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saintsunshine's review
adventurous
hopeful
reflective
relaxing
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? N/A
3.75
I wanted to desperately to love this book. It was one of the first recommendations I received on this app and I had dreams about it until I finally picked up a copy at the library.
For starters, I had just finished Frank Herbert's Dune and was craving a traditional fantasy novel. I had prided myself on absorbing myself in Herbert's engrossing world and concept, but nothing could have prepared myself for the complexity of Addison's fantasy world. Don't let the middle-grade appearing hardcover fool you, this is an adult fantasy – not in that it's explicit in nature, but I can't imagine this was written for anyone without a fully formed adult brain.
Despite the story being small in scope, Addison's level of world building is incredible – sometimes to my own detriment. Maybe it's because I took breaks between reading, but I was often lost while reading. There are a many different characters, places, and fantastical concepts that fly by and not even the index helped much with. Political intrigue is the backbone of this book. While there was a murder involved, the book is almost entirely absent of mystery or suspense, save for the attempts on the protagonists' own life.
That leads me to Maia, the novels titular goblin protagonist. I adored Maia and genuinely enjoyed watching him grow as a character. Still, it was sometimes hard to empathize with his struggles when so much was happening around him, and he didn't make many notable connections until the end of the book.
Speaking of which, this book is tagged with 'LGBTQ+' which is almost a lie. I was convinced in having saw this that Maia would eventually fall for Czevet or Cala (I swear there are hints towards the former) but no such relationship developed. This is not to say I'm angry this didn't play out, but I don't think off-handed comments about same-sex lovers warrant this tag. It's entirely deceiving.
Anyway. I'm satisfied with my time with this book. Perhaps I'm just an idiot to understand much of what was happening, but I enjoyed it nonetheless. I must also mention that I read along to the audiobook narrated by Kyle McCarley, who has an amazing voice and range of voice talent – his performance truly elevated my experience with this book and I wish this guy could narrate everything I read!
Miss Addison you better stop writing side novels and finish this series!!
For starters, I had just finished Frank Herbert's Dune and was craving a traditional fantasy novel. I had prided myself on absorbing myself in Herbert's engrossing world and concept, but nothing could have prepared myself for the complexity of Addison's fantasy world. Don't let the middle-grade appearing hardcover fool you, this is an adult fantasy – not in that it's explicit in nature, but I can't imagine this was written for anyone without a fully formed adult brain.
Despite the story being small in scope, Addison's level of world building is incredible – sometimes to my own detriment. Maybe it's because I took breaks between reading, but I was often lost while reading. There are a many different characters, places, and fantastical concepts that fly by and not even the index helped much with. Political intrigue is the backbone of this book. While there was a murder involved, the book is almost entirely absent of mystery or suspense, save for the attempts on the protagonists' own life.
That leads me to Maia, the novels titular goblin protagonist. I adored Maia and genuinely enjoyed watching him grow as a character. Still, it was sometimes hard to empathize with his struggles when so much was happening around him, and he didn't make many notable connections until the end of the book.
Speaking of which, this book is tagged with 'LGBTQ+' which is almost a lie. I was convinced in having saw this that Maia would eventually fall for Czevet or Cala (I swear there are hints towards the former) but no such relationship developed. This is not to say I'm angry this didn't play out, but I don't think off-handed comments about same-sex lovers warrant this tag. It's entirely deceiving.
Anyway. I'm satisfied with my time with this book. Perhaps I'm just an idiot to understand much of what was happening, but I enjoyed it nonetheless. I must also mention that I read along to the audiobook narrated by Kyle McCarley, who has an amazing voice and range of voice talent – his performance truly elevated my experience with this book and I wish this guy could narrate everything I read!
Miss Addison you better stop writing side novels and finish this series!!
Content Warnings
Graphic: Self harm and Suicide
Moderate: Grief, Murder, Kidnapping, Death of parent, and Emotional abuse
Minor: War, Fatphobia, and Sexual violence
brnineworms's review against another edition
emotional
hopeful
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
I suppose I’ll start with a note on this book’s use of language: I found the grammar easy to understand, but the vocabulary not so much – unwieldy words like “Nazhmorhathvereise” and “Untheileneise’meire” disrupted my reading, and there are a lot of characters with confusingly similar names. The worldbuilding could have done with a little more depth, I think, though I do appreciate the steampunk flavour (clocks are a recurrent motif, and airships are prominent too). The story is largely confined to imperial palaces, so we don’t get to see the intricacies of everyday life in the Ethuveraz – rather, we learn about court etiquette and the inner workings of the government, which isn’t for everyone.
Maia, the protagonist, is by far the most fleshed-out character. He doesn’t have a lot of influence on the direction of the plot but, at the same time, his thoughts and feelings are the focus of the story. This book is something of a Maia character study.
I’ve seen other reviewers both fawningly and disparagingly call Maia a cinnamon roll who can do no wrong, but I don’t read him that way at all. In fact, Maia can be pretty awful at times. He crashes a funeral to make a point, with little to no regard for the mourners he’s intruding on. He bullies a messenger boy and then feels bad about it, not because he hurt the boy’s feelings but because doing so made him look bad. He has absolutely zero sympathy for a girl who, in his words, “let herself be bullied” and actually punishes her for it. Truly awful. But, in a way, these flaws make him a more compelling character. Maia is a young man struggling not only with unexpected responsibilities, but also with his past. For years he had been the victim of severe abuse, but now he has a great deal of power and doesn’t know what to do with it. The instincts he developed in order to survive and cope aren’t fit for this new situation he finds himself in, and so he ends up lashing out simply because he can, and fretting over others’ opinions of him because he fears their judgement. He straddles the line between being likeable and unlikeable, but I can’t say he isn’t sympathetic.
And while I’m discussing Maia’s moral failings, I would be remiss not to mention the fact that he’s an emperor with dozens of servants tending to his every need while, in the background, children die in workhouses. Which brings me to this book’s politics.
Here we see that common fantasy trope that all the world needs is a Good Monarch™ to set things straight, unlike those Bad Monarchs who do evil. The good are good and the bad are bad, and power in the hands of a good man can only be a good thing. Blah blah blah. I don’t buy it. And there are characters in the book who don’t buy it either. One of the major antagonistic forces is a group of radicals – terrorists – who assassinated the previous emperor and now have their sights set on Maia. They are motivated by an ideal called “Universal Ascendance” wherein “no man holds power over any other,” which is apparently “a cloud-fancy” at odds with human nature (or elf/goblin nature, I guess). The less radical adherents of this ideology believe in the perpetual accumulation of power which thereby facilitates ascension to godhood (a real-world analogue could be capitalism, perhaps?) but of course it’s the leftists who are wicked and insane. I’m not saying they’re right to plant bombs but they are right to oppose the emperor.
Towards the end of the book the threat is declared over simply because it’s time to wrap things up. It’s a pretty clumsy conclusion that doesn’t make any sense in-universe. But I suppose it’s not important. Like I said, this is an exploration of Maia’s character more than anything else. The plot (if you can call it that) is secondary.
Considering I’ve spent so long picking apart The Goblin Emperor’s flaws and shortcomings, you may be surprised to hear that I did enjoy the book. It’s well-written, it’s compelling, and though there are some aspects which irked me, it’s a good book overall. Though the story isn’t great and the political assertions are dubious, I appreciate Maia so much I can’t bear to give this book a low rating. I probably won’t read the rest of the trilogy, but I don’t regret reading this.
Content Warnings
Graphic: Grief, Blood, Bullying, Child abuse, Death, Emotional abuse, Death of parent, Misogyny, Physical abuse, Racism, Violence, Kidnapping, Self harm, Sexism, and Suicide
Moderate: Xenophobia, Ableism, Alcoholism, Body shaming, Classism, Fire/Fire injury, Homophobia, Injury/Injury detail, Murder, Alcohol, and Terminal illness
Minor: Fatphobia, Infertility, Suicidal thoughts, War, Adult/minor relationship, Animal cruelty, Child death, Domestic abuse, Pregnancy, Sexual assault, Incest, Miscarriage, Panic attacks/disorders, Sexual content, and Sexual harassment
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