Reviews tagging 'Child death'

Wuthering Heights by Emily Brontë

28 reviews

acwhit17's review against another edition

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adventurous dark reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

Fucked up and yet. So compelling. Understand why kate bush was obsessed with it, very shocking for the time period and so good

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mcmeiss's review against another edition

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dark emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0


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kjboldon's review against another edition

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challenging dark medium-paced

4.5

Emily had a plan for this book but even after several readings, I'm not sure what it was. But it was precise and high minded, however debased her characters got. This one is definitely not for those who need a likes le character. Did she carry the Byronic ideal to its logical, ironic, conclusion?

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yujiarx's review against another edition

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challenging dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75


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erebus53's review against another edition

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challenging dark mysterious sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

This is a book I was assigned to read in highschool.. and that, like every other read I was set, I quit at page 37. I resolved to one day pick it up and digest it in it's entirety. Verdict? Not very filling, a bit dry, not that satisfying. If I hadn't deliberately exerted myself, I wouldn't have bothered to finish it.

The setting is ostensibly spooky. It's a cold and desolate windblown house, with warped trees and harsh weather. The introduction sets the reader ill at ease with a new tenant imposing himself upon the landlord's household, only to meet with dour people and rude manners. Every attempt he makes to act toward them in a warm or overly familiar way is oh so cringeworthy, and disconcerting.

The narrative is told through word of mouth stories. The main narrator on the history of the characters is a maid servant, but yet further detail is fleshed out through recounting the content of letters and anecdotes of others... this method of telling stories inside stories I have seen before in things like Shelley's Frankenstein.

The Classism in this is predictably rampant. The use of a Yorkshire accent is disparaged and laughed at. Frustratingly for me, the narrator of the audiobook couldn't do the dialect any justice and she fumbled through all the parts that are written phonetically in rustic parlance. This took a lot more work for me to interpret than if it were read fluently. Gah! t'th divvel wet ye!

Another recurring theme is the whole cliché of dark and light. A dark haired, supposedly ill-bred orphan is taken to hearth and home, and of course fair haired, light eyed, pale skinned people are seen as morally superior. A bit of vanilla Racism to rub into the literature. Well.. the book is old.. but I don't have to like it.

Honestly confused at what a teacher would hope to gain from getting teens to vivisect a book like this.. the book is pale and dreary, a litany of ills and intergenerational abuse, of slow burning insidious revenge. I mean, I used to be a goth.. I've listened to Kate Bush.. this wasn't even romantic.

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issyd23's review against another edition

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adventurous challenging dark emotional funny hopeful inspiring mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

Holy fucking shit this nocked my socks off! The prose are phenomenal & moving. Not bad for a virgin with no friends who died at 30 from TB 5🪦

Joanne Froggatt also fucking slayed the audiobook 5🪦

NB Nelly doesn’t get paid enough to deal with all the BS from the Lintons + Earnshaws - get a better employer girl! 

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ismildlypoetic's review against another edition

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challenging dark mysterious sad tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.0

Three stars means I liked the book! (tbh as i mull over it in the coming weeks, it'll probably grow higher)

Okay okay okay, so this needs a rant.
So I tried reading this book a few years ago, got ten pages in, and said nope. I just opened it again, and it took thirty pages of me Hating it, but I kept going anyways. I think I had a slow-burn relationship with this book.

If you're not used to reading classics, the language took a While to get used to.

Anyways, actual thought time: even for five-star books, it's very very rare that I care about how a book will end. But for some reason, this book had me Gripping the pages; needed to know how it ended and what becomes of the characters.

So even for how much I honestly didn't love 90% of the characters (they all pretty much annoyed me) and how I didn't care about certain plotlines, the tidbit of me caring how it ended stood out dramatically.

I also loved that it followed an entire family for like two generations. Stories like that, where you build a World, not just a couple moments, are my favorite, and I don't think I've ever actually read one before in a book.

I will say, my favorite characters were
Catherine (junior), Nelly, and most importantly, Heathcliff. I have no idea why, but even when Cathy Jr. and Nelly were annoying me, even in his absolute worst moments, Heathcliff had this depth to him that even if I hated, I cared for. He was the perfect villain (or anti-hero, in my case)
.

Alright, that was my rant. Would highly recommend if you're into classics, eh if you're not.

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josefineisreading's review against another edition

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challenging dark sad slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

This was hard to read as there are no likeable characters and I thought I was going in to read a tragic romance. I think my downfall was the fact that I thought I might be reading something similar to Pride and Prejudice but it was nowhere near. 

There were parts that I liked and nearer to the end I found it easier to read. It felt like there was a fair bit of filler but I think it’s more because of the time rather than a fault of Emily Brontë. I’m writing this having finished it a few hours ago and I can say I won’t reread it but I do think it’s a pretty decent story. 

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tammykuffo's review against another edition

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dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? N/A

4.0

Everyone is miserable 

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accidentallyinlovefromshrek2's review against another edition

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challenging dark emotional sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

I read this for my ISU for my English class, but I don't regret the choice despite the grueling task of finally getting back into reading.

Brontë's narration choices through Lockwood and Nelly (while annoying, as they are both unreliable and biased) was enjoyable and telling of her talent in writing.

The characters were compelling, three-dimensional, complex, and extremely flawed, which was all very refreshing. Brontë didn't fear outward societal commentary on race, class, and gender; nor did she fear creating characters that were unlikable or at least heavily flawed. Her characters were REAL.

Volume II was a struggle to get through, as I finished most of it in an exhausted (and, sometimes bored) daze at two in the morning, as I hurriedly finished it by the deadline for class. There was simultaneously too much information and too much time spent dwelling on this information for me to want to put effort into reading most of the second half.

Overall, I will revisit Wuthering Heights to re-read it, as I enjoyed it heavily. As soon as I recover from the onslaught of emotional damage it has run me through. 

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