Reviews tagging 'Murder'

Stay with Me by Ayọ̀bámi Adébáyọ̀

12 reviews

bookishkellyn's review against another edition

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sad tense
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

I thought this was just going to be a dual POV novel about an infertile couple (Akin & Yejide) and the second wife (Funmi) forced upon them in the tradition of polygamy. But the book’s synopsis barely touches on the real drama that unfolds in the rest of the story–lies, deception, infidelity, murder, death. Akin was THE most duplicitous character in the book. He reminds me of a quote: “Imagine the messiest person you know. It’s a man, isn’t it?” The plot twists were an A+.

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kefowler's review against another edition

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emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.25


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vedpears's review against another edition

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challenging emotional inspiring reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Loved this book. The story sucked me in right away and made me tear up and/or cry a few times. As a mother, there were certain plot points that struck very deeply. 

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cerilouisereads's review against another edition

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emotional hopeful sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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davidbythebay's review against another edition

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challenging emotional hopeful inspiring reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Absolutely brilliant! A lovely and devastating book that looks at a marriage from the 1980s through 2008, all with the background of Nigeria and its political turmoil. 

I first heard about this back in 2017 on NPR. I bought the book right before the pandemic started in 2020. And I finally read it now in September 2022. I do not know why I waited. If the discussion on NPR and the description wasn't enough, Margaret Atwood's Twitter review ("Scorching, gripping, ultimately lovely.") Should have really pushed this book forward for me as Atwood is an all-time favorite author of mine. But somehow I kept putting this off. 

First, let me say that it did take me a minute to get into the swing of things. By that I mean that sometimes Nigerian customs and phrases are used that usually have context clues or translations around where they are, but as I am fascinated by culture and language I often was paused by. Also, and more importantly, the story does have a dual POV which is never explicitly labeled at the start of a chapter. It was easy to pick up within the first paragraph or sentence who was talking, but it did throw me off a bit at first. 

The dual timeline (east Part begins in 2008 before going back in time to the 1980s and 90s) was easy to discern. It was very much a few chapters in 2008 with the majority of the book being a linear story of Akin and Yejide's marriage. What they went through was devastating and I won't go into it much here, but know that if you are sensitive to some topics, be warned.

Those "gripes" being laid out now, the whole book from start to finish was a captivating journey that really did sing off the page. It was lyrical and completely immersive. I learned a lot about Nigerian customs and traditions, as well as some history. This story, though, could really have been set anywhere at anytime. It is a universal story of marriage. The setting and timeperiod, however, added a whole other layer to the work and really was absolutely beautiful. Gorgeous prose sang off the page and left haunting images. 

The ending felt completely right and full. Though Part 4 is short, the book has led to this moment and you can feel it. There is a hope and a future that is shadowy and unseen, but there is a great feeling at the end that left me feeling elated by the book. 

Do not hesitate like I did... read this now! I see the author has a new novel coming out early next year. My plan is to not wait on that as I did this one. A new classic to be sure and a brilliant debut novel. 

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yoursaswell's review against another edition

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emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.5


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n_li_re's review against another edition

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challenging dark emotional sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0


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amberinbookland's review against another edition

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4.25


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deezy's review against another edition

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dark emotional hopeful reflective sad tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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ejb44's review against another edition

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challenging informative reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

 
Set in Nigeria during the 1990s and early 2000s, Stay with Me by Ayọ̀bámi Adébáyọ̀ follows Yejide and Akin on their troubled path to parenthood. The contrast between traditional family values and modern citizens breaking that norm permeates the book and is the centre of the conflict. The family are at cross-roads, with opinions rooted in Yoruba tradition and culture circling Yejide and Akin in their journey to conceive. 

Though mainly from the perspective of Yejide in the beginning, the book alternates between the two, so we read the raw emotions of both these adults as they are trying to conceive. The scale of emotional depth throughout the book is next to none, and for a debut novel, it is so raw and heart breaking that it often felt I was the protagonist going through the journey myself. 

The beauty of the writing, a style I would like to Purple Hibiscus, is what grounds the novel. Such detail to precision and a clear choice of words and plot is rare in best-selling novels and Adébáyọ̀ didn’t miss a beat in creating an enticing plot that had well developed characters and the right level of emotion to sustain the reader throughout. Adébáyọ̀ weaves the story in such a timely manner where each chapter unveils a new aspect to the story, a different angle or emotion for the reader to explore alongside the characters, and the quick pace of the novel never felt out of place. For a debut author to have such control of her writing is astonishing to see. 

My greatest joy when reading this book was seeing how flawed the characters were – time and time again, especially in marriages, writings will portray relationships as either toxic or perfect, with little room for complex analysis for themes of marital issues, divorce, cheating, infertility, child death and other more difficult subjects to discuss, but Adébáyọ̀ makes sure to centre these characters as flawed humans who are real and touchable. The book didn’t focus on who is accountable or who is to blame but just accepts that people are broken and don’t actually need fixing. This was a refreshing take on marriage, particularly marriages between African’s which often centre on African misconceptions (though, obviously, not untrue in some cases) like domestic violence and polygamy.  

The only thing that didn’t sit right with me was the ending, especially because I was so ready for this to be a five-star book. While I find it difficult to pin-point the actual reason why it annoys me so much, I thought the ending felt a little too simplistic and optimistic, especially when compared to the turbulence of the novel and the complex discussions and narratives that played throughout. I was gearing myself up for this novel to rip out my heart at the end, but in reality, I just felt numb to the ending, and perhaps that is my fault for always expecting the worst in novels. 

Overall, if you fell in love with the poetic language in Purple Hibiscus or want a novel that deals with Nigerian culture in the midst of their loose democracy being challenged, and also explores parenthood, polygamy and the dual narrative this book provides, I would highly recommend this read as it is so beautifully written. 


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