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aseel_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Moderate: Sexual harassment, Body shaming, Child death, Child abuse, Colonisation, Death, Injury/Injury detail, Religious bigotry, Toxic friendship, Genocide, Gun violence, War, Blood, Kidnapping, Medical content, Rape, Torture, Violence, Vomit, Bullying, Fire/Fire injury, Murder, Slavery, and Toxic relationship
rebekah_t's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Colonisation, Gore, and Grief
Moderate: Slavery
sbbrown25477's review against another edition
Graphic: Slavery, Violence, and Death
Moderate: Racism and Torture
distraughtplant's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
The main issue I found in this book is that we could've had more insight and "behind the scenes" looks at why the Luca and Tourraine especially make the decisions they do. Sometimes decisions are made that don't feel like they ever have space to be processed because we glaze over the internal processes and struggles of the characters.
However! I loved this book. The Unbroken is loyalty and betrayal and heartbreak and revolution and political pressures and magic and a little bit of lust. It is gorgeous and heart wrenching and real. There are no moments any characters actions felt rushed or out of place. I love this book for it's perfect pacing, it's immaculate queer representation (and non binary representation! I NEED to see more of Niwai and their lioness). I love it most for it's many showcases of the complexities around human emotions and thought processes and why people may do the things they do. I also love it for it's calculated witholdings of full explanation. Humans don't always even know why they've done something, just that it feels it's the right way, or the only option. I love The Unbroken for it's raw depictions of humanity, which will stick with me long after the images of blood, shit, and gore fade away.
Graphic: Police brutality, Religious bigotry, Gore, Racism, Death, Colonisation, Violence, and Xenophobia
Moderate: Grief, Slavery, Classism, Cultural appropriation, Physical abuse, and Sexual assault
Minor: Alcohol, Confinement, Chronic illness, Cannibalism, and Animal death
talonsontypewriters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Murder, Gore, Gun violence, Slavery, Violence, Grief, Blood, Classism, Confinement, Xenophobia, Colonisation, Death, Injury/Injury detail, Police brutality, Racism, and War
Moderate: Chronic illness, Torture, Emotional abuse, Religious bigotry, Ableism, Medical content, Sexual harassment, Pandemic/Epidemic, Trafficking, Child abuse, Fire/Fire injury, and Kidnapping
Minor: Animal death, Child death, Vomit, Death of parent, Sexual content, Rape, Sexual assault, Suicidal thoughts, and Alcohol
Execution by hanging. Power imbalance in relationship (representative of colonizing government/colonized subject).cardanrry's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Colonisation, Murder, Kidnapping, Misogyny, Torture, Violence, Slavery, Classism, Death, and Racism
Minor: Rape and Sexual assault
bisexualwentworth's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The Unbroken is a military fantasy set in a fantasy version of North Africa (the former Shālan Empire) that has been colonized by fantasy France (Balladaire). It follows two point-of-view characters: Touraine, a Qazāli-born conscript of the imperial army, and Luca, the crown princess of Balladaire, and their complicated relationship with each other, both as individuals and as stand-ins and representatives for their nations and cultures.
I haven't read another fantasy novel that explores internalized oppression, empire, and white saviorism in quite the gorgeous and intertwined way that C. L. Clark does in The Unbroken.
When we first meet Luca, she is a princess and a scholar, passionate about doing right by her people—so that she can take the throne that is rightfully hers from her uncle the Duke Regent. As a scholar, she has theoretical knowledge of the horrors of empire. She expresses interest in and respect for Shālan culture in a way that no other Balladairan-born character does. These aspects of Luca endear her to the reader—and draw Touraine to her as the two women grow closer. And then she loses herself to the same colonizing impulses that she thought herself better than earlier in the novel.
When we first meet Touraine, all she cares about is the wellbeing of her fellow conscripts. They are her family, and she will do whatever necessary—even on behalf of the empire that took everything from them—to protect that family and do what she thinks is best for them. Unlike Luca, Touraine is fully grounded in the realities of her situation—and then her world shifts and expands. She makes mistakes. She fucks things up. And she is complex and heartbreaking and BRILLIANT. Touraine's growth over the course of this book stunned me. It made me feel so many things so deeply. Her entire mindset changes, gradually and painfully, over the course of the novel, without changing what makes up her essential self.
The worldbuilding is delicious. C. L. Clark obviously draws all of the aesthetics and language of both Qazāl and Balladaire from the real world, but she also incorporates trade, religion, political theory, and even disease in ways that make the world feel unique and fresh and lived in.
I don't want to talk about the plot too much because I think that readers should discover its twists on their own, but I cannot wait to discuss their book at greater length with more spoilers at some point.
My one real critique of this book is that I didn't feel like I understood the magic well enough for the heavy lifting it does in the climax and resolution of the book to be totally satisfying.
Additionally, if you are looking for romance, this is the wrong book for you. To be clear, it is VERY sapphic. And if you enjoy hot women with swords, you are absolutely going to eat this shit up. But I would not call the extremely fraught entanglement between the two main characters romantic. It is far more complicated than that, and I feel like boiling down Touraine and Luca's dynamic to the sexual or romantic desire of it would be an insult both to Touraine's character and to the overall goals of the novel. There is not a romance between the leads in this book, nor should there be.
There IS a sapphic side couple in this book that will likely break your heart, though.
Oh, and HOLY MOMMY ISSUES OH MY GOD.
Favorite quotes:
- "Maybe she had been a dog all this time, but she was ready to fight back."
- "It was easy to be a villain when she felt like on inside."
- "A smattering of applause. Less than she'd hoped for, more than she had any right to expect."
It likely goes without saying that this book handles its diversity brilliantly. The world is queernormative and seemingly lacking in any sort of gender roles, but it has all of the other violences and bigotries and evils of our own world. Luca is physically disabled, and the book handles her disability beautifully.
C. L. Clark is the sort of writer I want to be. I can't wait to read The Faithless.
Graphic: Gun violence, Death, Violence, Colonisation, War, Slavery, Murder, Racism, Blood, Gore, and Torture
Moderate: Xenophobia, Religious bigotry, Racial slurs, Child abuse, Sexual harassment, Kidnapping, Sexual assault, Rape, Grief, and Terminal illness
This is a very heavy book overall. One of the very first scenes is a hanging. Be prepared for that sort of thing throughout, and if that sounds like too much, it is likely not the book for you.solenekeleroux's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: War, Colonisation, Confinement, Blood, Murder, Slavery, Kidnapping, Racism, Violence, Death, and Gun violence
Moderate: Sexual harassment, Sexual assault, Ableism, and Torture
vivavia's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Animal death, Death, Medical trauma, Murder, Vomit, Sexual harassment, Sexual violence, Blood, Terminal illness, Injury/Injury detail, Colonisation, Bullying, Kidnapping, Toxic friendship, Violence, Classism, Emotional abuse, Grief, Gore, Physical abuse, Rape, Sexual assault, Torture, Toxic relationship, Confinement, and Slavery
fclancy93's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Of friends and of faith
Or of watching it all fall
Graphic: Colonisation and Death
Moderate: War, Violence, Kidnapping, Grief, Blood, Animal death, Racism, Injury/Injury detail, Slavery, and Sexual harassment
Minor: Vomit