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amyalwaysbooked's review against another edition
adventurous
emotional
funny
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
After reading A Restless Truth I was eager to see both a conclusion to the plot of the Last Contract as well as see how Jack and Alan's relationship would build. I was not disappointed!
This was an excellent conclusion to the mysteries built up in the first two books of the trilogy. It brought the whole cast together, neatly tied up loose ends while also leaving the future up to the imagination of the reader in the most pleasant way possible.
Jack and Alan might be my favorite couple in the series as I do love a good love/hate relationship. The story never shied away from the power imbalance in their relationship. I think that Marske handled the conversations around it well. The fact that the two of them both enjoyed using that particular topic during sex played nicely as well. The line between bedroom fantasy and the reality of their situation was never blurred which I appreciated.
I also liked how Marske explored various queer relationships and how they might exist in a time when they could not be open in society. Without spoiling too much there is a marriage of convenience, not in the tropey "will-they-won't-they" sort of way, but in the way I imagine many queer people settled during the time. Overall there were a lot of frank conversations about the limitations of society at the time, and even in ways that our society still fails today. I appreciated the dose of realism amidst Marske's fantastical world.
This was an excellent conclusion to the mysteries built up in the first two books of the trilogy. It brought the whole cast together, neatly tied up loose ends while also leaving the future up to the imagination of the reader in the most pleasant way possible.
Jack and Alan might be my favorite couple in the series as I do love a good love/hate relationship. The story never shied away from the power imbalance in their relationship. I think that Marske handled the conversations around it well. The fact that the two of them both enjoyed using that particular topic during sex played nicely as well. The line between bedroom fantasy and the reality of their situation was never blurred which I appreciated.
I also liked how Marske explored various queer relationships and how they might exist in a time when they could not be open in society. Without spoiling too much there is a marriage of convenience, not in the tropey "will-they-won't-they" sort of way, but in the way I imagine many queer people settled during the time. Overall there were a lot of frank conversations about the limitations of society at the time, and even in ways that our society still fails today. I appreciated the dose of realism amidst Marske's fantastical world.
Content Warnings
Graphic: Death and Sexual content
Moderate: Gaslighting
Minor: Infidelity
scrubsandbooks's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
This is definitely going on the list of one of my favorite trilogies with a third book that wrapped up a great deal of plot and answered so many questions. I love a character who seems outwardly uncaring but cares deeply actually deep down and I found that in Jack. His and Alan's bickering and fights were eye-opening and an insight into their characters without being gravely hurtful or abusive, clearly a rivals to lovers done correctly.
The climactic conflict was so fun to read, a good mix of "YAY"s and "OH NO"s and I couldn't put it down when I got to the last 80%. The ending brought all trilogies together perfectly.
Except now I want a spinoff novella of some sort of Adelaide because she deserves the very best.
The climactic conflict was so fun to read, a good mix of "YAY"s and "OH NO"s and I couldn't put it down when I got to the last 80%. The ending brought all trilogies together perfectly.
Except now I want a spinoff novella of some sort of Adelaide because she deserves the very best.
Content Warnings
Graphic: Sexual content
Moderate: Death and Violence
Minor: Gun violence
ladythana's review against another edition
adventurous
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Sexual content and Grief
Moderate: Bullying, Death, Suicide, Toxic relationship, Blood, Police brutality, Murder, and Classism
Minor: Emotional abuse, Mental illness, Rape, Torture, Pregnancy, and Injury/Injury detail
booksthatburn's review against another edition
adventurous
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Finishing out the trilogy, A POWER UNBOUND finally provides answers as to why Lord Hawthorn (Jack) lost his magic and his sister all those years ago. It wraps up the mysteries around the Last Contract, and while it doesn't contain any wholly new storylines, that's much less crucial for the end of a series. The way it approaches Jack and Alan's relationship it almost sufficient to stand on its own if necessary, though several delightful aspects (such as their first meeting and Alan's selling of pornography) are show in A RESTLESS TRUTH. Most aspects of Alan's life are introduced for the first time, as well as the specifics of Jack's. It's a strange balance that lets many details feel completely new even though the main characters and their current situation were set up in first two books. I've been hoping Jack would be a protagonist since he was first introduced as Lord Hawthorne in A MARVELLOUS LIGHT, so I was absolutely delighted to get my wish at last. They're very different narrators from any of the others, somehow continuing the pattern of one person having magic and the other not, but in a way I wasn't expecting.
The first chapter cements George as not only the detestable and power-hungry person shown into the earlier books, but truly vicious and uncaring in pursuit of his aims. There's something extra terrible in the way he destroyed Elsie and Jack's lives and then was so concerned with hiding what he'd done that he laid a secret-bind on both of them and didn't give a shit what became of them afterwards. Now, with a trail of the dead in George's wake, Jack and his strange new group of friends have one last chance to stop him once and for all.
Much of the magical worldbuilding was set up in the first two books, but there's a focus on class dynamics which is made possible by Alan's perspective when juxtaposed with the richer and titled members of the group. For all the Blythe's money troubles, they're on a vastly different scale than whether Alan's family will starve due to accident or injury. That perspective helps make obvious that the Last Contract was meant to accomplish something it's no longer really doing, and enables the group to come up with new solutions as things spin wildly out of control.
A POWER UNBOUND is (somehow) even sexier that A MARVELLOUS LIGHT and A RESTLESS TRUTH, or maybe this is just a sign that my tastes run closer to Alan's than any of the previous protagonists. Good sex scenes provide character development in addition to titillation. Great sex scenes are so seamlessly a part of character development that to skip them would be to miss something crucial, fervent, and deeply personal about the characters involved. Jack and Alan's relationship is one of playing with power dynamics and trusting that the other person won't cross any lines, that fantasies made flesh are a wonderful kind of vulnerability, and that consent can be withdrawn mid-scene. They get the thrill of fighting without being in true danger, though it takes a while for Alan to be sure enough of Lord Hawthorne that he can accept this vulnerability with Jack. For his part, Jack is enjoying the extra level of intimacy which comes from having unknowingly read Alan's work for years, now able to use that knowledge erotically and to devastating effect.
A POWER UNBOUND is a satisfying ending to a great trilogy. The epilogue is a perfect snapshot of everyone, I cackled at Alan's attempt at an interview after the big event. I'm eager for whatever Freya Marske writes next.
The first chapter cements George as not only the detestable and power-hungry person shown into the earlier books, but truly vicious and uncaring in pursuit of his aims. There's something extra terrible in the way he destroyed Elsie and Jack's lives and then was so concerned with hiding what he'd done that he laid a secret-bind on both of them and didn't give a shit what became of them afterwards. Now, with a trail of the dead in George's wake, Jack and his strange new group of friends have one last chance to stop him once and for all.
Much of the magical worldbuilding was set up in the first two books, but there's a focus on class dynamics which is made possible by Alan's perspective when juxtaposed with the richer and titled members of the group. For all the Blythe's money troubles, they're on a vastly different scale than whether Alan's family will starve due to accident or injury. That perspective helps make obvious that the Last Contract was meant to accomplish something it's no longer really doing, and enables the group to come up with new solutions as things spin wildly out of control.
A POWER UNBOUND is (somehow) even sexier that A MARVELLOUS LIGHT and A RESTLESS TRUTH, or maybe this is just a sign that my tastes run closer to Alan's than any of the previous protagonists. Good sex scenes provide character development in addition to titillation. Great sex scenes are so seamlessly a part of character development that to skip them would be to miss something crucial, fervent, and deeply personal about the characters involved. Jack and Alan's relationship is one of playing with power dynamics and trusting that the other person won't cross any lines, that fantasies made flesh are a wonderful kind of vulnerability, and that consent can be withdrawn mid-scene. They get the thrill of fighting without being in true danger, though it takes a while for Alan to be sure enough of Lord Hawthorne that he can accept this vulnerability with Jack. For his part, Jack is enjoying the extra level of intimacy which comes from having unknowingly read Alan's work for years, now able to use that knowledge erotically and to devastating effect.
A POWER UNBOUND is a satisfying ending to a great trilogy. The epilogue is a perfect snapshot of everyone, I cackled at Alan's attempt at an interview after the big event. I'm eager for whatever Freya Marske writes next.
Content Warnings
Graphic: Cursing, Death, Sexual content, Violence, Blood, Murder, and Classism
Moderate: Sexism, Suicide, Torture, Pregnancy, and Injury/Injury detail
Minor: Gore, Gun violence, Infidelity, Racism, Rape, Sexism, Vomit, Grief, and War
aileron's review against another edition
adventurous
emotional
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Death, Gun violence, Suicide, Violence, Grief, Murder, and Classism
Moderate: Bullying, Confinement, Gore, Sexism, Suicidal thoughts, Blood, and Injury/Injury detail
Minor: Sexual assault, Death of parent, Fire/Fire injury, and War
ninjamuse's review against another edition
emotional
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Moderate: Classism
Minor: Death, Homophobia, Suicide, and Fire/Fire injury
jencolumb0's review against another edition
adventurous
dark
emotional
funny
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
I was really excited to read Jack’s story but found it hard to stan him and Alan, which made this book a less-gripping read than the first two. I understood why it had to be the person in Alan’s role to advance the social commentary the author wanted to weave in (and think the kink elements woven in are a clear way to explore those dynamics with some heat) but he and Jack always *felt* half a step off from one another even if the plain meaning of the words didn’t reflect it. Somehow, there managed to be a lack of chemistry between two thoroughly fictional people who worked well in theory. I have yet to put my finger on why, exactly, but it is what stopped me from giving this book a full five stars.
Anyway, this is not a book you can step into without reading the first two so, um, don’t. Know that it is bloodier than the first two but delivers a satisfying resolution across the board . . . which makes it worth reading even if it’s not as easy to gobble up as the first two. I’m looking forward to reading what Marske takes on next.
Anyway, this is not a book you can step into without reading the first two so, um, don’t. Know that it is bloodier than the first two but delivers a satisfying resolution across the board . . . which makes it worth reading even if it’s not as easy to gobble up as the first two. I’m looking forward to reading what Marske takes on next.
Content Warnings
Graphic: Death, Sexual content, Blood, Murder, Injury/Injury detail, and Classism
Moderate: Bullying, Suicide, and Pregnancy
Minor: Gun violence, Police brutality, and Death of parent
madscientistcat's review against another edition
adventurous
emotional
funny
lighthearted
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Death, Gun violence, and Murder
Moderate: Suicide and Grief
Minor: Rape
rhall19's review against another edition
adventurous
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Death
Minor: Suicide and Blood
abitbetterbooks's review against another edition
adventurous
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Is this… the best book I’ve ever read?????
Take this with a grain of salt due to recency bias as I don’t think anything could actually ever top A Marvellous Light for me BUT I did love how perfect a conclusion this story was, especially with the way it brought together all three story lines. The small call backs and the way this story flowed out perfectly from the paths already carved by the previous two made it a completely masterful novel.
A Restless Truth was a great book, but I missed Robin and Edwin. Having the entire gang together and watching this ragtag queer crew (Adelaide Morrissey is an asexual icon IMO) band together made this story electric in a way I missed in ART.
I really think Jack and Alan were the absolute perfect combo to complete the Last Binding trilogy. The chemistry was off the charts incredible, and I loved how they were such perfect foils for each other, highlighting both of their strengths, weaknesses, and growth. And in that growth, realize how much they truly complement each other and need the other to balance them, and match them.
Alan’s life is defined by what he would sacrifice and give to take care of his family; Jack’s is defined by the sister he couldn’t save. Alan has spent so long caring for others he can’t imagine letting go and being cared for; Jack has been selfish and has had everything he wanted handed to him, yet he wants nothing more than to be able to protect those few he actually does care about. While not the most important element of the story compared to the heart-racing plot, this thematic undercurrent supports the heart of the novel.
There are SO many good twists, turns, reveals, and secrets in this story I feel the need to reread it again immediately. The intense “Oh shit!” moments I thought would happen at the end of the book started happening at 40% in and my mind was blown at where the story could possibly go from there. Despite this, I never felt lost or like I had no idea what was going on since the groundwork has been impeccably laid. I want to spend 15 minutes in Freya Marske’s mind just to bask in all these incredible ideas.
Last but not least, Alan and Jack’a sexual escapades are among the best I’ve ever read. I have adored Marske’s sex scenes since day 1 because I find them so deeply informative to the characters and they tell us so much about the relationship dynamics, and APU exemplifies this in the extreme, while simultaneously being the absolute hottest filth you have ever read. I was listening in the car during the study scene (IYKYK) and I think my mouth was hanging open for the whole thing in delighted shock.
I’m afraid I won’t ever read another book quite like A Power Unbound, a title so chillingly perfect for this story I’m kind of in awe I didn’t see how good it was until after I finished it. But if Marske keeps publishing books, I really hope I do.
Take this with a grain of salt due to recency bias as I don’t think anything could actually ever top A Marvellous Light for me BUT I did love how perfect a conclusion this story was, especially with the way it brought together all three story lines. The small call backs and the way this story flowed out perfectly from the paths already carved by the previous two made it a completely masterful novel.
A Restless Truth was a great book, but I missed Robin and Edwin. Having the entire gang together and watching this ragtag queer crew (Adelaide Morrissey is an asexual icon IMO) band together made this story electric in a way I missed in ART.
I really think Jack and Alan were the absolute perfect combo to complete the Last Binding trilogy. The chemistry was off the charts incredible, and I loved how they were such perfect foils for each other, highlighting both of their strengths, weaknesses, and growth. And in that growth, realize how much they truly complement each other and need the other to balance them, and match them.
Alan’s life is defined by what he would sacrifice and give to take care of his family; Jack’s is defined by the sister he couldn’t save. Alan has spent so long caring for others he can’t imagine letting go and being cared for; Jack has been selfish and has had everything he wanted handed to him, yet he wants nothing more than to be able to protect those few he actually does care about. While not the most important element of the story compared to the heart-racing plot, this thematic undercurrent supports the heart of the novel.
There are SO many good twists, turns, reveals, and secrets in this story I feel the need to reread it again immediately. The intense “Oh shit!” moments I thought would happen at the end of the book started happening at 40% in and my mind was blown at where the story could possibly go from there. Despite this, I never felt lost or like I had no idea what was going on since the groundwork has been impeccably laid. I want to spend 15 minutes in Freya Marske’s mind just to bask in all these incredible ideas.
Last but not least, Alan and Jack’a sexual escapades are among the best I’ve ever read. I have adored Marske’s sex scenes since day 1 because I find them so deeply informative to the characters and they tell us so much about the relationship dynamics, and APU exemplifies this in the extreme, while simultaneously being the absolute hottest filth you have ever read. I was listening in the car during the study scene (IYKYK) and I think my mouth was hanging open for the whole thing in delighted shock.
I’m afraid I won’t ever read another book quite like A Power Unbound, a title so chillingly perfect for this story I’m kind of in awe I didn’t see how good it was until after I finished it. But if Marske keeps publishing books, I really hope I do.
Content Warnings
Graphic: Cursing, Death, Gore, Gun violence, Homophobia, Physical abuse, Sexism, Sexual content, Violence, Blood, Kidnapping, Murder, and Injury/Injury detail
Moderate: Vomit, Grief, Fire/Fire injury, Alcohol, and Classism