Reviews tagging 'Medical trauma'

Womb City by Tlotlo Tsamaase

7 reviews

_kathill's review

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adventurous mysterious tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes

2.5


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pm_me_book_recs's review against another edition

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challenging dark emotional mysterious sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

 I almost didn't finish this one, the beginning is a bit of a grind. I also had a tough time with the extensive and weirdly timed internal monologues that really info-dumped the reader.

I did like the setting, concept, and progression of story and conspiracy- but the characters were a little flat or relied too much on the plot for development? Some decisions felt forcibly poor, like I feel no one with a concept of cause and effect would make the choices that happened in this story. Once the plot picked up, it was a wild ride and action packed, and as I said, full of conspiracy and also incorporated Botswanan mythology/pantheon. There are very lengthy interruptions of internal monologue, however, that at times had me struggling to remember what was even happening before it started.

Like a combination of Altered Carbon, Handmaid's Tale, and The Truman Show. Major commentary on bodily autonomy and misogyny, class privilege, but much of it got lost in the action.

I listened to this ALC via Libro.fm and thought Cristel Mutombo did a great job, her voice is dynamic and it was easy to differentiate between characters, she is super emotive!


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mals_reads's review against another edition

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dark mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes

4.0

i think this was a fantastic debut, and i don’t agree with the reviews saying the story was all over the place! it is very complex — a body-hopping re-incarnation-focused society, a murder plot, a cruel high society and authoritarian government, discussions on Black and trans and women’s bodies, and other similar commentary — and these multitudes of components make this story great in my opinion. but to each their own!

if you like a more complicated plot, this is definitely for you. the book takes a turn about a quarter of the way in, turning from pure Afrofuturist sci-fi into a dystopian psychological thriller and a race against time.

i think Tlotlo Tsamaase accomplished quite a feat and i really adored her main character Nelah; she was a fighter, and i think the author did an amazing job making her both complex and so, so understandable.

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thecriticalreader's review against another edition

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dark slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated
 
Context: 
I saw Womb City by Tlotlo Tsamaase on an anticipated releases list and thought it looked/sounded amazing, so I borrowed it from my library through the Libby App.
 
Review:
Womb City by Tlotlo Tsamaase is the worst book I’ve ever read. There is a reason it has such a low aggregate rating on StoryGraph. It combines the worst elements of science fiction, fantasy, horror, thriller, and feminist rage literature with shitty writing. It’s a shame, too, because the cover art is amazing, and the description sounds sooo interesting. Before I start ranting about what I hated about it, I’m going to start with two positives:

·      First off, there are some kernels of good ideas in here, somewhere amidst the trash.

·      Secondly, on a sentence-by-sentence basis, this book isn’t bad. There are occasionally some sentences that are powerful and poetic. Unfortunately, you have to slog through pages of crap to get to them and when you do, they’re rendered meaningless by their context.
 
Now, for the bad. I don’t normally do reviews in bullet points, but I need some sort of organizational method to contain the rage I feel toward this book.

·      The worldbuilding is overexplained, yet somehow makes NO sense. First of all, nothing that happens is remotely within the realm of scientific possibility. I would be fine with this if it weren’t executed so poorly. I venture to say that 1/4 of this book is exposition explaining the byzantine body-swapping process; it reads like a worldbuilding Google Doc rather than a novel. Tsamaase throws rule after rule at the reader and does so in the most inorganic way possible. For example, characters will stop and explain how their world works to each other with no good reason to do so. Despite the mountains of explanation heaped upon the reader, there are plot holes so big that you could drive a truck through them. 

·      Furthermore, the underlying foundation of the world makes no sense from a sociological perspective. The sort of technology described in this book would radically alter the human experience and society, yet Tsamaase demonstrates zero creativity in imagining these changes. Do you really expect me to believe that people are semi-immortal and can swap bodies, and this doesn’t meaningfully alter society in any way? This alone pretty much ruined the book for me.

·      The characters are flimsy props for the plot, and they contradict themselves constantly. One character will say or believe one thing for the sake of one scene, but as soon as the author wants them to do something for the plot, they will do a 180 at the drop of a hat. 

·      The main character is a despicable, pathetic person whose motivations and actions make no sense. Like the other characters, she constantly contradicts herself.
She spends the first 20% of the book or so explaining how her every move and thought is monitored by her husband, and that if she wants to stay alive and have a child, she needs to be on her best behavior. As soon as she’s done explaining this, she promptly cheats on her husband and does a boatload of drugs. At another point in the book. she tells another character that her husband is a manipulative, abusive psychopath. She then acts shocked (imagine the shocked Pikachu face) when her husband later acts like a manipulative, abusive psychopath! These examples are just the tip of the iceberg with this character.


·      None of the dialogue resembles how real people talk; characters speak in paragraphs. The dialogue is basically a tool for the author to infodump more worldbuilding lore, plot nonsense, and bland feminist outrage at the reader.

·      This book tries so hard to be transgressive, edgy, and violent that it unintentionally has the opposite effect. The plot is fucked up, but that’s not a compliment.

·      The book has no narrative momentum in the first half, and then it suddenly enters turbo mode. The plot is off-the-rails bonkers, and yet it somehow manages to be predictable. Tsamaase piles on clunky plot twist after clunky plot twist, and Womb City quickly starts to feel like ten seasons of a bad supernatural soap opera crammed into one book.

·      The author has no understanding of how human bodies work and adds gore for the sake of gore. Let’s just leave it at that.

·      In xer acknowledgments, Tsmaase says that that xer manuscript was rejected over 400 times. Xe claims it’s because of “gatekeeping,” implies that racial bias was involved, and complains that nobody appreciated the book’s “nuances” until it found the right people. Yeah, I’m gonna call BS on that. I know full well that racial bias and sexism are rampant in the publishing industry, but sometimes people rightfully reject manuscripts because they’re garbage. Womb City is a steaming pile of garbage wrapped in an alluring, shiny bow. 
 
IN SHORT, DON’T BE FOOLED BY THE COOL PREMISE AND THE AMAZING COVER!!! DON’T WASTE YOUR TIME WITH THIS BOOK!!!!
 

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offtheraels's review against another edition

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challenging dark emotional medium-paced
  • Plot- or character-driven? Character
  • Strong character development? N/A
  • Loveable characters? N/A
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.25

***Disclaimer: I was provided an electronic ARC of this book by Netgalley in exchange for my honest review.***

Womb City is a mixed bag of dystopia, scifi, and horror. The reader follows an architect named Nelah whose consciousness is able to be transferred to different bodies. Her current body is heavily surveillanced due to a crime a previous 'soul' committed and her marriage is in a fragile condition. 

Nelah's infertility is a focus from the beginning of the novel, which leads to her and her husband growing their daughter in a government lab. When discussing infertility and as grief weaves in and out of daily life, the language becomes poetic and Nelah's humanity shines through. 

“...how can I be free when my womb is a grave.”

“I am the Black Womb; everything I touch erodes.”

There are moments when the language is less poetic and more exposition and clunky phrasing. Some of this can be excused as a downfall of speculative fiction where world building can often appear expository. However, there are ways to do this without shifting the tone of the narrative. This is part of why I think the poetic language stands out so much—because it's often bracketed with mechanical language and scientific world building, so these moments of rhythm seem shinier and slower in comparison. Also, I would have liked to see the science fiction and horror elements blend a little more. I could feel the tone shift between the genres, but like I could between the poetic prose and the exposition. Though this could also be because I am more of a horror fan than a scifi fan, so I was more attuned to those elements of the narrative. 

Nelah is a Black woman from Botswana, which grounded the narrative and gave the story a layer of nuance I thoroughly enjoyed. Major themes of the novel include the over policing and criminalisation of Black female bodies and what it means to be a woman living under patriarchal values and norms. For example, early on in the novel the reader learns that Nelah is a successful architect and the breadwinner in her marriage, yet her success and wealth do not equate to independence. Her husband maintains control in their marriage and is the arbiter of her surveillance.

“I stare at him and wonder if every marriage is like ours: microchipped wives watching our husbands disembowel our thoughts and memories, dissecting our every infraction, interrogating us about our glances, our clothes, our conversations. Monitoring us for undetected crimes.”



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laurareads87's review against another edition

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adventurous dark tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes

3.0

Womb City is author Tlotlo Tsamaase’s debut novel; having previously read xer short fiction in a few anthologies (Africa Risen and The Year’s Best African Speculative Fiction) I was very happy to read xer first longer work. 

It is certainly a genre-bender – what starts as a dystopian sci-fi with themes of surveillance and biotech takes a turn toward fast-paced horror, with the end of the book feeling like an entirely different text than the beginning. It is also ambitious – there are a lot of themes here, and strong commentary on bodily autonomy, the relationship between memory and identity, and the ways that those harmed by patriarchy also serve to maintain it. I liked a lot about this. What didn’t quite work for me was how jarring the shift in tone is, and some of the pacing; toward the end, the pace was so fast that it definitely felt like a few too many ideas were squished in for the page count. Some parts felt a bit too information-heavy – the world-building is fascinating and complex, but in some places explained too clearly to the reader, resulting in ‘info-dump’ that often wasn’t necessary and disrupted the dialogue. All that said, though, I found the plot exciting and couldn’t put it down.

Content warnings: pretty much all of them – body horror, gore, blood, violence, injury detail, death, murder, gun violence, rape, sexual assault, sexual abuse, emotional abuse, physical abuse, drug abuse, death of a parent, suicide, misogyny, sexism, homophobia, medical content, medical trauma, human trafficking. 

Thank you to Erewhon Books, Kensington Books, and NetGalley for providing me with an ARC. 

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shirecrow's review against another edition

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challenging dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Women should not always have to die. Girls should not be born into death. 

Womb City is a horror, ghost story exploring motherhood, memory, grief and what it means to be human. But what is most prominent me is that it's full of soul.

We follow our main character Nelah. She is complicated and angry and hurt but mostly she's yearning for love and connection. I adored her. She was twisted in a way that comes from immense pain. She was so human. Seeing her struggle with her body, her feelings and her need to be a mother was not only a strong plot point but also a beautiful and haunting reflection of women in real life.

The supporting characters were all fleshed out. Really, every single one of them felt like a complete character with flaws, background and personality.

I won't say too much, as this is still coming out in 2024, but what I can say is that you will learn to love and hate these characters. They're the backbone of this whole thing and they're strengthening the story and point that Tsamaase is wanting to portray.

Speaking of point; Womb City is a brilliant analysis of motherhood, the oppression of women and their bodily autonomy. It speaks on the usage of AI in something that should only be decided by nature: life and death. This aspect was very interesting to me considering AI is (currently and sadly) on the rise in so many different parts of society. Art and literature being it's most terrifying victims, what if humanity went beyond it and started using it in governmental issues. This book will give you a glimpse of that. 

Gender, gender roles, sexuality and self expression is also explored. The later two not in such a big way as gender and the main plot mentioned above but still an undeniably important part of the story. 

I enjoyed the Botswana backdrop and all the different African inclusions like slang and other locations. 

Oh, btw this has some cyberpunk elements, body-hopping and it's more action and adrenaline packed than you'd expect. Totally not cool and awsome and an absolute brilliant bland of politics, love and action, noooope not at all (LIE DETECTED, IT'S ALL OF THESE THINGS AND IT'S SO DAMN GOOD).

I have to admit that at the beginning I was struggling to get into it. At around 90 pages I was wondering how the author was going to fill another 300. But my god, did it pick up. At around 110 pages I was so captivated I could not stop reading for the rest of the day. Tsamaase's writing style pulls you in by the neck and won't let go. The style definitely defines the story and keeps you going even when your body would rather go to sleep. Xe just has way of writing that makes you so absorbed in the story that you can't wait to figure out what's next. 

And what's next? So many things get revealed that I was absolutely blindsided by. I gasped and looked around like I was in a movie theater. IT WAS THIS GOOD. 

I adored this book. I adore Tsamaase and will definitely read everything else xe has written or decides to write in the future. 

I am truly, utterly honored to have read this as an ARC and i'd be beyond delighted to have this in my bookshelf someday.  

Do yourself a favor and pre-order this. Put it at the top of your 2024 tbr. 

Thank you to Erewhon Books, Tlotlo Tsamaase and Netgalley for giving me a digital copy of this book in exchange for my honest review. 

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