Reviews tagging 'Drug abuse'

The Girls by Emma Cline

50 reviews

reneetrinket's review against another edition

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adventurous dark medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

5.0


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annasophie's review against another edition

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dark mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25

3.25 - I liked the writing itself more than the story. I actually marked many phrases and passages because they stuck out to me, and I’m excited to explore more of Cline’s work. The setting was what drew me to the novel originally; there’s just something about 20th Century southern California, no matter the exact decade, that fascinates me. Truly one of my favorite geographical settings for stories, especially since I cannot think of one happy, non-depressing, non-messed up story set in Cali off the top of my hat. Somehow the Californian atmosphere just demands gloomy stories that palpably feel like inhaling the dark, heavy smog on a hot day in LA. 
The idea of taking the Manson Family and the infamous murder of Sharon Tate as starting point was also incredibly intriguing to me but I just couldn’t fully get into the plot. I guess I’m just not big on the pairing of little girls, drugs, sex, abuse and manipulation, even in a story that’s as intriguing as the Manson Family. I love the exploration of dark psychology, trauma, and all things, except when it involves underage girls. Maybe it’s because I watched the movie 13 when I was way too young and now I’m just over those stories. It’s a good book, it’s very well written, but it just wasn’t for me.

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yeolliesutr's review against another edition

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adventurous challenging mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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mybookfix's review against another edition

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dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

3.0


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grboph's review against another edition

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dark emotional reflective medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

This was the first book I finished in 2022, and it was a very good one!! I have been very fascinated with cults recently, and this was a good deviation from a lot of the nonfiction things I have been using to learn about them (the cult in this book is clearly based on the Manson Family). Emma Cline is a wonderful writer, and it is somewhat hard to believe that this was the first book she ever wrote. I found Evie to be a very interesting character, and I think she had a good arc. The thing I liked the most about this book was that Evie felt very relatable, which was nice for me since I hadn't really encountered many teenage-girl characters like that in adult novels before. Then that scared me a little because I realized that maybe I could have fallen into something like Evie did if I had found myself in the wrong place at the wrong time when I was that age. I don't know if this was something Cline did on purpose, but either way, it made the book all the more thought-provoking. Overall, The Girls was a unique and engaging book and I enjoyed every second I spent reading it. I would recommend this book to anyone interested in cults or the 1960s as a time period, or anyone looking to read a unique story of any kind.

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nykolereads's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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ali7's review against another edition

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dark emotional reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5


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readingrainbow_butmakeitspoopy's review against another edition

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dark sad tense

3.75


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bookspace's review against another edition

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dark emotional mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Loveable characters? No
  • Flaws of characters a main focus? Yes

5.0


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samflowerv6's review against another edition

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challenging dark mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

gritty and disturbing which is what the author was going for. accurate representation of attention seeking behaviors in young girls and how that can impact their relationships with men.

“That was part of being a girl--you were resigned to whatever feedback you'd get. If you got mad, you were crazy, and if you didn't react, you were a bitch. The only thing you could do was smile from the corner they'd backed you into. Implicate yourself in the joke even if the joke was always on you.” 

“That was our mistake, I think. One of many mistakes. To believe that boys were acting with a logic that we could someday understand. To believe that their actions had any meaning beyond thoughtless impulse. We were like conspiracy theorists, seeing portent and intention in every detail, wishing desperately that we mattered enough to be the object of planning and speculation. But they were just boys. Silly and young and straightforward; they weren't hiding anything.” 

“So much of desire, at that age, was a willful act. Trying so hard to slur the rough, disappointing edges of boys into the shape of someone we could love. We spoke of our desperate need for them with rote and familiar words, like we were reading lines from a play. Later I would see this: how impersonal and grasping our love was, pinging around the universe, hoping for a host to give form to our wishes.” 

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