Reviews tagging 'Adult/minor relationship'

Weyward by Emilia Hart

100 reviews

melapfl's review

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dark emotional mysterious reflective slow-paced
  • Plot- or character-driven? A mix

3.0


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itsbecca's review against another edition

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dark emotional inspiring fast-paced

5.0

obsessed. this was so beautifully written. some of the most descriptive writing about nature i've ever read - it was so visceral. i loved each of these women and their stories and love a good for her

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ksilvio's review

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challenging dark inspiring tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.0


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cuppajo16's review against another edition

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dark tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.75


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icecreamsoldier's review

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mysterious fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

1.0

I really tried to like this book as I saw great reviews everywhere, however I think this book is my on my top worst books. There’s spoilers ahead :
The premise of the book is to tell women’s stories on different periods that are tied together not only for being women, but also related and witches. I enjoyed reading Altha and Violet (to an extent), however I found myself dreading whenever I had to read a chapter about Kate. I felt that her character was very one dimensional and it could have been interesting learning along Kate who Kate is, specially after loosing all of herself in an abusive relationship, however  we just get a very one dimensional Kate who is constantly stealing from her dead aunts closet and the only thing she can think about is the baby, (do it for the baby, the baby needs this, etc) and when her whole role is not being a pregnant woman she is just blatantly dumb. That tied with the fact that I don’t understand how Kate belongs to the witchcraft lineage as she is not the daughter of the first woman born but instead her father is Graham’s son who is Violet’s brother so she fits through this lineage because of men.
The other characters while their stories where more interesting and more developed I still had a lot of issues with them for instance this is supposed to be a book about feminism however Violet feels like “I am not like other girls” by bashing on other girls who wear skirts.
Altha on the other hand was my favorite character, and I really enjoyed her queer romance with Grace, however at the end she just gets the “seed” of a man just so that she can be pregnant and continue the lineage of women in her family (Which honestly as a lesbian woman it felt like a slap to the face). All of these stories really just made me feel as if a woman will only reach their true potential and be fulfilled through motherhood, as Altha the only queer character in the book gets pregnant, Violet who aborts her first daughter as it is from the conception of a rape even though she is very successful in her career and life she feels like something is missing and was the chance to be a mother (and it’s confusing why she could not have had another baby, since based on Kate’s story it is unclear whether the witches only the first women born, or is it all the women? What is wrong with having a boy and teaching them to be better? Or what about adoption or other sources of being a mother figure?), and Kate which the only thing she talks about is her pregnancy. 
The writing at times was overly decorated ranging from cliche phrases and absurd amount of insect metaphors (we get it all these women love insects). Finally this book while I understand that is telling the stories of women abused by men it felt like it fell under the spectrum of “all men are bad” and even the ones that weren’t like Graham they are defined as like “okay”. I am not saying we should give a cookie to every man that is not an abuser however I think this problem is not a problem that could be solved by segregation of the woman but instead of teaching men to be better

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courtsnovellife's review

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challenging dark emotional mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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missjaward's review against another edition

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dark mysterious fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

SPOILERS AHEAD three women's stories from different age spans.

In 1619 Althea is on trial for potential witchcraft, accused of putting a spell on her friend's husband, John, to kill him after finding out he was abusing his wife (Althea's friend Grace who was being beaten up because she could not provide him with an heir), Althea is actually involved in his death by proxy when 'her' crow causes his cows to stampede and kill him. Althea is found not-guilty in trial and very bizarrely at the end invites a local boy into her house to have sex with her one time so she can get pregnant and have a daughter. That was a bit weird.
 
Violet 1942 - doesn't know much about her own dead mother and lives a lonely life in a grand house. Her cousin comes to visit and rapes her (let's not forget not only was she a child but this is quite incestuous). When she becomes pregnant she is cast out of the family home into her mothers old poor cottage where she finds her mother old 'recipe/concoction' books and induces her own miscarriage. Its never really explained why her father chose the mother in the first place as she was obviously from such poor background and never seemed to care about her. Why would a man with all the riches and wealth choose someone like her (who he himself calls strange) without actually being truly in love with her? She lives the rest of her life without children but has visions of her brothers kid suffering in the future (she sees visions of a car accident and a horrible man), so she chooses to leave all of her possessions to her when she dies rather than try and make contact again. hmm.  the cousin also basically gets away with the rape, although it is alluded that Violet puts a curse on the family home so it is infested with bugs until her death

Modern day Kate - finds the courage to leave her abusive relationship when she realises she is pregnant. She flees in the night to the cottage left to her and tries to start anew. While I totally get fleeing the abusive relationship - there is no real thought to what is going to happen after the baby comes. Unless its reported in the right ways, the father is likely to find out and demand visitation because he is so controlling anyway. She also keeps blaming herself for her dad's death after he was hit by a car when she was distracted by a crow (the crow in question being her aunts - so really did she ultimately kill her brother?!) 

The endings of each story were pretty predicable. The only one I really didn't like was Altheas where it was so important to her to have a child that she just randomly bedded a guy from the village once so she could be impregnated. I quite liked the end of Kates story where she was able to almost use her witchy powers to have the birds and spiders attack Simon making him leave. I think I would have preferred more of the witchy elements rather than just the abusive men storylines but heyho.

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els04's review against another edition

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dark medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? N/A

3.0

 
De Weyward vrouwen. Door: Emilia Hart. 
 
De Weyward vrouwen doet wat aan de Owen zussen-serie van Alice Hoffman denken. Het gaat in beide gevallen over sterke wijze vrouwen (heksen volgens bepaalde mensen) die door de eeuwen heen met elkaar verbonden zijn. Een onderwerp waar, volgens mij, niet genoeg over geschreven kan worden. Ik hou van vrouwen, sterke, wijze vrouwen met kennis over de natuur. Noem het heksen, noem het Weyward vrouwen; ik ben fan. 
 
We maken kennis met Kate (2019), Violet (1942) en Altha (1619). Alle drie bevinden ze zich in een problematische situatie. Hoe ze zich daaruit (proberen) bevrijden en hoe ze daardoor verbonden zijn met elkaar ontdek je doorheen het verhaal. Frappant (en triest om te lezen): door de eeuwen heen blijkt er vaak niet veel veranderd voor vrouwen in het patriarchaat. 
 
Persoonlijk las ik liever de boeken van Hoffman, die raakten me meer en ik werd er ook meer door meegesleept. Hier bleef ik als lezer wat hangen aan de oppervlakte, werd niet echt in het verhaal gezogen. Hoewel het boek een heel boeiend uitgangspunt heeft en de sterke vrouwelijke hoofdpersonen in theorie helemaal mijn ding zijn. Het boek heeft zelfs een felroze binnen cover: yes! En toch… Graag gelezen en benieuwd naar ander werk van Hart maar niet helemaal van mijn sokken geblazen. 

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bmatth3's review

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dark emotional hopeful mysterious medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25


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hollydollyiow's review against another edition

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challenging dark emotional hopeful inspiring mysterious reflective slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.0

Magical, a perfect witchy empowering read, do check the trigger warnings tho!

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