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La breve y maravillosa vida de Óscar Wao [The Brief Wondrous Life of Oscar Wao] by Junot Díaz
1717evelyn1717's review against another edition
- Plot- or character-driven? N/A
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
eggjen's review against another edition
3.0
lynecia's review against another edition
5.0
savreads28's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Gore, Abortion, Sexual violence, Cancer, Cursing, Xenophobia, Eating disorder, Sexual harassment, Sexual content, Physical abuse, Murder, Medical trauma, Medical content, Fatphobia, Suicide, Domestic abuse, Blood, Body shaming, Confinement, War, Toxic friendship, Torture, Terminal illness, Suicide attempt, Hate crime, Death of parent, Emotional abuse, Abandonment, Death, Violence, Racism, Grief, Toxic relationship, Suicidal thoughts, Racial slurs, Police brutality, Sexual assault, Mental illness, and Dysphoria
ivylucia's review against another edition
5.0
nighthawker's review against another edition
3.0
bryanzhang's review against another edition
3.0
These stories are packed with trauma set against the Trujillo dictatorship in the Dominican Republic, colored by an array of sci-fi references, extensive Spanglish, and modern slang that defines the voice of the much-more-sex-having casanova Yunior, who serves as a somewhat distant narrator, involved in the story as the result of his relationship with Oscar's much more attractive sister Lola.
Overall I think Oscar Wao is an incredibly rich work of storytelling that functions best when it lets Yunior talk. However, it oftentimes feels like Díaz is trying a little too hard to create a contemporary literature epic. There are a few passages that switched out of Yunior's voice and into something that seemed to suggest greater import, or moments where fukú symbolism felt a tad heavyhanded, or character dialogue too dramatic, and I questioned multiple times whether I should finish the book when I was trying to get through the eighty page treatment of Oscar's mother Beli.
Ultimately I think Díaz executes best on what he knows, which is Oscar's story, told through Yunior's voice. However, he devotes a disproportionate amount of time on other characters and their stories. It feels almost like an attempt at Middlesex (although I'm sure it isn't, but worth noting that both of these books won the Pulitzer Prize in the first decade of the 2000s -- it seems Pachinko missed the boat), but for all the work put in to untangle the sprawling story, there wasn't any actual payoff. By the end of the book, I simply felt like I had read multiple disjointed stories that had disappointingly little to do with each other (perhaps a symptom of Díaz's predilection for short stories).
One fun note: I enjoyed seeing the word "otakuness" in a Pulitzer Prize-winning novel.
tennilles's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
r0b3rta's review against another edition
4.0
tonatyuh's review against another edition
5.0
OK so this took me a shit ton of time to finish but here we are!
His writing style sometimes reminds me of Vonnegut, yet still emulates a unique voice.
This whole story is so real it hurts your soul, but somehow Diaz manages to implement some light in all the darkness in the end.
I really enjoyed this wow.
3/10/22 - second time reading
Reading this again was just such an amazing experience.
I loved everything again and although the story can get really dark it's just a story that sticks with you and you find yourself wanting to return again and again.
I'm just speechless. Like idk this revisit really really worked for me