Reviews tagging 'Hate crime'

Things We Lost in the Fire by Mariana Enríquez

7 reviews

maw's review against another edition

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dark emotional mysterious sad tense fast-paced
  • Plot- or character-driven? N/A
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0


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cosmicpasta's review against another edition

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dark emotional tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? N/A
  • Loveable characters? N/A
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? N/A

4.5


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danycatreader's review against another edition

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adventurous challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? N/A
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

4.5

Una colección de cuentos muy difícil de leer en el mejor sentido posible. Muchos cuentos de terror clásico como casas abandonadas, o apariciones y desapariciones repentinas, pero lo que une a todo el libro son las voces de mujeres, creando personajes difíciles y complejos. No todos los cuentos me encantaron, pero comprendo a lo que la autora quería llegar, y para mí eso es suficiente. Están hechos con tanta delicadeza que no puedo darle otro rating que no sea casi cinco estrellas.

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ahnminjim's review against another edition

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challenging dark emotional reflective sad tense slow-paced
  • Plot- or character-driven? N/A
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? N/A

4.75


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wimelire's review against another edition

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dark emotional mysterious sad tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0

I really enjoyed this book as my first dark read. Very creative ways of speaking about the state of the country and political impacts of the last few decades through the lenses of mainly women. Some stories were disturbing to read at points when describing crime and horror but overall enjoyed reading.

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burnyayhayley's review against another edition

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dark mysterious sad tense fast-paced
  • Plot- or character-driven? N/A
  • Strong character development? N/A
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? N/A

4.0

This collection is truly impressive. There are some seriously disturbing images and each story achieves a strong sense of unease by the end, sometimes in ways, I did not expect to actually find uneasy. 

The author has a very in-depth grip on characterization and is consistently excellent at giving us the correct amount of information so that all the characters feel real and important and tangible, but when you are finished you still feel slightly robbed of closure, which in the context of horror short fiction, is perfect. 

However, I knocked off a star because I am not feeling so impressed by the writing or the content that I am overwhelmed—I just feel a normal amount of impressed, if that makes sense. It's excellent short fiction, but it did not always hit me where I hoped it would. 


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mackenzi's review against another edition

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challenging dark mysterious reflective sad medium-paced
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

 Reading this book was like the author taking me into a little apartment and sitting me down on a couch or at an intimate little table. She brings in a box, an old shoebox or a little decorative wooden box, and opens it up and it's full of time-faded photographs and polaroids. She takes them out one by one, tells me the name of the person in it as she looks at the dates and little notes written on them in all sorts of different handwritings. 1979, 1991, 1983, 1999- I try to imagine what each year might mean but it's hard for me to imagine a place I don't know well during a time I didn't exist yet. It's a thrill to get to peek in at these lives I'd have never otherwise known, but none of the people in the photos seem happy, and I'm filled with apprehension.

 She tells me a story about each photo, a story she heard from a friend or a grandparent. Some of the names are the same from photograph to photograph, and I wonder if they're ever the same people displaced a little by time, still finding their way into stranger's photos just to be lost again. The stories are all a little sad, melancholic for their world-weariness, and all are frightening. Some scare me because ghosts scare me like they scare a child, some are scary because the world is just that way and I feel helpless about it. 

Each story ends, abruptly, her voice fading into silence as she sets the photo on the table, making a little pile that she's already gone through. I ask what happened to the person, what happened next, and she shrugs, she doesn't know. So each story lingers, because my mind craves completion, resolution- but if you've ever stumbled onto old photos in an antique store, you know there's no resolution. You can stare at the faces in the pictures all day and never know who they really were. And each story haunts because there seems like a world of things in that story, and I want to sift through each one to try and find the meaning, the lesson, the history, the knowledge of someone who might have lived it for real. 

But they're still just photographs and eventually she runs out of them, and she's putting them back in the box and she's taking the box away again, and I'm left with a handful of memories that feel startlingly real. 

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