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That being said, I couldn’t put it down. I finished this one much more quickly than the first. It was very gripping. The reason I gave it 1/2 star less than its predecessor is just because of the r*pe scenes honestly.
Re: the title
The backstabbing really gets kicked up a notch in this book too.
I kind of thought at one point that the book was getting a bit predictable/tired and then OPE THERE’S A TWIST and then WHOOPS ANOTHER ONE. Hang in there.
The protagonist of the first book continues to beat the odds in unexpected ways as she did before and again it’s spectacular. Also as before, I found myself rooting for and even loving really cruel, dark, awful characters. The author has a talent for coaxing out empathy for the worst baddies.
Graphic: Ableism, Animal death, Body shaming, Child death, Confinement, Death, Domestic abuse, Homophobia, Miscarriage, Misogyny, Physical abuse, Rape, Self harm, Sexual content, Slavery, Torture, Violence, Blood, Grief, Abortion, Death of parent, Murder, Pregnancy, Fire/Fire injury, Gaslighting, Colonisation, Dysphoria, War, Injury/Injury detail
Minor: Vomit
Graphic: Death, Emotional abuse, Homophobia, Sexual assault, Sexual violence, Torture, Violence, Grief, War
Moderate: Misogyny, Physical abuse, Outing
Minor: Miscarriage, Abortion
Graphic: Miscarriage, Misogyny, Rape, Self harm, Sexism, Sexual violence, Violence, Xenophobia, War
The plot is amazing with a lot of twist and turn where you don't expect it. Seeing all the POV of the different Mandates makes you root for each of them and want to scream at the other when they fall into their traps. It's a very gruesome book with a lot of detailed violence that made me sometime have to take a minute before continuing reading.
I usually don't like military books but I could not put this one down because more than armies they are people and they aren't just fighting for power but for their future.
Graphic: Body horror, Death, Gore, Misogyny, Racism, Self harm, Sexism, Violence, Blood, War, Injury/Injury detail, Classism
Moderate: Homophobia, Sexual content
Minor: Abortion
Read if you like sweeping political drama and brutal historical fantasy.
Graphic: Ableism, Death, Misogyny, Physical abuse, Rape, Sexism, Sexual assault, Sexual content, Sexual violence, Violence, Murder, Sexual harassment
Moderate: Bullying, Homophobia, Torture
Minor: Adult/minor relationship, Body shaming, Blood, Trafficking
Graphic: Misogyny, Self harm, Sexual violence, Transphobia
Our character foils from book one, Zhu and General Ouyang, orbit each other even more closely in this installment, and I was fascinated to see the ways in which they aided and betrayed one another. I was surprised by how much time we spend with Wang Baoxiang, and didn't anticipate how central his storyline would become, but I honestly loved how the threads came together and how his story intersects with Zhu and General Ouyang. And never fear, because my favorite side character from book one, Ma, becomes pivotal in the final act, and I was so delighted to see how she influences the course of the narrative.
Though this book was exceedingly dark with significant on-page trauma (including rape, sexual violence, miscarriage and abortion, in addition to murder and war), these scenes felt intentional more than gratuitous, as Parker-Chan examines the intersections of revenge, sex, pain and violence in compelling and devastating ways.
I felt the story was surprisingly well-paced (given its length), and there were significant landmark scenes throughout that will haunt me for some time (sailing through ghosts?! IYKYK).
Because of how graphically violent and dark this duology is, I wouldn't necessarily recommend it to all fantasy readers, but I would absolutely recommend for those who love historical fantasy, historical retellings, speculative fiction, gender+bent history, and queer retellings with deeply (deeply) morally gray characters.
Graphic: Ableism, Death, Miscarriage, Misogyny, Rape, Sexual assault, Sexual violence, Blood, Grief, Abortion, Murder, Outing, War, Classism
Moderate: Body shaming, Confinement, Gore, Infidelity, Dysphoria
Absolutely GAGGED!
He Who Drowned the World is how you write a fucking sequel! A darker chapter in this duology, it has higher stakes, beautiful writing, and puts the characters into a metaphorical centrifuge that spins around and shows their rich layers. It's also queer as fuck, especially Zhu and Ouyang are playing some 3D levels of gender. Overall, the Radiant Emperor duology is a layered, nail biting, queer, epic fantasy with a full cast of blorbos!
Some spoiler-y semi-coherent thoughts, including spoilers for the ending:
- Ouyang, my poor little meow meow since book one. His arc was the best in this. Beginning still antagonistic and self hating, the latter of which reflects in how he treats other people, especially his misogyny. But through his relationship with Zhu, he grew so much as person and finally saw someone who had similar gender fuckery to himself, but had a sense of pride. It lead to such an interesting redemption arc that made it hurt all the more when he died.
- Zhu is an icon, she is the moment. I found it really interesting how she could see who people actually were and how part of that is because she understands that gender is a social construct, and so sees people for who they are, not who their genders say they are. This gaze in particular is what changes Ouyang, as she treats him for who he really is. With all that said, she also did get a lot of people killed and her loved ones hurt and it made the ending hit so hard, being her choosing to stop this cycle of violence. RIP Xa Du and Ouyang ;_;
- all the book's commentary on gender is so relevant. Internalized misogyny, the way people in the LGBTQ+ community will hate on less visible identities in a sad attempt to seem respectable, the complexity of gender, the importance of seeing people beyond what society says about them, choosing your own name and destiny, etc. This is more than a book with queer representation, it's a book about queerness!
- Baoxiang was a fascinating antagonist. Taking Ouyang's place from book one, he's now the villain who's in love with Esen. And he is so much worse than Ouyang. Though I understand why he did what he did, I can't quite like him like I do Zhu and Ouyang. He kind of boils my blood actually, especially with how he treated Ma. It was so powerful though how at the end he's told to find a new name and how that fits the theme of finding your own destiny and the way that applies to trans experiences. God this book is so queer I love it!
- Ma deserved more page time. She was so important in book one which ended with the grounds for conflict between her and Zhu. She took a backseat for most of this until the ending, but I never felt satisfied by her arc like I did with the others. And though she does get page time towards the end, the last 80 pages aren't as well paced as the rest of the book. It was like the ending was being dragged out but also not given enough time to settle everything.
Graphic: Misogyny, Rape, War
Moderate: Pregnancy
Graphic: Ableism, Addiction, Animal cruelty, Animal death, Body horror, Body shaming, Bullying, Child abuse, Child death, Confinement, Cursing, Death, Domestic abuse, Emotional abuse, Genocide, Gore, Homophobia, Infertility, Infidelity, Mental illness, Miscarriage, Misogyny, Physical abuse, Rape, Self harm, Sexism, Sexual assault, Sexual content, Sexual violence, Slavery, Suicidal thoughts, Torture, Toxic relationship, Transphobia, Violence, Xenophobia, Blood, Vomit, Medical content, Kidnapping, Grief, Abortion, Murder, Pregnancy, Lesbophobia, Abandonment, Sexual harassment, Colonisation, Dysphoria, War, Injury/Injury detail, Classism, Pandemic/Epidemic
Graphic: Death, Homophobia, Misogyny, Self harm, Sexism, Sexual assault, Sexual violence, Slavery, Suicidal thoughts, Murder, War