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3.84 AVERAGE
3.84 AVERAGE
A painfully vivid, honest, and beautiful depiction of the inner lives of women. Munro sees us like no other. Life itself has been captured within the bounds of her novel. I will be forever grateful this book chose me. In it, everything I’ve ever felt, wanted, seen and lost was laid bare before me. Munro articulates the deep longings of the soul with frightening accuracy. This book reveals all that you know to be true, but cannot yet find.
The true rating of this is 3.5 stars.
I really love Alice Munro's writing style. The unpretentious-ness of it is so refreshing. She uses simple language to get about incredibly complex relationships and situations. I also really enjoy the honest, slice-of-life content. However, I have read other Munro that I have liked more. I'm glad I read this book, but I think I prefer her short story collections that are made up of individual stories with unique characters, instead of this collection that has linked short stories with the same main character.
I really love Alice Munro's writing style. The unpretentious-ness of it is so refreshing. She uses simple language to get about incredibly complex relationships and situations. I also really enjoy the honest, slice-of-life content. However, I have read other Munro that I have liked more. I'm glad I read this book, but I think I prefer her short story collections that are made up of individual stories with unique characters, instead of this collection that has linked short stories with the same main character.
Se ve que ‘La vida de las mujeres’ es la única novela que ha escrito Alice Munro. La escribió a los cuarenta años y tiene mucho de autobiográfico. Siempre podrá salir algún criticón y decir que no es una novela sino una serie de relatos con los mismos personajes, pero, por más que los capítulos estén claramente diferenciados, tienen un hilo conductor claro que es el de una niña que se hace mayor en un pueblo rural de Canadá. Tengo que confesar que los libros sobre niñas que crecen son una de mis grandes debilidades. Hay muchos libros sobre niños que se hacen mayores y estos siempre me acaban cansando, pero no hay tantos sobre niñas y, quizás sea por esto, pero estos casi siempre me acaban enamorando.
Parece que para Alice Munro hacerse mayor es ir acumulando decepciones. Aún así, ‘La vida de las mujeres’ no es un libro triste. Quizás sea melancólico pero no triste. Munro describe a la perfección el ambiente de un pueblo pequeño, encerrado en sí mismo y sin prácticamente oportunidades. Y aún así, nunca hay amargura. En la novela, la protagonista y narradora, Del Jordan, poco a poco, empieza a intuir que quiere algo más que la vida que llevan las mujeres de su alrededor y también que su pueblo no le podrá ofrecer todo lo que ella desea. A pesar de todo, sabe que ella también es parte de ese pueblo, nunca reniega de él y, en el fondo, lo describe con amor y dulzura.
Hay toda una serie de personajes secundarios, la mayoría mujeres, que llevan una vida más o menos gris y mediocre, pero Munro nunca se ensaña con ellas, todo lo contrario; las describe con afecto, resaltando sus cualidades pero sin no olvidar nunca sus defectos. Alice Munro es muy buena; sabe ser dulce pero sin dejar nunca de ser ecuánime y, sobre todo, sincera. Es arriesgado y quizás incluso ridículo decir que una obra de ficción es “sincera”, pero para mí ‘La vida de las mujeres’ lo es; me es tan fácil entrar en el mundo que describe e identificarme con lo que le pasa a la protagonista.
Si esta novela me parece sincera es porque no idealiza la infancia, sino que es capaz de retratarla con la mezquindad que conlleva. Por supuesto que habla del descubrimiento del sexo, pero lo hace casi con crudeza. Además, la protagonista se va alejando de todas las personas que le rodean: sus tías, su madre, su mejor amiga, su mejor amigo, su primer amante. Es como si hacerse mayor fuera también alejarse de los que hemos querido, como si para construirnos como personas tuviésemos que cortar lo que nos mantiene unidos a los seres que queremos, pero que a la vez nos limitan como personas. Puede que haya un punto de crueldad en todo esto, pero no deja de ser real. Y probablemente el mayor mérito de Alice Munro sea el de ser dulce y cruel al mismo tiempo.
Parece que para Alice Munro hacerse mayor es ir acumulando decepciones. Aún así, ‘La vida de las mujeres’ no es un libro triste. Quizás sea melancólico pero no triste. Munro describe a la perfección el ambiente de un pueblo pequeño, encerrado en sí mismo y sin prácticamente oportunidades. Y aún así, nunca hay amargura. En la novela, la protagonista y narradora, Del Jordan, poco a poco, empieza a intuir que quiere algo más que la vida que llevan las mujeres de su alrededor y también que su pueblo no le podrá ofrecer todo lo que ella desea. A pesar de todo, sabe que ella también es parte de ese pueblo, nunca reniega de él y, en el fondo, lo describe con amor y dulzura.
Hay toda una serie de personajes secundarios, la mayoría mujeres, que llevan una vida más o menos gris y mediocre, pero Munro nunca se ensaña con ellas, todo lo contrario; las describe con afecto, resaltando sus cualidades pero sin no olvidar nunca sus defectos. Alice Munro es muy buena; sabe ser dulce pero sin dejar nunca de ser ecuánime y, sobre todo, sincera. Es arriesgado y quizás incluso ridículo decir que una obra de ficción es “sincera”, pero para mí ‘La vida de las mujeres’ lo es; me es tan fácil entrar en el mundo que describe e identificarme con lo que le pasa a la protagonista.
Si esta novela me parece sincera es porque no idealiza la infancia, sino que es capaz de retratarla con la mezquindad que conlleva. Por supuesto que habla del descubrimiento del sexo, pero lo hace casi con crudeza. Además, la protagonista se va alejando de todas las personas que le rodean: sus tías, su madre, su mejor amiga, su mejor amigo, su primer amante. Es como si hacerse mayor fuera también alejarse de los que hemos querido, como si para construirnos como personas tuviésemos que cortar lo que nos mantiene unidos a los seres que queremos, pero que a la vez nos limitan como personas. Puede que haya un punto de crueldad en todo esto, pero no deja de ser real. Y probablemente el mayor mérito de Alice Munro sea el de ser dulce y cruel al mismo tiempo.
The title of this novel by short story writer Alice Munro comes from the chapter of the same name in which Del Jordan's mother says to her "there is a change coming I think in the lives of girls and women. Yes. But it is up to us to make it all come. . . ". Published in 1972 during the rise of modern feminism its main characters are girls and women and their "making sense" of their world.
Like Munro's "The Beggar Maid," published later, this book consists of interconnected stories. However, the time frame here is much shorter than the later one and, therefore with fewer gaps in time, reads more like a novel.
It is the coming-of-age story of Del Jordan, from her early years at home on the farm, through her school days in town and, finally, graduation from high school. We learn of her early interest in reading and writing, and see her shaping her spiritual beliefs, sharing tittilating secrets with her best friend, her first crushes and first loves. Vignettes of people and events give a nostalgic and often very funny view of small town life.
The characters in the story are so carefully drawn with Munro's characteristic turn of phrase that they are brought vividly to life. None is more alive than Del's mother and her relationship with Del. While often disparaging of the remarks and advice of her mother, Del grows up with her own version of her mother's worldview.
An epilogue, a story in itself, describes Del's imagining her first short story, how it would be about her small town, and how she would change names and places to create something new, but based on truth. I suspect it is how this novel was constructed.
This early book is one in an oeuvre of work worthy of the Nobel Prize for literature, which Munro won in 2013.
Like Munro's "The Beggar Maid," published later, this book consists of interconnected stories. However, the time frame here is much shorter than the later one and, therefore with fewer gaps in time, reads more like a novel.
It is the coming-of-age story of Del Jordan, from her early years at home on the farm, through her school days in town and, finally, graduation from high school. We learn of her early interest in reading and writing, and see her shaping her spiritual beliefs, sharing tittilating secrets with her best friend, her first crushes and first loves. Vignettes of people and events give a nostalgic and often very funny view of small town life.
The characters in the story are so carefully drawn with Munro's characteristic turn of phrase that they are brought vividly to life. None is more alive than Del's mother and her relationship with Del. While often disparaging of the remarks and advice of her mother, Del grows up with her own version of her mother's worldview.
An epilogue, a story in itself, describes Del's imagining her first short story, how it would be about her small town, and how she would change names and places to create something new, but based on truth. I suspect it is how this novel was constructed.
This early book is one in an oeuvre of work worthy of the Nobel Prize for literature, which Munro won in 2013.
Uma história de crescimento individual, de descobertas. Esperava mais do final, embora este faça bastante sentido.
I can't help but give this book 3 stars just based on the stellar writing of Alice Munro but it just didn't appeal to me at all.
The life of the adolescent girl was so uninteresting to me, maybe I'm too far away from those years but she was mostly annoying. I'm pretty sure even my teenage self would have thought so.
The life of the adolescent girl was so uninteresting to me, maybe I'm too far away from those years but she was mostly annoying. I'm pretty sure even my teenage self would have thought so.
The writing is beautiful and often deliciously enjoyable. The arc I'm a little less sure of (why this particular slice of life? Feels like there's even more to be said left simmering, depths unplumbed, though maybe that's part of its charm--its naivete is both delightfully relatable and regrettable at intermittent intervals). Still, I'm glad to have read this one.
adventurous
informative
inspiring
lighthearted
reflective
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
challenging
emotional
funny
reflective
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
Honestly a beautiful and sometimes eerily relatable description of childhood, even if it is set in (gasp!) Canada. Infused with a sweet innocence but also a melancholy nostalgia. Would recommend.