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sunflower_emily98's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Moderate: Ableism, Blood, Cursing, Death, and Torture
liminal's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
My only beef with this novel is that some key elements felt rushed, and I had to go back and re-read a few chapters. Sometimes it wasn't clear who was speaking. Also I didn't feel like Touraine got a real chance to establish her badassery before she was thrown into fish out of water. Her loyalty to the sands felt a bit stop/start but then as an ADHD person I absolutely forget groups of people that deeply matter to me so.
However I absolutely felt for her and got so angry on her behalf throughout the whole novel. There were amazing scenes that had me cheering and passages I want to go back and annotate. As a debut novel this is stellar and I would recommend to fans of the Baru Cormorant series, Sabaa Tahir, and anyone looking for queer fantasy that doesn't focus on romance. Steer clear if you're looking for books without exploration of colonialist/racism.
Graphic: Forced institutionalization and Violence
Moderate: Blood, Xenophobia, Violence, Toxic relationship, Death, Slavery, Sexual assault, Sexual violence, Cursing, Bullying, and Religious bigotry
Minor: Fatphobia, Torture, Sexual assault, and Sexual violence
callmekt's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
Graphic: Blood, Death, Gore, Slavery, Torture, Trafficking, and Violence
Moderate: Confinement, Cursing, Excrement, Grief, Hate crime, and Murder
Minor: Sexual assault
One of the main characters was taken as a child and educated in the "civilized" manner of her captors. She, and the rest of her brethren, are slaves. The sexual assault is an attempt and referenced multiple times, mostly in the first half of the book.bananly's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Blood, Death, Murder, and Gore
Minor: Rape and Torture
azrah786's review against another edition
3.5
**I was gifted a copy by Orbit Books UK in exchange for an honest review**
CW: depictions of colonial violence, gore, past attempted rape, threats of rape, threats of torture, blood, death
The Unbroken is a North African inspired political and military fantasy following a conscripted soldier of a colonist empire returning to her homeland in order to aid in quelling a rebellion, and an imperial princess determined to establish peace in said region in order to reclaim her throne. It's a story about power and about freedom that unapologetically addresses the brutal effects of war and colonialism to people, place and culture.
“It’s in our nature to doubt. The key to faith is standing by someone anyway.”
Some of the initial concepts of the story gave me vibes of The Ember Quartet which had me invested immediately, though it is a unique story from the get go.
The story unfolds with the Balladairan Colonial Brigade arriving on the docks of the capital of Qazal and we instantly get a sense for the animosity and prejudices between the communities present; the conflicting feelings and loyalties of the ‘Sands’ – those soldiers who were stolen as children and indoctrinated to support the empire– and the discrimination these soldiers face from all sides.
“Touraine was starting to think it was impossible to come from one land and learn to live in another and feel whole. That you would always stand on shaky, hole-ridden ground, half of your identity dug out of you and tossed away.”
The world-building and setting take parallels from real world history but have an added whisper of magic, and the immersive storytelling allows us to discover this elaborate fantasy world hand in hand with the characters.
Pacing-wise, this book was definitely slower than I initially expected – more politically focused than action heavy. Though Clark’s writing has a beautiful and at times poetic quality to it without being overly flowery, which I really loved. There were so many spectacular quotes in this book!
The primary characters themselves are wonderfully complex and nuanced. I particularly loved following Touraine's story arc and her coming to terms with her identity and where her loyalties lie - with those in the only life she has known or with those from the home she has forgotten. You know the character is well written when your heart hurts for them and gets frustrated by them and their actions in equal measures.
“The thought still made her shudder with – what? Revulsion wasn’t right, and neither was fear. It was the sense that she had been walking a broad path along a cliff only to find it was a bayonet’s edge. She was just waiting to be pushed.”
What I was left uncertain about though was the relationship between the two protagonists. There was definitely an interesting connection between them but I wasn’t convinced it worked well enough to be a romantic one.
For starters there was an unbalance of power between the two of them that didn’t sit well with me and then there were also a few time skips in the narrative when their relationship was developing which made it seem as though the hints of a romance ensuing were coming about too fast. Also I feel like the more familial relationships in the book were a lot stronger and more fleshed out particularly Touraine’s relationship with the other ‘Sands’ and Luca’s with Gillet. I feel like even the relationship between Touraine and The Jackal had more going for it!
The key fantasy elements are also not explored as much in this first book as I had hoped, particularly since a scene towards the beginning had me super eager to know more about the magic. This wasn’t really a major flaw since the political intrigue throughout was compelling in itself, but definitely something I am highly anticipating to discover more about it in the sequel.
Final Rating – 3.5/5 Stars
Graphic: Gore, Death, Torture, and Blood
Moderate: Rape
mandkips's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
3.25
Moderate: Death, Gore, Gun violence, Racism, Xenophobia, Religious bigotry, Rape, Sexual assault, Sexual violence, Slavery, Torture, and Trafficking
deedireads's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
TL;DR REVIEW:
The Unbroken manages to flip tropes on their heads and make big statements while giving fantasy lovers all the things they love: an underdog, a mystery, magic, and a world worth fighting for.
For you if: You’re looking for sapphic, BIPOC epic fantasy.
FULL REVIEW:
Here are the things you need to know to get excited for The Unbroken: It’s a sapphic epic fantasy novel set in a place based on Northern Africa about the brutality of colonialism. With disability rep. You in yet??
There are two main characters: Touraine, who is a conscript (read: slave) in the empire’s army, and Luca, the empire’s princess whose throne is threatened by her uncle. Touraine’s company and the princess arrive in Qazāl, the empire’s colony where Touraine was born before she was taken by the empire, to try to settle the local rebellion. Soon, Touraine finds herself in Luca’s employ as a negotiator, caught between two worlds (one she doesn’t know, and one who will never accept her), trying to find a way to protect her friends who are sure to be caught in any crossfire.
Let me tell you, this plot is a roller coaster. Soooo much happens. I actually did think that the book felt a little too long, but at the same time, I’m not sure what I would have cut. It’s filled with big, full characters faced with no good choices doing the best they can to achieve their own goals. It was full of action and twists and shocking moments and had a big, exciting ending.
The depiction of colonialism here is one place where it really shines — because it shows clearly that ultimately, there are no winners, just bloodshed. No good choices, only bloody ones. The impossible dichotomy between greater good and personal safety; the prospect of dying for a cause versus preserving a life that will be, but never quite how you want.
I also always love the power of fantasy to create worlds in which society’s view of gender and sexuality need not be bound by the norms and biases we face in real life. And this book does it very, very well.
A winner, for sure. I can’t wait to read the next one.
Graphic: Slavery, Racism, Torture, and Violence
Moderate: Ableism, Confinement, and Panic attacks/disorders
Minor: Sexual violence
thoughtsstained's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
- Touraine and the rest of the characters. For me, a book's characters make or break it. This cast within The Unbroken was so good that they didn't break the book. They broke me, instead. Touraine inspires me and frustrates me and baffles me and amazes me. Luca infuriates me and makes me want to shake her shoulders until she listens. And then you have a cast of secondary characters who I am attached to, broken by, opinionated about and have VERY intense feelings. Also, character arcs? Clark invented them, because these are MASTERFUL.
- A complex plot that doesn't shy away. If you've heard anything about this book, you've probably heard that it is a story that faces the consequences of colonialism head on and doesn't stop to make sure the readers are comfortable reading, instead digging down deep and showing you the truth in all of it's complexities. Yet, at the same time, it's so layered and becomes more and more complex the further along the book goes and just...wow. Wow.
- So hard to put down. Like, friends, it's been so long since I snuck in reading time wherever I could find it. From staying up too late and becoming a zombie the next day to sneaking in just one more chapter in-between meetings at work; to today, damned and determined to find out how this book ends, only to have my partner walk into the bathroom and ask if I'd noticed that the water had almost drained out of our bathtub while I read (I had and I was shivering, but I couldn't just get up; I only had 30 pages left!).
- QUEERNORM WORLD. I loved this so, so much. Also, seeing bi characters on the page just warmed my heart in ways I haven't really experienced yet.
Rating
Graphic: Gun violence, Violence, Racism, and Death
Moderate: Ableism and Torture
Minor: Rape
thesincoucher's review against another edition
Moderate: Torture
Minor: Rape
camilleareads's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
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The Unbroken by C.L. Clark is heavily influenced by the French colonization in Northern Africa. Firstly, I love how fantasy writers are exploring these historical atrocities in detail. From the Qazal slums to Balladaire’s rich district, Balladaire has destroyed the Qazal way of life not only by the land they stole but also the children who were stolen and the erasure of religion.
Touraine returns to Qazal as a Lieutenant and despite being a native of Qazal, all Touraine can feel is disgust. To her, the natives are uncivilized and her “education” as a soldier sets her apart. This internalised racism and Touraine’s development is one of the core themes of The Unbroken. Touraine was stolen as a child and fed propaganda against her own country, so her return is not
I found Luca’s narrative especially compelling. Her own racism and privilege is so clearly read but tied up in these beliefs that she is doing good. But let’s be clear here: Luca wants to do good by her people and this does not include the Qazal.
The Unbroken explores how the effects of colonization cannot be outdone by a few good intentions. Luca can choose to raise the pay of the Sands or reach out to the rebels but like, Touraine said, at the end of the day, Luca and the Balladairans occupied land that was not theirs. They took and took from the natives and thought that by employing them or building a school would be a good enough bargain. Truly though, what is a good enough reparation for the lives they took, the land they desecrated and the religions they banned?
I love how complicated the characters were from Touraine’s own internalized racism to her confusion about being her identity. As a biracial, I could relate to some of Touraine’s emotions. I understood what it was like to feel unwelcomed, to feel othered, but not the experience of someone who had been stolen away and used against their people. You could tell with the way Touraine felt about wanting to learn Shalan and how it resonated with her. There is something so heart wrenching of hearing your native language and even when you don’t understand it at times, it fills the blood. It caresses your memories and pulls you in.
The worldbuilding in The Unbroken was so fascinating. I love how the author integrated language, architecture and the history of the land. The world of The Unbroken was so full of life. IT wasn’t just a description of Qazal’s architecture but the author actually showed readers how things like a building or clothing are changed when a country is colonized. Personally, I also liked that through Luca we find out some of the policies like food rations, the Sands and how public approval swayed political decisions.
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Graphic: Gun violence, Rape, and Slavery
Moderate: Torture
tw: COLONIAL VIOLENCE