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Reviews tagging 'Fatphobia'

The Bluest Eye by Toni Morrison

30 reviews

dark emotional sad medium-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

This is a great novel with really poignant prose. The plot is really tragic, as are all the characters. The POV switches often, with the POV of Claudia being the only recurring one. Morrison explores the ways that black children are taught self loathing and hate, and how the definition of “beauty” is often intertwined with race. There is especially a spotlight on the treatment of black women in society, one of the topics being how black men will turn to abusing black women due to feeling demasculinized by white men. The author gives all the characters backstories to show how they became the people they are in the present day. I know some people didn’t like that she humanized the bad characters, but I think it’s important to recognize that the terrible things that happen in this novel are distinctly human. 

This book is a hard read, and it did a bit too much towards the end for me personally. I don’t think there was a reason to show the rape of Pecola considering we already know from the very beginning of the book that it happens. I also really didn’t understand the point of the POV of “Soaphead” except to be gratuitously disturbing. 

This book covers so many extremely important topics and themes, and I would definitely recommend, but PLEASE check the trigger warnings before reading! 

A few other things I had issues with. The way fat characters are treated and described are pretty fatphobic, but I’m not surprised considering the time it was published. There’s also a character who doesn’t enjoy sex with her husband, and finds comfort in her cat. There’s really weird descriptions of her experiencing “pleasure” from her cat sitting on her lap and stuff like that ??? Weird and once again, gratuitous.

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challenging dark sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

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challenging dark sad slow-paced

Expand filter menu Content Warnings
dark sad
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
challenging dark emotional reflective sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

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The language in this book is so wonderful. Each word tumbles into the next—a pace that I occasionally wanted to slam the brakes on due to the perverse and horrific things the words depicted. But the words tumbled on, slipping and sliding and settling in my brain. It’s odd, because they seemed comfortable at first, but quickly became restless as Morrison’s words stayed in my brain long after I’d put down the book. 

Expand filter menu Content Warnings
challenging emotional tense medium-paced
Plot or Character Driven: Character

Expand filter menu Content Warnings
dark emotional reflective sad medium-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

Absolutely gorgeous writing and masterful direction from Toni Morrison’s debut novel. I don’t like to mark up books, but part of me wishes I did for this one because some sentences were just gorgeous to read. 

The dark moments are handled with grace imo - although, if I can have one complaint keeping this from being a 5 star book it’s the fact that the poetic flow of the book doesn’t let up even during these horrific moments, making them seem a little less horrific to a more subjective eye?

In the edition I had, Morrison talks in an afterword about how she doesn’t just want people to pity Pecola, she wants them to reexamine themselves and the world around them and I think that was clear to me. Pecola Breedlove is one of the saddest characters I have ever read about, but a world in which a little girl isn’t protected from pain just because of how she looks is far sadder.

Expand filter menu Content Warnings
dark emotional reflective sad medium-paced
Plot or Character Driven: Character
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
challenging reflective sad slow-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

I have decided to make a concerted effort to re-read more books this year, and picked up Toni Morrison's The Bluest Eye again partly based on my experience of re-reading Sula for a book club and noticing how different parts of the book resonated more with me years later than when I first read it in college.

Long hours she sat, looking in the mirror, trying to discover the secret of the ugliness, the ugliness that made her ignored or despised at school, by teachers and classmates alike . . . It had occurred to Pecola some time ago that if her eyes, those eyes that held the pictures, and knew the sights-- if those eyes of hers were different, that is to say, beautiful, she herself would be different.

It has been so long since I last read The Bluest Eye that I was really approaching it almost from a blank slate-- other than the concept, I had largely forgotten the plot (even very major and disturbing plot points). I am very glad I re-read this novel because it brilliantly explores internalized anti-blackness, or as Morrison puts it in her foreword, "the damaging internalization of assumptions of immutable inferiority originating in an outside gaze." It is a heartbreaking and tragic novel that, like every book by Toni Morrison I've read, is expertly crafted. 

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