bloodmaarked's review against another edition

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emotional mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

aggressively mid. i won't remember this book by the end of the year.

✧ full review on my tumblr

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the_true_monroe's review

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adventurous challenging dark funny hopeful mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

This book is a tough one to process, in a good way. I never read anything like it, where the narrator goes in between directly telling about the day to day lives or specific events that occurred in the lives of 2 sisters, their mother and father, to telling stories of mythical creatures (often the family would tell these stories), to combining both to where you were made to wonder what was meant to be part of a mythical retelling or was happening in the moment in terms of interactions of the mythical and magical creatures with the family.

The magical realism is used to address and emphasize experiences surrounding coming of age, cultural identity, gender and sexuality, racism, trauma and what I think was one of the most defining themes (as it interacted with each of the ones I mentioned prior): generational trauma. 

I found this books thanks to Storygraph’s Around The World Challenge- representing Trinidad (this book takes place in Brooklyn, NY, Jamaica and Trinidad).

Definitely will be looking for more written by this author to enjoy!

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bandysbooks's review against another edition

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challenging dark informative mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

I came across The Human Origins of Beatrice Porter And Other Essential Ghosts while researching books for my Book of The Month prediction videos. It was a book that I predicted would be a good selection for their box due to its exploration of familial bonds, exploration of Caribbean storytelling, and mix of real life and magical realism (although it wasn't one that ended up being picked). In reading and researching, it sounded like something I would enjoy and I added it to my To Read In The Future list. Then I came across a listing for the audiobook on Netgalley and figured it must be a sign.

This book is both similar and different from several books that I've previously read. In some ways, it reminds me of Maame, Black Cake, and a handful of other books. What's familiar is the exploration of a family and their immigration story. We see things through the perspective of the younger members of the family and not always from a place of understanding. Familial relations aren't always perfect and the parents don't always meet the needs or expectations of their children, but they try. We also come to understand all of the things the parents sacrificed to give their daughters the life they have.

Where this book is quite different to those that I've compared it to is in the elements of magical realism and folklore that are incorporated throughout this book. I loved hearing the different stories and how they blended into the reality that this family was living. I loved that the father was a major storyteller as it really helped me to understand him and the ways in which he views the world. 

I also really loved learning a bit more about both Jamaican and Trinidadian culture. I've read a few books set in Jamaica or that explore Jamaican culture, but this was my first time reading a book about Trinidad and Tobago.  

My only real critique of this book was that I did find that parts of it dragged a bit, particularly in the beginning. The book was a bit of a slow start and it took me awhile to fully engage in the things that are happening. I think that as the magical realism elements and self-identity discussions began to take place, I became much more invested in the book. 

All in all, if you enjoy familial explorations, folklore, magical realism, and settings across the Caribbean and United States, you will likely enjoy this book. This was a very good debut and I expect that Soraya Palmer is a name you will be hearing more in the future. 

As for the audiobook, I enjoyed the narrator and felt that everything was easily understandable. I am not the right person to judge the authenticity of the accents she did for the Caribbean characters, but to my untrained ears they sounded good and still quite understandable. I would definitely recommend the audiobook to anyone interested. 

*Thank you to Netgalley, Soraya Palmer, and Dreamscape media for this audio-ARC. Reception of this ARC in no way affects the objectivity of my review.

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nini23's review against another edition

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  • Loveable characters? No
  • Flaws of characters a main focus? Yes

3.25

The opening is smashing and I like the cheeky cynical omniscient narrator. However, this novel reads young and the narrative unravels about two-thirds in. The folklore of Anansi, Dglo, the Rolling Calf, soucouyant and douen intertwine to make sense of life for a pair of American sisters with Jamaican Trinidadian heritage growing up in a chaotic household. Their home life is marred by domestic violence and infidelity by their father Nigel on their mother Beatrice.  The narrator from Anansi Stories promises to make us not hate the father by telling us more backstory. I still dislike Nigel for abandoning his first family and mother.

Let's talk about mothers. Being lgtb or a blocked young writer does not give teens an excuse to not be there for your mother.
Especially if she is terminally ill with cancer and wants to spend more time with you
Teenage angst does not eclipse everything. A lot of dramatics with little substance. The daughters weren't there to support their mother, the sisters didn't prop each other up, I am really not sure where the empowerment is.

There are a substantial number of lgtb characters - Harold (Nigel's brother is homosexual {his death still doesn't explain why Nigel is an ass}), Beatrice (I'm guessing she's bisexual or the lesbian part was beaten out of her by her mother), Sasha (lesbian or trans, unclear), Shay (trans)


I like the anti-colonial points made. That scene at the Jamaican restaurant is electric! 👍to the Trinidadian English dialogue.

Overall, I much prefer When We Were Birds by
Ayanna Lloyd Banwo

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