Reviews tagging 'Death'

Damsel by Elana K. Arnold

12 reviews

kccool12255's review against another edition

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This book is so nasty and it has the weirdest descriptions I’ve ever read in my life. This author is trying way too hard to be “ancient” and it comes off strange. There’s also an excerpt of another book of hers in the back with a VERY graphic description of oral s*x, and the ACTUAL book contains very graphic descriptions of the same things, including the main character getting f*ngered non-consensually. I don’t want to read books like this, I don’t get why every single author thinks they have to include spice in their books. Stop marketing this trash to young adults, or put content warnings like dark romance authors do. Not everyone wants to read that, believe it or not. 

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semiprecious's review against another edition

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sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No

3.5

I wish the main character would have found her strength before the last page of the book. I wanted this to be hopeful, to show women fighting back, to maybe even feel anger, but instead it just filled me with sorrow for how the world is. Even when Sorrow was renamed Fury, it didn't feel like there was any present.

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singalana's review against another edition

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dark reflective sad slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.0

The first thing you need to understand about this book is that this is NOT a children’s book, and I don’t think it’s a YA book either. At least the audiobook is falsely advertised as Children and YA.

I read some reviews, and I think part of the “problem” with this book is that people start reading it with entirely wrong expectations. The book takes the classic “a prince saves a damsel from a dragon”-trope and tells it from the damsel’s perspective. So, in a way, it’s a fairytale retelling.

Prince Emory saves Ama from a dragon. Ama has no memory of her life before being rescued. As she learns more about her saviour and what is expected of her, she starts to wonder whether she has been saved after all.

The writing style is beautiful and very fitting for a story like this. I listened to this as an audiobook, and the narrator (Elizabeth Knowelden) tells the story in a lovely way, albeit her voice is barely a whisper in parts, so I could not listen to this audiobook in a noisy place.

But let’s get back to the story. It’s NOT a romantic story, and it’s NOT a happy story. If you are familiar with Robin Hobb’s books and her villains, the villain in this book is on par with them. If you like reading about how things get progressively worse for the protagonist and can stomach some heavy topics, I’d definitely recommend this book. But do not go into this thinking that this is a feminist retelling of a classic fairytale because I think you’ll be disappointed.

Spoilers!
I have two main complaints with this book. I didn’t agree with the author’s choice of the three “weapons” needed to conquer a damsel. It was weird and off-putting. My second complaint is that I had to suffer through 98 % of misery to get to the end, which was over very quickly. The ending was satisfying, and I think that the last sentence about the Queen Mother witnessing the dragon’s rise was poetic. But still, 98 % of this book is pure misery.

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lisashelves's review against another edition

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dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

2.0


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mattiedancer's review

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challenging emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

Writing: 5⭐️/5 
The writing is strong throughout the book. A few moments that lacked ease and clarity were outshone by the brilliance expertly demonstrated throughout the rest of the novel. The poetic nature of the work fit nicely within its prose format. Arnold also demonstrates great control over the voice throughout the story. Tremendously done. 

Characters: 5⭐️/5
The characters were both hyperbolic and realistic in the best balance between the two. Arnold does a tremendous job creating motivated characters whose stories and origins. This is most fantastically demonstrated with the Prince/King, whose perspective we begin with, whose story we understand, whose side we are almost on until the story slowly unfolds in front of us.

Plot: 5⭐️/5 
The plot is fantastically paced and thoroughly enjoyable to read. I personally love the focus on a deep and unforgiving feminine rage that is both necessary and welcomed. So much of this story is exactly what I wanted to read, while also being precisely what I needed to read. 

Post-Reading Rating:  5⭐️/5
I will be recommending this to so many people.

Who Should Read This? 
  • Women looking for a feminist fairy tale
  • Those who love fairy tale reconstructions
  • Those who want all that plus dragons and castles
 
Final Rating: 5⭐️/5

CW:
Blood, injury, suicide, sexual assault, sexual content, rape, toxic relationships, misogyny, sexism, emotional abuse, violence, domestic abuse, physical abuse, gaslighting, animal cruelty, animal death, death, death of parent, eating disorder, classism, pregnancy, kidnapping

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kblevs's review against another edition

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adventurous dark mysterious sad tense medium-paced
  • Loveable characters? No
  • Diverse cast of characters? No

2.0


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jonie_rich's review

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adventurous challenging dark mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.25


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morsa's review against another edition

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fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

0.25

THIS WAS SOBAD. 
Firstly, the plot was weak and predictable
Ama was the dragon?? I couldn't have guessed... I wasn't expecting it at all /s. You know what I didn't guess? Emory's third weapon. I was SPEECHLESS and not in a good way.


None of the characters were likable. Ama was the only one I felt a little sympathetic for. But she was still poorly written. And some of her actions didn't really make sense. I hate "girlboss" moments that don't make sense and they're just there for the sake of being "girl power" moments. And guess what this book has? Exactly, girlboss moments that don't make sense.

The pacing didn't make sense at all. To be honest, the only thing I liked about this book was the short chapters.

Also, how many times does the author have to mention Ama's breasts and Emory's dick? Weird.
That's one of the many reasons this book shouldn't be YA. 

Also there should've been TWs before starting the book bc I was absolutely shocked.

TW: Sexual Assault, Rape, Suicide, Abuse, Blood, Self harm

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booksthatburn's review against another edition

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mysterious reflective sad slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5

DAMSEL is a fable of a prince, a dragon, a princess, and her Sorrow. It is languid, methodical, and unsubtle in its metaphors in a way that wraps all the way around to making it difficult to discuss without spoiling the plot. 

This is an extended, decently layered metaphor for a bunch of things related to sexism, misogyny, and ideas of cis women in relation to cis men. Given the particulars of the Ama's characterization, it feels like she's someone who isn't a cis woman but is being forced to behave as though she is. That is literally what's happening, in one sense, but I can't tell whether the book is engaging with ideas of queerness or if this very long metaphor for a woman's role in relation to men is missing ideas of queerness entirely. In one very important sense, Ama is not a woman, is not attracted to men (or at least is not attracted to Emory), and is being made to behave as if she is a woman who likes men. She must fulfill her role in order to support Emory in his role, where that someone does what she is told to do is essential, but the very fact of her being the one to do it is completely irrelevant. Her station matters but her personhood does not, as far as everyone around her is concerned.

In order to save her wildcat's life from her king's wrath, Ama must tame her, removing those qualities which make Sorrorow (the wildcat) so fierce and vibrant. The more Ama learns what is and will be required of her, the more she tries to find a way out, some other option which will let her be happy. 

I like the audiobook narrator, this was a good performance which helped the story flow easily. My favorite part is Ama's project towards the end of the story.

There are some pretty explicit discussions of sex but they use antiquated terms for everything, in keeping with the vaguely medieval setting. I was able to guess the ending reveal ahead of time. Part of that is the way it's coy but not subtle. At the end my reaction is kind of meh. I liked it, but its bluntness meant I wasn't waiting to find out happened. Instead I was waiting for it to get where I already knew it was going. That can be fun, but I thought it would have more to it in the end. 

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ka_ke's review against another edition

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dark emotional tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

Damsel is darker than I was expecting. MUCH DARKER. There is a lot to unpack in this novel, but also a satisfying ending? Prince Emory and all the men in this book gave me the creeps, which I suppose was intended. It definitely made me glad we have feminism today! 

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