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dark emotional mysterious tense fast-paced
Plot or Character Driven: Plot
Flaws of characters a main focus: Yes

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adventurous dark tense fast-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: No

Freida McFadden knows how to hook readers from the beginning. Her books are easy to read, and they entertain.

Tegan is eight months pregnant. She's alone and desperate to leave her old life behind. She plans to stay with her brother until she figures out what to do with her life. While heading toward her destination, a snowstorm catches her stranded. Trapped in her car with a broken ankle, Tegan is rescued by a couple who offer their cabin as shelter until the storm passes. But what seemed like a safe haven could turn out to be dangerous for her and her unborn child.

The book reads quickly, and the short chapters help to fly through it. However, it felt like a formulaic thriller.   

The writing style itself feels very on the nose. The author wants an unreliable narrator, but Tegan's constant paranoia and suspicion of everyone become repetitive and exhausting. The situation is already tense and frightening, but the protagonist's incessant thoughts about being in danger and not trusting anyone feel like an over-explanation. It's as if the book is telling us to be scared, instead of letting the situation create the fear. This constant back and forth, where Tegan says she's scared but then tries to convince herself she's overthinking, only to end the chapter with a revelation that confirms her fears, feels like a narrative trick that gets old quickly.

The book has two POVs: Tegan's and Polly's. The problem is that they often narrate the same scene from different perspectives, which defeats the purpose of having distinct POVs. Tegan makes assumptions about her experiences, which Polly's chapter reveals to be entirely unfounded. This undermines Tegan's perspective, making reading the pervasive, unfounded paranoia tiresome. Furthermore, having Polly's point of view takes away a lot of mystery from the entire post-crash plot.

I did enjoy Polly's chapters. She is so crazy that it makes me laugh. Tegan, however, is too repetitive and paranoid. But she is intelligent, doesn't sit still, and is decisive. Seeing her plotting against her capture and being smart about it was refreshing.

I'm not disappointed, but I'm not impressed either. It's a fun ride, but not a memorable one. 

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challenging dark tense slow-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

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challenging dark emotional mysterious sad tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

HIGHLY recommend!!!  

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not my thing but a fun, quick read. I feel it reads as more of a first draft a lot of editing needed to happen and didn’t. also extremely predictable. “Little tuna” and the baby voice were so incredibly annoying and hearing tuna over and over annoyed me. 

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emotional mysterious tense slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: Yes

The second that I read this was a thriller based on a snowy road trip, I downloaded the audiobook. Something about road trip thrillers (Five Total Strangers, Five Survive, etc.)...

I'm actually glad this book wasn't cliche. There were some plot twists that I genuinely didn't expect. Somehow, though, Freida made the plot twist a small thing that easily could have been overlooked. I'm not sure, but maybe it was a bit rushed at the ending. I don't know. I'm not a published author.

I liked the characters, though, and Tegan's connection and love for Tuna. The name she chose in the end was low-key hilariously white-girl though (I'm white too..).

Overall, I wasn't on the edge of my seat too much, but I definitely was interested enough to want to keep reading. It was a good book.

While I think it does fit into the thriller category.. maybe... It wasn't too thrilling or crazy or terrifying, except for maybe the expectation I had for the hammer scene.

I own the rest of her books and I'm sure I'll read them too.

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slow-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

I should have dnf’ed this one when Tegan started referring to her unborn baby as “little tuna”. 

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dark emotional mysterious sad tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: N/A
Flaws of characters a main focus: Yes

Characters had me wanting to punch them through the screen
Rollercoaster of assumptions

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dark emotional sad tense medium-paced
Plot or Character Driven: N/A
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Inconsistent narrative with the plot that didn't make much sense. "The incident" wasn't as juicy as they made it out. 
Twist at the end was nice. 

Expand filter menu Content Warnings
dark mysterious tense medium-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Overall I enjoyed this book, but the start (and the epilogue) I didn’t particularly like. At the start, before anything bad has even happened, the author keeps trying to fake you out with scary scenes that never eventuate. In universe, our protagonist has every right to be paranoid (given what’s happened to her before the story starts + being pregnant), but it felt cheap and honestly quite silly at times. Every single character our protagonist sees she immediately fears the worst of and devoted two-to-three paragraphs catastrophising about.

The larger middle of the story (Parts II through to IV) are where the story shines better, although I am annoyed we still live in an age where mental health and infertility are vilified for easy horror story villains. Someone suffering from mental health is FAR more likely to hurt themselves than others, and the handling of sensitive topics (
suicide
) in this story falls very short of being respectful.

However, I found it refreshing to see multi-POVs used for a horror, even if a lot of the story hinges on misunderstandings that could have been resolved if people actually spoke to one another. The characters’ actions felt consistent, except for Tegan’s boot.

The twists were either too obvious, or the hints were done really well and I got them all. Hard to tell how much I was meant to be shocked by.

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