Reviews tagging 'Body shaming'

If We Were Villains by M.L. Rio

42 reviews

dom_brlw's review against another edition

Go to review page

dark reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

This is a hard book to read. The amount of content warnings alone is a sign of it. It can be so dark at times and the characters are so twisted. This book shouldn’t be read when you are in a bad state of mind, it might make it worse. 

Expand filter menu Content Warnings

galena19's review

Go to review page

challenging dark emotional mysterious reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This book reminds me of the play Cat on a Hot Tin Roof by Tennessee Williams 

Expand filter menu Content Warnings

arbramirez's review against another edition

Go to review page

dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5


Expand filter menu Content Warnings

scottsland_yard's review

Go to review page

challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This book was really good! The writing was very poetic and the inclusion of many Shakespeare quotes was accurate to the characters as well as a great way to really draw the reader into the world. A bit difficult to get the nuance of the Shakespeare quotes chosen if you aren't well-versed in shakespearean theater though. I'm sure there were references I missed. 

SPOILER AHEAD!! 



The ending really upset me and I don't think in the way the author intended. While it was very poetic and intense, creating a huge tension that just ramped up and up toward the last page, I feel like the ending didn't justify the means. While ostensibly a story about murder and passion and rage, it was also obviously a story about love and self discovery. I think having the main character be bi-sexual and technically in a relationship with both Meredith and James (in a way) was really smart story telling to showcase the difficulty he feels in trying to figure out who he is, not only as an actor, but as a lover. What I didn't appreciate (and it's not really Rio's fault so much as it's a tired and hurtful trope shares by many authors) is that the majority of stories that feature a gay couple require that they go through torturous and heart-wrenching levels of trauma in order to move the story along. As a gay man, reading the tension between Oliver and James over and over with little to now pay off didn't feel exciting, it felt like torture. I was being led along like a horse with a carrot, the promise of the possibility of Oliver and James professing their feelings for each other or ending up together, only to constantly be whipped with sex scenes with Meredith and violence with Richard. In the end, when you think Oliver might finally get yo be happy with James, we're slapped in the face with the blunt honesty of Phillipa letting us know that James killed himself after not being able to bare the weight of the guilt of killing Richard (in self defense, btw) and his lover taking the blame for it. So Oliver once again ends up with Meredith and I was left furious. And the last page does little to bandage those wounds. 

I was left feeling empty, tense beyond belief, and with a heavy pit in my stomach. While the story was very good and the book was extremely well written, I am sick of this trope. I'm sick of gay characters being used as the martyrs in stories or being included only to drive the trauma train. (OH, also include the only canonically gay character overdosing and almost dying too) 

I yearn for stories of gay couples/characters that include all the tense will-they-won't-they that straight romances have, but for once, I'd like them to actually end up together. I've learned this is not the book for that. 

Expand filter menu Content Warnings

lexnicole's review against another edition

Go to review page

dark emotional mysterious sad tense medium-paced

4.0


Expand filter menu Content Warnings

star_oats's review

Go to review page

slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0

Wasted my time with this book. I had to slog through the endless sexism and slutshaming only for none of them to have any semblance of character depth and development and for the plot twist and ending to be so underwhelming. 

Expand filter menu Content Warnings

kazli's review against another edition

Go to review page

dark emotional funny mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.25

A bit predictable, the ending made it worth it.

Expand filter menu Content Warnings

reemoony's review

Go to review page

dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

what the actual fuck was this book (in a good way (not really))

Expand filter menu Content Warnings

atlaslan's review

Go to review page

dark emotional mysterious sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

5.0

This book was truly amazing and I think it's the best thing I have ever read and ever will read. It's just to beautifully tragic and so well written.

Expand filter menu Content Warnings

danaaliyalevinson's review

Go to review page

adventurous dark emotional mysterious tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

2.5

Maybe Dark Academia just isn't my genre. Rarely do I read a beloved book and wind up a naysayer, but this is one of those cases. 7 acting students in a Shakespeare program find themselves at the center of their own Shakespearean tragedy when one of them is murdered. For me, some parts of it felt like a bit too much more than nods at "The Secret History". Additionally, the ending, which was predictable but I actually thought was smart in its Shakespearean riff, would have resonated much more deeply if the author had let the two main characters actually be a couple and really invested us in their love for each other in that Shakespearean star crossed lovers way, instead of the queerbaity nonsense that lasted for the entirety of the novel. Like…
imagine if James and Oliver were just actually a couple, we lose all the pages of the entirely extraneous romantic relationships with Wren and Meredith respectively, and instead we spent pages building a deep connection to and care for James and Oliver as a couple. Then if Richard was still abusive to Meredith, it would have made her the prime suspect in our minds and the ‘obvious’ murderer, and then having it end with the twist being that it was James… would’ve been shocking. And if we had spent time really caring for James and Oliver as a “Romeo & Juliet” like couple, Oliver taking the fall would have made so much more sense. And then if James had actually committed suicide rather than the completely ridiculous and not at all logical suicide fake out, it would’ve brought the whole story full circle and concluded it with a Shakespearean and “Romeo & Juliet” like flair.
I think that would’ve made for a much more dynamic story.

Expand filter menu Content Warnings