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unaesthetic_reading's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
3.25
Graphic: Confinement, Death, Gore, Slavery, Torture, War, and Injury/Injury detail
nikolas_kolinski's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
- 1984 - review
1984 may not be the best book ever written in terms of style and narrative, yet its powerful and ever-present themes certainly make it a masterpiece.
Orwell's style is capable of appearing analytical and rigorous, but also colourful and full of emotions at the same time, depending on what's necessary.
Moreover, the language in part I and many parts of part II is strictly logical and linear, while the parts where Winston and Julia fall in love
The feeling is overall that of a slow and decadent decay, from freedom and happiness to sadness, humiliation, melancholy, suffering and, finally, blind obedience.
The author thus proves himself a master of writing, versatile and capable of telling different moments with different nuances. Furthermore, although act I and act II may seem boring at first, as soon as the reader finishes the book by travelling through
Orwell's psychological characterisation of his characters is superb, with Winston being the protagonist and the main point around which the plot revolves, while giving also importance to the role of other characters, but always through Winston's eyes.
It is no surprise then, that many of the characters appear and behave differently than they really are:
- O'Brien
- Mr. Charrington
- Julia herself
The most elaborate, important and essential part, still to this day, is however the precise and accurate way in which Orwell explores the ways through which a government can overpower and overwhelm his own citizens to become a dictatorship, or even worse.
The fact that each and every man, apart from the proles, is constantly monitored by tele-screens, hidden cameras and hidden microphones highlights the first step the government takes to gain power: the constant control of his citizens, followed immediately by punishment when someone doesn't do what the Party wants (something really relevant even in our age, where we are already increasingly surrounded more and more by technology)
Then, all the lies and propaganda through which the party indoctrinates its citizens, not only by constant lying but by making sure they are happy to lie to themselves (freedom of thought and freedom of the press are not only important, they are necessary, otherwise everything could get always worse and worse)
And in the end...
(Power can be gained in many different ways, not only through a politics of the image ("image-politics") - which we see also really often today as well, though with different and certainly less evil goals - but also through widespread control of the state and the individual, by manipulating the popular masses and by means and terrible tortures that are always hidden)
It could be argued that most of Orwell's ideas might be too influenced by the historical era in which he lived and by his strong opposition to communism, however, even if we remove his personal views, the novel still maintains its clear and functional moral messages.
1984 is thus not only a book, but also a clear advice and a useful warning against how any of us might be manipulated and controlled, thus vindicating its role as a masterpiece for its highly cultural and historical importance.
Being in a minority, even in a minority of one, did not make you mad. There was truth and there was untruth, and if you clung to the truth even against the whole world, you were not mad.
Power is not a means; it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship. The object of persecution is persecution. The object of torture is torture. The object of power is power. Now you begin to understand me .
Graphic: Confinement, Emotional abuse, Torture, Violence, Gaslighting, and Classism
Moderate: Body shaming, Death, Slavery, Suicidal thoughts, Death of parent, and Injury/Injury detail
Minor: Panic attacks/disorders, Murder, War, and Deportation
woundedhouse's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
Graphic: Emotional abuse, Gore, Slavery, Torture, Violence, Vomit, Police brutality, Murder, and Alcohol
vinniee's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Slavery, Torture, Violence, Kidnapping, Stalking, Murder, and War
ivytwines's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
4.0
Graphic: Torture
Moderate: War
Minor: Rape and Slavery
natalia64's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
La homosexualidad es un tema recurrente en el libro: el Socing lo considera como "poco deseable" y una "desviación". La sexualidad es hetero, pero desligada siempre de todo tipo de deseo - el acto sexual tiene que ser no-placentero y con el único fin de la reproducción. Sin embargo,
Con respecto al ritmo, se relaciona con lo que decía al principio: cuando es más narrativo, cuando se enfoca en contar ese mundo "desde el cuerpo" me resultó rápidísimo y demasiado interesante. En este sentido creo que el principio, la mitad tardía y el mismo final son los más atrapantes.
Con el epílogo me cerró más la postura de Orwell porque me faltaba info de contexto
Graphic: Torture, Violence, Police brutality, and War
Moderate: Misogyny, Sexual content, and Suicidal thoughts
Minor: Slavery
omarhabib's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.25
Graphic: Slavery and Forced institutionalization
Moderate: Emotional abuse and Torture
Minor: Alcoholism and War
readerorwateva's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Confinement, Misogyny, Torture, Violence, Death of parent, Colonisation, War, Injury/Injury detail, and Classism
Minor: Racial slurs, Rape, Sexual content, Slavery, Vomit, and War
elihrus's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Graphic: Child death, Death, Emotional abuse, Gore, Gun violence, Physical abuse, Torture, Violence, Blood, Murder, and Gaslighting
Moderate: Sexual content, Police brutality, and Antisemitism
Minor: Rape, Slavery, Abandonment, and Alcohol
calamitywindpetal's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Confinement, Death, Emotional abuse, Physical abuse, Sexual content, Torture, Police brutality, Murder, War, and Injury/Injury detail
Moderate: Genocide, Rape, Self harm, Sexism, Sexual violence, Suicide, Vomit, and Alcohol
Minor: Racism and Slavery