Reviews tagging 'Religious bigotry'

The Bee Sting by Paul Murray

2 reviews

znvisser's review against another edition

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dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

You know those romcoms where you can't help but shout: 'just communicate with each other!!'? Well, this is the family drama version of that. The Bee Sting follows four family members into each of their owns destruction. Despite starting out with a lot of teenage girl drama, this captured me immediately. For one because I’ve once been a teenage girl with a friend like Elaine - so I immediately hated her guts (in my case tho, I was 5 years younger and there was no crush involved); but secondly, it's the writing that drew me in, and while I usually get annoyed easily by authors skipping quotation marks it took me a while to even notice it here (although it was almost too challenging in the Imelda chapters that just threw all (!) punctuation overboard). I loved looking into the heads of these messy, self-absorbed family members who each had their own problems they kept strictly to themselves. This book is full of messaging and coincidences and parallels, and even though at some point it almost loses track of its characters being too busy with very explicit climate change warnings, it finds its way back to the Barnes family, pushing them towards each other again. These characters are haunted by the past and the flashbacks from Imelda and Dickie are an integral part of their story, if only because it provided insight into how this train wreck of a family was doomed already a generation before them. Because gosh, they were doomed, but if they would have actually talked to each other every once in a while none of them did have to be so terribly lonely throughout it all.

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reads_eats_explores's review against another edition

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challenging dark emotional funny reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

The Bee Sting opens with a tale of woe, “a man had killed his family” in another town, and “rumours swirled about affairs, addiction, hidden files on his computer.” Are these prophecies of what awaits the Barnes family, our multilayered protagonists?

The Barnes, oh, how can one small family have so many adversities to face? They live in an unnamed small Irish town and are struggling on so many levels; godawful for them but great for the storytelling.

In the wake of a recession, the Volkswagen dealership run by Dickie Barnes has seen sales plummet while also facing a surge in complaints about repair work. Does Dickie know more than he's letting on? In an effort to stick his head in the sand as far as the dubious business at the garage goes, he retreats into himself and the woodlands behind their house, where he attempts to create a ‘safe zone’ where they'll be safe when not if the shit hits the fan.

A disgruntled client’s son threatens to beat Dickie’s boy, PJ, with a hammer. PJ sinks deeper into loneliness and online gaming forums, where he gets befriended by a profile that reeks of malevolence.

PJ's sister, Cass, flounders with her capricious best friend, peer pressure, leaving cert stress and the demon drink.

Their mother, Imelda, bears the brunt of the neighbours’ schadenfreude. She stops her beloved online shopping (her one true joy) and worries that she has somehow caused this rake load of trouble through a family curse.

Told through these multiple points of view in chapters narrated by each character, we get the modern day tale with plenty of historical flashbacks thrown in.

These flashbacks mostly reveal the poverty and old passions that shade Dickie and Imelda’s rather uneasy marriage.

All the characters are well developed and paint their own grim picture, but for me, Imelda’s sections are the stand out highlights. They are structured in the stream-of-consciousness style that really draws you in, from her early years of violence and poverty down “piggery lane” to her current predicament.

In this tragicomic behemoth read, Murray shows a great talent for blending humour and pathos. Yes, we trudge from bad to worse, with Murray tirelessly concocting fresh anguish for the Barneses, but there's a good dose of quintessentially Irish humour along the way. 4.5⭐

Many thanks to Penguin Books Ireland for an advance copy. As always, this is an honest review.

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