriage, and Pregnancy
nubiani's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
Graphic: Murder, Torture, Child death, Violence, Death, Cannibalism, and Injury/Injury detail
Moderate: Vomit
Minor: War
clynns's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Violence, Child death, Blood, Cannibalism, Murder, Fire/Fire injury, Gore, Injury/Injury detail, Grief, Pregnancy, Rape, Kidnapping, Physical abuse, Vomit, Confinement, Death, and Torture
natka_manatee's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
1.0
Also, this is not even remotely a fairytale. The only thing in common is that she (whoever she is bc she doesn’t have a pronounceable name) is technically a mermaid like “The Little Mermaid”. Although, she also walks on land the whole time and turns into fire at one point so who really knows.
Graphic: Child abuse, Blood, Miscarriage, Body horror, Child death, Injury/Injury detail, Torture, Violence, Grief, Murder, Death, Cannibalism, and Gore
Minor: Vomit
It just sucked dude idk what to tell youbellebeaumont95's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
The writing is lovely, if a little overdone, coloring the scenes in a way that had me both flinching away and immediately coming back, mesmerized. I would have liked to spend a little more time with the two main characters (who I found fascinating) and exploring their relationship, but as the horror fairy tale it is, the brevity works.
In my questionable habit of comparing things to other things, I might describe this as "What if The VVitch (2015) had a crossover with The Language of Thorns, written by the authors of This Is How You Lose The Time War . (All things I LOVE, so this is high praise).
Graphic: Child abuse, Death, Cannibalism, Violence, Body horror, Domestic abuse, Torture, Gore, Blood, Medical trauma, Murder, Injury/Injury detail, Medical content, Pandemic/Epidemic, and Physical abuse
Moderate: Vomit
shakita45's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? N/A
5.0
But seriously this book blew me away, and I'm going to work through Khaw's entire body of work now. This little story had me in tears in a way full-fledged novels don't manage, and the writing style is beyond beautiful and incredibly evocative.
Graphic: Blood, Gore, Cannibalism, Vomit, Body horror, and Medical content
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Khaw's style has clearly developed more since HAMMERS ON BONE (also excellent), and this is less of a romp than THE ALL-CONSUMING WORLD. It has their willingness to just let a story be bleak without being depressing, finding hope interwoven with death, plus a strange interlude into cult deprogramming. It is specifically a follow up to one of the stories from the collection BREAKABLE THINGS, called "And in Our Daughters, We Find a Voice". That story is included in the back of THE SALT GROWS HEAVY for anyone who needs a refresher.
THE SALT GROWS HEAVY is a truly excellent piece of horror. I’m very glad I read it. I hope you like it too.
Graphic: Injury/Injury detail, Medical trauma, Murder, Gore, Violence, Child abuse, Medical content, Child death, Death, Torture, Blood, Body horror, and Cannibalism
Moderate: Grief, Sexism, Vomit, Confinement, and Animal death
Minor: Pregnancy, Sexual content, Fire/Fire injury, Toxic relationship, and Miscarriage
"And in Our Daughters, We Find a Voice" - Graphic CW for blood, gore, death. Moderate CW for toxic relationship, confinement, pregnancy, miscarriage, violence, cannibalism.