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cadence99's review against another edition
adventurous
challenging
emotional
hopeful
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
I loved Pet, and Bitter certainly didn’t disappoint either. it’s truly such a fulfilling experience to fall into their writing.
Content Warnings
Graphic: Death, Emotional abuse, Gore, Blood, Child abuse, Abandonment, Injury/Injury detail, Murder, Panic attacks/disorders, and Police brutality
Moderate: Death of parent
Minor: Fire/Fire injury and Ableism
longhairzuko's review against another edition
adventurous
challenging
emotional
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I was unsure about Bitter in the beginning, but it definitely grew into itself. I'll always be touched by Emezi's writing.
Content Warnings
Graphic: Grief, Violence, and Self harm
Moderate: Police brutality, Panic attacks/disorders, Murder, Gun violence, and Kidnapping
thatenbyisisreads's review against another edition
challenging
dark
emotional
hopeful
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
4.5
Shit got serious real quick in this book. The fate of certain characters was very unfortunate. Overall, I hope Bitter can forgive herself for doing something that she thought could help her community because it did in the long run.
Content Warnings
Graphic: Murder, Death, and Violence
tangleroot_eli's review against another edition
adventurous
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Diverse cast of characters? Yes
I almost DNFed this several times but stuck with it to see all the ways it ties to Pet. But most of the major characters besides Bitter herself bugged the crap out of me. And idk what message Emezi intended readers to take away, but the one I got sits poorly with me.
Content Warnings
Graphic: War, Police brutality, Self harm, Violence, and Panic attacks/disorders
Moderate: Ableism, Bullying, Murder, and Blood
Minor: Transphobia, Homophobia, and Child abuse
marioncromb's review against another edition
dark
emotional
hopeful
inspiring
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Mainly made me want to read Pet again. I liked the glimpses of what Lucille would become - the pockets of love and community, and hope. But this is mainly a book about hurt, and violence and Vengeance.
Content Warnings
Graphic: Self harm and Blood
Moderate: Death, Injury/Injury detail, Murder, Death of parent, Child abuse, Grief, Police brutality, and War
Minor: Gun violence
anniereads221's review against another edition
adventurous
challenging
dark
sad
medium-paced
4.0
Content Warnings
Graphic: Racism, Violence, Alcohol, Blood, Gore, Injury/Injury detail, Police brutality, Murder, War, Death, Classism, Fire/Fire injury, and Grief
lindseyhall44's review against another edition
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I picked up Bitter because it’s predecessor Pet, was one of my favorite books of the year. While nothing can compare to the genius that was Pet, Bitter was still an amazing read!
Bitter follows its titular character as she navigates themes of art, social justice, and activism . Set against the backdrop of youth protest, Bitter decide must if leaving the safety of her boarding school, Eucalyptus, is the best way for her to create the change she desires.
The characters were definitely the strongest point of the novel, as Akwaeke did an amazing job creating flawed and complex narratives. Bitter’s character development was a master class itself, but the side characters also added an important outlook into the practice of youth activism, and the many different routes there are!
That being said, I do wish we had gotten a more developed look into Aloe and Bitter’s relationship, but that is just a personal preference, because I love them together!
Overall, I would 100% recommend reading Bitter, but maybe pick up Pet first:)
Bitter follows its titular character as she navigates themes of art, social justice, and activism . Set against the backdrop of youth protest, Bitter decide must if leaving the safety of her boarding school, Eucalyptus, is the best way for her to create the change she desires.
The characters were definitely the strongest point of the novel, as Akwaeke did an amazing job creating flawed and complex narratives. Bitter’s character development was a master class itself, but the side characters also added an important outlook into the practice of youth activism, and the many different routes there are!
That being said, I do wish we had gotten a more developed look into Aloe and Bitter’s relationship, but that is just a personal preference, because I love them together!
Overall, I would 100% recommend reading Bitter, but maybe pick up Pet first:)
Content Warnings
Graphic: Abandonment, Child death, Violence, Blood, Injury/Injury detail, Mental illness, Murder, Police brutality, Fire/Fire injury, and Self harm
rorikae's review
challenging
dark
emotional
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
‘Bitter’ by Akwaeke Emezi is a thought provoking and character driven prequel.
The story follows Jam’s mother Bitter as a young woman starting her art career as a student at Eucalyptus. Lucille is far from the peaceful city that is present in Pet. Instead, it is racked by protests against the police violence and systemic issues that plague the city. Bitter is trying to find her place in the world while exploring her art. She isn’t sure how to relate to her peers who are actively protesting. When Bitter releases a monster from one of her paintings in response to a cruel act of brutality, she will have to decide where she stands in this battle and what she will do next.
'Bitter' is the perfect prequel to Pet. Where Pet sets up a city that has come through hardship and become a more forgiving and open place, 'Bitter' gives us insight into the beginning of what transformed Lucille into that city. In 'Bitter,' Lucille much more clearly represents our current situation so when it is put in contrast to Pet, it becomes clear that Emezi is hinting at one possible way that we can move to a liberated future. Bitter is a great central protagonist, not only because we have already met her in Pet but also because she is caught between her art and comfort and making real change in the world. Her place is a highly relatable one and her considerations ones that many people are going through during this day and time. Paired with Emezi’s evocative writing, fully fleshed out characters, and ability to tell so much story in a short amount of time, 'Bitter' is another triumph of their skill. I hope we will see more in this world because it feels like there are more stories that could be told and a further piece in this city’s story that Emezi could explore. If you haven’t read Emezi’s work before, I think you can read these connected novels in either order. Please read this if you have any interest (and even if you don’t), Emezi is celebrated for a reason and it’s because they are a truly skilled storyteller.
The story follows Jam’s mother Bitter as a young woman starting her art career as a student at Eucalyptus. Lucille is far from the peaceful city that is present in Pet. Instead, it is racked by protests against the police violence and systemic issues that plague the city. Bitter is trying to find her place in the world while exploring her art. She isn’t sure how to relate to her peers who are actively protesting. When Bitter releases a monster from one of her paintings in response to a cruel act of brutality, she will have to decide where she stands in this battle and what she will do next.
'Bitter' is the perfect prequel to Pet. Where Pet sets up a city that has come through hardship and become a more forgiving and open place, 'Bitter' gives us insight into the beginning of what transformed Lucille into that city. In 'Bitter,' Lucille much more clearly represents our current situation so when it is put in contrast to Pet, it becomes clear that Emezi is hinting at one possible way that we can move to a liberated future. Bitter is a great central protagonist, not only because we have already met her in Pet but also because she is caught between her art and comfort and making real change in the world. Her place is a highly relatable one and her considerations ones that many people are going through during this day and time. Paired with Emezi’s evocative writing, fully fleshed out characters, and ability to tell so much story in a short amount of time, 'Bitter' is another triumph of their skill. I hope we will see more in this world because it feels like there are more stories that could be told and a further piece in this city’s story that Emezi could explore. If you haven’t read Emezi’s work before, I think you can read these connected novels in either order. Please read this if you have any interest (and even if you don’t), Emezi is celebrated for a reason and it’s because they are a truly skilled storyteller.
Content Warnings
Graphic: Gun violence, Murder, Death, Mental illness, Police brutality, Violence, Blood, Grief, Hate crime, and Racism
kell_xavi's review against another edition
4.0
This book is, unexpectedly, quite a bit better than Pet. Pet builds a world that cares, that is intentional, that believes:
We are each other’s harvest. We are each other’s business. We are each other’s magnitude and bond.
Bitter tries to explain how Jam’s parents, Bitter and Aloe, were made familiar with the capacity for creatures to be brought forth from her paintings. It also tries to explain how a city somewhere close to ours in white supremacist capitalist politics, but in the fight for equality, came to be the haven of Pet.
The history is, in some ways, disappointing, because it turns out that as much divine intervention as hard work goes into the answer; this novel doesn’t give hope like a bold of lightning, but in a trickle (but still there). There are moments, in willingness to talk after anger—in refusing the cure for a disability, in Bitter’s ability to find a safe space—that look like hope, monsters or not.
It was mostly resolved by the end, but parts of this book after Bitter brings something from a painting didn’t seem to quite fit with the first book. The roles Hibiscus and Ube inhabit, the way Bitter and others talk about change, the personality of the creature. It’s cohesive, such that I expect Emezi knew the whole timeline from the start, but some of the pieces didn’t line up for me.
Here’s what I loved: Aloe’s romance. Bitter’s art. The casual queerness. The way art is discussed as valuable. The phrasing around Bitter’s childhood. How true anxiety felt. Disability! How true anger and hopelessness felt.
Here’s what I wasn’t sure about: Assata. Eucalyptus. The utopic institutions were vague in ways, which was fine, but some of what was described felt a bit wonky, or else hollow. Population count for Lucille?
Here’s what I didn’t like: Perhaps necessary for the continuity, but I didn’t like how present the guilty party from Pet was here. Blessing’s outfits. The homogenous reaction the the scene in the public square: there’s a reductiveness to the immediate change everyone undergoes, and the discussion of punishment, anger, and terrorism ends up being sorely limited and ineffective as a result. I wanted concrete descriptions of what Assata is doing, a framework of what we’re fighting against: use of allegory would have strengthened Emezi’s ability to create a call to action through this work.
We are each other’s harvest. We are each other’s business. We are each other’s magnitude and bond.
Bitter tries to explain how Jam’s parents, Bitter and Aloe, were made familiar with the capacity for creatures to be brought forth from her paintings. It also tries to explain how a city somewhere close to ours in white supremacist capitalist politics, but in the fight for equality, came to be the haven of Pet.
The history is, in some ways, disappointing, because it turns out that as much divine intervention as hard work goes into the answer; this novel doesn’t give hope like a bold of lightning, but in a trickle (but still there). There are moments, in willingness to talk after anger—in refusing the cure for a disability, in Bitter’s ability to find a safe space—that look like hope, monsters or not.
It was mostly resolved by the end, but parts of this book after Bitter brings something from a painting didn’t seem to quite fit with the first book. The roles Hibiscus and Ube inhabit, the way Bitter and others talk about change, the personality of the creature. It’s cohesive, such that I expect Emezi knew the whole timeline from the start, but some of the pieces didn’t line up for me.
Here’s what I loved: Aloe’s romance. Bitter’s art. The casual queerness. The way art is discussed as valuable. The phrasing around Bitter’s childhood. How true anxiety felt. Disability! How true anger and hopelessness felt.
Here’s what I wasn’t sure about: Assata. Eucalyptus. The utopic institutions were vague in ways, which was fine, but some of what was described felt a bit wonky, or else hollow. Population count for Lucille?
Here’s what I didn’t like: Perhaps necessary for the continuity, but I didn’t like how present the guilty party from Pet was here. Blessing’s outfits. The homogenous reaction the the scene in the public square: there’s a reductiveness to the immediate change everyone undergoes, and the discussion of punishment, anger, and terrorism ends up being sorely limited and ineffective as a result. I wanted concrete descriptions of what Assata is doing, a framework of what we’re fighting against: use of allegory would have strengthened Emezi’s ability to create a call to action through this work.
Content Warnings
Moderate: Gun violence, Murder, Self harm, Grief, Police brutality, and Panic attacks/disorders
Minor: Child abuse, Rape, Ableism, Fire/Fire injury, and Death of parent
penofpossibilities's review against another edition
emotional
hopeful
sad
tense
fast-paced
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
3.75
Content Warnings
Graphic: Police brutality, Murder, Death, Self harm, Blood, and Violence
Minor: Fire/Fire injury